Ratings
Financials
Revenue: $119,100,758
Budget: $17,000,000
Profit: + $102,100,758
Movie Details
Tag Line: What was once in the deep is now in the shallows.
Status: Released
Average Rating: 6
Release Date: Jun 24, 2016
Rating: 2016-06-21
Run Time: 1h 26m
Original Language: English
Website: Link
Production Countries: Australia , Spain , United States of America
Production Companies: Columbia Pictures , Ombra Films , Weimaraner Republic Pictures
Sources:
Genres
Keywords
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Synopsis
When Nancy is surfing on a secluded beach, she finds herself on the feeding ground of a great white shark. Though stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of Nancy's ingenuity, resourcefulness, and fortitude.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Jaume Collet-Serra
|
| Script Supervisor |
Carolina Häggström
|
|
| First Assistant Director |
Steve Danton
Julian Wall
|
|
| Writing | Screenplay |
Anthony Jaswinski
|
| Production | Casting |
Ben Parkinson
|
| Producer |
Lynn Harris
Matti Leshem
|
|
| Executive Producer |
Douglas C. Merrifield
Jaume Collet-Serra
|
|
| Location Manager |
Duncan Jones
|
|
| Sound | Original Music Composer |
Marco Beltrami
|
| Music Editor |
Nevin Seus
|
|
| ADR & Dubbing |
Polly McKinnon
|
|
| Foley |
Sarah Monat
Willard Overstreet
|
|
| Sound Designer |
Brandon Jones
|
|
| Sound Effects Editor |
J.M. Davey
Chris Diebold
P.K. Hooker
Chris Terhune
|
|
| Sound Re-Recording Mixer |
Tateum Kohut
|
|
| Boom Operator |
Ben Wyatt
|
|
| Camera | Director of Photography |
Flavio Martínez Labiano
|
| Helicopter Camera |
Peter Beeh
|
|
| Steadicam Operator |
Andrew Conder
|
|
| Still Photographer |
Vince Valitutti
|
|
| Additional Photography |
Marc Spicer
|
|
| First Assistant Camera |
Ron Coe
Chris Child
|
|
| Underwater Camera |
Simon Christidis
|
|
| Dolly Grip |
Mal Booth
Todd Carmody
Simon Cooke
|
|
| Key Grip |
Benn Hyde
|
|
| Underwater Director of Photography |
Simon Christidis
|
|
| Editing | Editor |
Joel Negron
|
| Dialogue Editor |
Polly McKinnon
|
|
| Digital Intermediate |
Barry Goch
Alex Portin
|
|
| Assistant Editor |
Mark V. Phillips
|
|
| First Assistant Editor |
Kevin Stermer
|
|
| Art | Production Design |
Hugh Bateup
|
| Art Direction |
Nathan Blanco Fouraux
|
|
| Supervising Art Director |
Fiona Donovan
|
|
| Construction Coordinator |
Brad Howard
|
|
| Art Department Coordinator |
Di Bennett
|
|
| Costume & Make-Up | Costume Design |
Kym Barrett
|
| Hairstylist |
Gail Kane
|
|
| Costume Supervisor |
Chelsea Staebell
|
|
| Makeup Department Head |
Tami Lane
|
|
| Makeup Artist |
Louise Coulston
Cora Montalban
|
|
| Hair Department Head |
Rod Ortega
|
|
| Crew | Makeup Effects |
Sean Genders
|
| Visual Effects Editor |
Joseph Hart Green
Oliver Eikhoff
Vincent Liebig
|
|
| Stunt Coordinator |
Glenn Ruehland
|
|
| Stunt Double |
Kelly Richardson
Isabella Nichols
Portia Large
|
|
| Stunts |
Judd Wild
Neil Stoddart
Gulliver Page
Elissa Cadwell
|
|
| Armorer |
Michael Bate
|
|
| Pilot |
Mark Harrold
|
|
| Visual Effects | Animation Supervisor |
Christian Kratzert
|
| Special Effects Supervisor |
Ronald Grauer
|
|
| Visual Effects Coordinator |
Emily Pead
Paul O'Hara
Anwei Chen
Lee Maher
Johanna Lange
|
|
| Visual Effects Producer |
Tim Johnson
Noémie Jacques
Carrie Richardson
|
|
| Visual Effects Supervisor |
Allan Magled
Nathan McGuinness
Scott E. Anderson
Gregory D. Liegey
José Manuel Weil
David Nelson
|
|
| 3D Artist |
Jonas Bergholm
Philip Trieu
|
|
| Lighting | Chief Lighting Technician |
Mick O'Brien
|
| Electrician |
Peter Fragoudakis
Sam McKinnon
Jack Moffatt
|
|
| Lighting Technician |
Mark Levey
|
|
| Rigging Gaffer |
Craig Clark
|
|
| Rigging Grip |
David Thomson
|
|
| Department | Role | Name |



