Timebomb
(1991) Eddy Kay was trained to kill, ordered to destroy, programmed to forget. Now, the most dangerous man alive is about to explode. | Released
Ratings
5.1
Financials
Revenue: $64,532
Budget: $6,000,000
Profit: - $-5,935,468
Movie Details
Tag Line: Eddy Kay was trained to kill, ordered to destroy, programmed to forget. Now, the most dangerous man alive is about to explode.
Status: Released
Average Rating: 5
Release Date: May 25, 1991
Rating:
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Dino de Laurentiis Communications , Raffaella Productions , Metro-Goldwyn-Mayer
Genres
Keywords
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Synopsis
When someone tries to murder watchmaker Eddy Kay, the incident triggers a barrage of nightmares and flashbacks into a past that isn't his own. Fearing for his sanity, Eddy contacts psychiatrist Dr. Anna Nolmar for help. Anna thinks he's hallucinating until another attack proves the dangers are all too real. The two of them go on the run, trying to discover the truth about Eddie's past and true identity before it kills them.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Raffaella De Laurentiis
|
| Casting |
Craig Campobasso
|
|
| Associate Producer |
Hester Hargett
|
|
| Line Producer |
Andrew G. La Marca
|
|
| Unit Production Manager |
Joseph C. Cavalier
|
|
| Production Coordinator |
Kristin Smith
|
|
| Location Manager |
Rhonda Baer
|
|
| Co-Producer |
Mike Petzold
|
|
| Editing | Assistant Editor |
Carlos Puente
Elaine Moritz
|
| Editor |
Isaac Sehayek
|
|
| First Assistant Editor |
Christopher Notarthomas
|
|
| Camera | Director of Photography |
Anthony B. Richmond
|
| Crew | Stunts |
Keith Campbell
Mary Albee
Cindy Folkerson
|
| Stunt Coordinator |
Paul Baxley
|
|
| Special Effects Coordinator |
Greg Landerer
|
|
| Pyrotechnician |
Greg Landerer
|
|
| Martial Arts Choreographer |
Uzi Gal
|
|
| Dialogue Coach |
Zsuzsa Cziraky
|
|
| Special Effects |
Mark Zarate
|
|
| Costume & Make-Up | Costume Designer |
Jill M. Ohanneson
|
| Hair Supervisor |
Nina Kraft
|
|
| Makeup Supervisor |
Nina Kraft
|
|
| Special Effects Makeup Artist |
Todd Masters
|
|
| Wardrobe Supervisor |
Shari Griffin
|
|
| Set Costumer |
Jemma Scarisbrick
|
|
| Directing | First Assistant Director |
Artist W. Robinson
|
| Director |
Avi Nesher
|
|
| Script Supervisor |
Annie Welles
|
|
| Second Assistant Director |
John Wildermuth
|
|
| Writing | Writer |
Avi Nesher
|
| Sound | Music |
Patrick Leonard
|
| Sound Editor |
Gaston Biraben
Jerry Stanford
Robert Waxman
Stephen Bushelman
Sam F. Shaw
Mark Ormandy
David Pettijohn
|
|
| Sound Re-Recording Mixer |
Michael C. Casper
Daniel J. Leahy
Thomas Gerard
|
|
| Orchestrator |
Bill Meyers
|
|
| Music Editor |
Adam Milo Smalley
|
|
| Supervising Sound Editor |
Robert R. Rutledge
|
|
| Sound Mixer |
Robert J. Anderson Jr.
|
|
| Music Coordinator |
Suzie Katayama
|
|
| Assistant Sound Editor |
Diane Livingston
Greg Plotts
|
|
| Scoring Mixer |
Jerry Jordan
|
|
| Art | Set Decoration |
Archie D'Amico
Yuda Ako
|
| Production Design |
Curtis A. Schnell
Greg Pruss
|
|
| Art Direction |
Robert Lee
|
|
| Construction Coordinator |
Robert E. Lee
|
|
| Visual Effects | Visual Effects Supervisor |
Richard Malzahn
|
| Department | Role | Name |