The X Files
(1998) Fight the future. | Released
Ratings
60%
6.9
7
65%
Financials
Revenue: $189,198,313
Budget: $66,000,000
Profit: + $123,198,313
Movie Details
Tag Line: Fight the future.
Status: Released
Average Rating: 7
Release Date: Jun 19, 1998
Rating: PG-13
Run Time: 2h 01m
Original Language: English
Website: -
Production Countries: United States of America , Canada
Production Companies: Ten Thirteen Productions , 20th Century Fox
Genres
Keywords
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Synopsis
Mulder and Scully, now taken off the FBI's X Files cases, must find a way to fight the shadowy elements of the government to find out the truth about a conspiracy that might mean the alien colonization of Earth.
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Costume Design |
Marlene Stewart
|
| Prosthetic Makeup Artist |
Lance Anderson
|
|
| Key Makeup Artist |
Gino Crognale
|
|
| Key Costumer |
Helen Monaghan
|
|
| Costume Supervisor |
John Casey
|
|
| Key Hair Stylist |
Kerry Mendenhall
|
|
| Makeup Supervisor |
Michael Mills
|
|
| Set Dressing Artist |
Ronnie Lombard
|
|
| Set Costumer |
Nancy Collini
|
|
| Wardrobe Supervisor |
Janet Tebrooke
|
|
| Crew | Digital Supervisor |
Greg Strause
|
| Stunt Double |
Heather Burton
Jon H. Epstein
|
|
| Stunts |
Troy Brown
Bob Brown
John Meier
Billy D. Lucas
Troy Robinson
Steve M. Davison
Gregory J. Barnett
Lisa Dempsey
Brian Bennett
Nancy Thurston
|
|
| Makeup Effects |
Alec Gillis
|
|
| Special Effects Coordinator |
Paul J. Lombardi
|
|
| Transportation Co-Captain |
Maxwell R. Johnson II
|
|
| Stunt Coordinator |
Tim A. Davison
|
|
| Visual Effects Editor |
Pamela Choules
|
|
| Unit Publicist |
Alex L. Worman
|
|
| Transportation Coordinator |
Steve Duncan
|
|
| Driver |
Don Poole
|
|
| Stand In |
Fred Fein
|
|
| Digital Effects Supervisor |
Peter Koczera
|
|
| Aerial Coordinator |
David Paris
|
|
| Transportation Captain |
Howard Bachrach
|
|
| Video Assist Operator |
Mark Suveg
|
|
| Craft Service |
Derek Hurd
|
|
| Carpenter |
Damian 'Rocky' Polito
|
|
| Post Production Assistant |
Robert Mendoza
|
|
| Propmaker |
Samuel H. Adams
|
|
| Set Medic |
Todd J. Adelman
|
|
| Set Production Assistant |
Rachel Flackett
|
|
| Special Effects Technician |
Jan Beran
|
|
| Special Effects Assistant |
Scott D. Mattson
|
|
| Technical Advisor |
William O. Heaton
|
|
| Directing | First Assistant Director |
Josh McLaglen
|
| Director |
Rob Bowman
|
|
| Second Unit Director |
William H. Burton Sr.
|
|
| Second Second Assistant Director |
Rich Sickler
|
|
| Script Supervisor |
Tricia Ronten
|
|
| Additional Third Assistant Director |
Renato De Cotiis
|
|
| Third Assistant Director |
Phil Booth
|
|
| Art | Set Decoration |
Jackie Carr
|
| Production Design |
Christopher Nowak
|
|
| Art Direction |
Gregory Bolton
Hugo Santiago
|
|
| Supervising Art Director |
Marc Fisichella
|
|
| Graphic Designer |
Susan A. Burig
|
|
| Concept Artist |
Tim Flattery
|
|
| Assistant Art Director |
Dins W. W. Danielsen
|
|
| Construction Coordinator |
Bill Iiams
|
|
| Set Designer |
Fanée Aaron
|
|
| Art Department Coordinator |
Patti McNulty
|
|
| Production Illustrator |
Jim Martin
|
|
| Assistant Property Master |
Howard Fannon
|
|
| Swing |
Max E. Brehme
|
|
| Property Master |
Mike Carrillo
|
|
| Leadman |
Tim Donelan
|
|
| Storyboard Artist |
Robb Bihun
|
|
| Location Scout |
Carrie L.A.
|
|
| Art Department Assistant |
Jennifer Jaafar
|
|
| Painter |
Michael Gates
|
|
| Standby Painter |
James N. Delaplane
|
|
| Set Dressing Buyer |
Jill Hall
|
|
| Title Designer |
Ramsey McDaniel
|
|
| Camera | Assistant Camera |
Tom Gleason
|
| Director of Photography |
Ward Russell
|
|
| Additional Photography |
Lloyd Ahern II
|
|
| Still Photographer |
Merrick Morton
|
|
| Camera Operator |
Mark La Bonge
|
|
| First Assistant Camera |
Brad Edmiston
|
|
| Second Assistant Camera |
Michael Cassidy
|
|
| Best Boy Grip |
Chad C. Barrow
|
|
| Aerial Camera Technician |
Phil Bowen
|
|
| Focus Puller |
Merritt Gold
|
|
| Dolly Grip |
Rick Kangrga
|
|
| Key Grip |
James Sweet
|
|
| Grip |
Jason Bell
|
|
| Camera Loader |
Matthew A. Del Ruth
|
|
| Clapper Loader |
Jamie Sewell
|
|
| Production | Casting |
Meg Liberman
|
| Producer |
Chris Carter
Daniel Sackheim
|
|
| Co-Producer |
Frank Spotnitz
|
|
| Associate Producer |
Mary Astadourian
|
|
| Executive Producer |
Lata Ryan
|
|
| Unit Production Manager |
David Womark
|
|
| Casting Assistant |
Angela Terry
|
|
| Location Manager |
Michael J. Burmeister
|
|
| Assistant Production Coordinator |
Jennifer S. Deayton
|
|
| Production Supervisor |
Doris Donnenberg
|
|
| Additional Casting |
Patrick Rush
|
|
| Production Accountant |
Stevie Lazo
|
|
| Production Coordinator |
Dina Farnell
|
|
| Production Manager |
Perry Petrzilka
|
|
| Assistant Accountant |
Ricky Cuevas
|
|
| Key Set Production Assistant |
Anna Bradley
|
|
| Second Assistant Accountant |
Shaun M. McGovern
|
|
| Assistant Location Manager |
Timothy Falconer
|
|
| Location Assistant |
David M. Wermus
|
|
| Accountant |
Linda Gregory
|
|
| First Assistant Accountant |
Kelly Richards Ralston
|
|
| Payroll Accountant |
Julie Ann Moyeda
|
|
| Production Assistant |
Dave Casella
|
|
| Production Secretary |
John Nein
|
|
| Writing | Screenplay |
Chris Carter
|
| Story |
Chris Carter
Frank Spotnitz
|
|
| Sound | Original Music Composer |
Mark Snow
|
| Conductor |
Mark Snow
|
|
| Sound |
Rodger Pardee
|
|
| ADR Supervisor |
R.J. Kizer
|
|
| Foley Mixer |
David Betancourt
|
|
| Foley Artist |
Dawn Fintor
|
|
| Dolby Consultant |
Mark Kenna
|
|
| Music Editor |
Jeff Charbonneau
|
|
| Dialogue Editor |
Susan Dawes
|
|
| Assistant Sound Editor |
Blake R. Cornett
|
|
| Supervising Sound Editor |
John A. Larsen
|
|
| Sound Effects Editor |
Paul Apted
|
|
| Sound Recordist |
Craig Heath
|
|
| Additional Sound Re-Recording Mixer |
James Bolt
|
|
| ADR Mixer |
Jeff Hamon
|
|
| Sound Designer |
Paul Urmson
|
|
| Sound Mixer |
Geoffrey Patterson
|
|
| Orchestrator |
Jonathan Sacks
|
|
| Boom Operator |
Mark Steinbeck
|
|
| Music Supervisor |
David Was
|
|
| ADR Recordist |
Diane Linn
|
|
| Foley Recordist |
Carrie Cashman
|
|
| Editing | Editor |
Stephen Mark
|
| Color Timer |
Dennis McNeill
|
|
| Negative Cutter |
Gary Burritt
|
|
| First Assistant Editor |
Margaret Adachi
|
|
| Project Manager |
Stephen Sobisky
|
|
| Assistant Editor |
Jeff Cahn
|
|
| Visual Effects | Visual Effects Supervisor |
Mat Beck
|
| Additional Visual Effects |
Erik Henry
|
|
| Visual Effects Producer |
Matthew Ferro
|
|
| Special Effects Supervisor |
Stan Blackwell
|
|
| Senior Animator |
Erik Liles
|
|
| Compositing Artist |
Travis Baumann
|
|
| Digital Compositors |
Kenneth Au
|
|
| Visual Effects |
Fred Simon
|
|
| Visual Effects Coordinator |
Daphne Dentz
|
|
| 2D Supervisor |
Edwin Rivera
|
|
| 2D Artist |
Miyuki Takahashi
|
|
| VFX Artist |
Christopher Leone
|
|
| Visual Effects Production Assistant |
Jim Cashman
|
|
| Lighting | Gaffer |
Carl Boles
|
| Rigging Gaffer |
Mike Amorelli
|
|
| Lighting Technician |
Jenna Abrahamson-Minardi
|
|
| Best Boy Electric |
Mark Ballentine
|
|
| Electrician |
Harold Groshon
|
|
| Rigging Grip |
Pasquale Attanasio
|
|
| Chief Lighting Technician |
Jerry Solomon
|
|
| Department | Role | Name |
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