The Super
(1991) The judge sentenced slumlord Louie Kritski to six months in his own building. He would have been better off in jail. | Released
Ratings
5.9
5.5
Financials
Revenue: $11,000,863
Budget: $22,000,000
Profit: - $-10,999,137
Movie Details
Tag Line: The judge sentenced slumlord Louie Kritski to six months in his own building. He would have been better off in jail.
Status: Released
Average Rating: 6
Release Date: Oct 4, 1991
Rating: 1995-01-01
Run Time: 1h 24m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Largo Entertainment , JVC
Sources:
Genres
Keywords
People Rated This
Where to watch The Super
Watch with a paid subscrition
Watch for free with ads
Purchaseble on (Rent or Buy episodes, seasons or full series)
Synopsis
Louie Kritski is a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option -- he must live in his rat-infested hell hole until he brings it up to liveable standards.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Charles Gordon
|
| Casting |
Avy Kaufman
|
|
| Executive Producer |
Ronald E. Frazier
|
|
| Associate Producer |
Steven Felder
|
|
| Unit Production Manager |
Steven Felder
|
|
| Location Manager |
Donna E. Bloom
|
|
| Camera | Director of Photography |
Bruce Surtees
|
| Camera Operator |
Ken Ferris
|
|
| First Assistant Camera |
Eric Swanek
|
|
| Second Assistant Camera |
Andy Harris
|
|
| Steadicam Operator |
Ted Churchill
|
|
| Still Photographer |
Eric Liebowitz
|
|
| Key Grip |
Mitchell Andrew Lillian
|
|
| Editing | Editor |
Jack Hofstra
|
| Assistant Editor |
Sarah Gartner
Christopher S. Capp
|
|
| Art | Production Design |
Kristi Zea
|
| Set Decoration |
Leslie A. Pope
|
|
| Art Direction |
Jeremy Conway
|
|
| Lead Set Dresser |
Bruce Lee Gross
|
|
| Property Master |
Ron Stone
|
|
| Title Designer |
Douy Swofford
|
|
| Costume & Make-Up | Costume Design |
Aude Bronson-Howard
|
| Key Makeup Artist |
James Sarzotti
|
|
| Key Hair Stylist |
Aaron F. Quarles
|
|
| Crew | Choreographer |
Lola Holman Blank
|
| Stunts |
Peter Bucossi
Norman Douglass
Roy Farfel
Thomas A. Imperato
Manny Siverio
|
|
| Stunt Coordinator |
Jery Hewitt
|
|
| Special Effects Coordinator |
Steven Kirshoff
|
|
| Directing | Director |
Rod Daniel
|
| First Assistant Director |
Henry J. Bronchtein
|
|
| Second Assistant Director |
Jill Frank
|
|
| Script Supervisor |
Robin Squibb
|
|
| Second Unit Director |
David Lux
|
|
| Second Unit First Assistant Director |
Gaetano Lisi
|
|
| Writing | Writer |
Sam Simon
|
| Sound | Original Music Composer |
Miles Goodman
|
| Sound Mixer |
Thomas Brandau
|
|
| Boom Operator |
Richard Murphy
|
|
| Supervising Sound Editor |
Mark P. Stoeckinger
Wylie Stateman
|
|
| Supervising ADR Editor |
Gregg Baxter
|
|
| Foley Artist |
John Roesch
Joseph T. Sabella
|
|
| Foley Mixer |
Jackson Schwartz
|
|
| Sound Re-Recording Mixer |
Chris Jenkins
Doug Hemphill
Don Digirolamo
|
|
| Music Editor |
Nancy Fogarty
|
|
| Lighting | Gaffer |
Morris Flam
|
| Department | Role | Name |