Ratings
Financials
Revenue: $19,652,638
Budget: $23,000,000
Profit: - $-3,347,362
Movie Details
Tag Line: The true story of Preston Tucker.
Status: Released
Average Rating: 7
Release Date: Aug 12, 1988
Rating: PG
Run Time: 1h 51m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Lucasfilm Ltd. , American Zoetrope
Genres
Keywords
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Synopsis
Ypsilanti, Michigan, 1945. Engineer Preston Tucker dreams of designing the car of future, but his innovative envision will be repeatedly sabotaged by his own unrealistic expectations and the Detroit automobile industry tycoons.
Crew
Department | Role | Name |
---|---|---|
Production | Executive Producer |
George Lucas
|
Producer |
Fred Roos
Fred Fuchs
|
|
Casting |
Janet Hirshenson
Jane Jenkins
|
|
Unit Production Manager |
Ian Bryce
|
|
Researcher |
Anahid Nazarian
|
|
Location Casting |
Aleta Chappelle
|
|
Location Manager |
Rory Enke
|
|
Associate Producer |
Teri Fettis-D'Ovidio
|
|
Production Accountant |
Joe Murphy
|
|
Assistant Location Manager |
Jonathan Shedd
Susan Griffin
|
|
Production Coordinator |
Maureen Murphy
|
|
Assistant Accountant |
Linda Knechtli
|
|
Production Secretary |
Kimberly Nelson
|
|
Directing | Director |
Francis Ford Coppola
|
Second Unit Director |
Buddy Joe Hooker
|
|
First Assistant Director |
H. Gordon Boos
|
|
Script Supervisor |
Wilma Garscadden-Gahret
|
|
Second Assistant Director |
L. Dean Jones Jr.
Daniel R. Suhart
|
|
Crew | Additional Music |
Carmine Coppola
|
Stunt Coordinator |
Buddy Joe Hooker
|
|
Stunts |
Jimmy Nickerson
Gary McLarty
Dick Ziker
Steve M. Davison
Tim A. Davison
|
|
Technical Advisor |
Enrico Umetelli
|
|
Unit Publicist |
Susan Landau Finch
|
|
Transportation Coordinator |
Steve Collins
|
|
Choreographer |
Paula Tracy Smuin
|
|
Camera | Director of Photography |
Vittorio Storaro
|
Camera Operator |
Jamie Anderson
|
|
Still Photographer |
Ralph Nelson Jr.
|
|
First Assistant Camera |
Billy Clevenger
Michael Santy
|
|
Second Assistant Camera |
Doug Hunt
Deborah Morgan
|
|
Dolly Grip |
David Heron
Leo Loverro
|
|
Key Grip |
Richard Dova Spah
|
|
Grip |
Dennis Pope
|
|
Art | Production Design |
Dean Tavoularis
|
Set Decoration |
Armin Ganz
|
|
Leadman |
Doug von Koss
|
|
Set Designer |
Jim Pohl
Bob Goldstein
|
|
Art Direction |
Alex Tavoularis
|
|
Property Master |
Douglas E. Madison
|
|
Assistant Property Master |
Douglas T. Madison
|
|
Construction Coordinator |
John J. Rutchland Jr.
|
|
Editing | Editor |
Priscilla Nedd-Friendly
|
First Assistant Editor |
Louise Rubacky
|
|
Negative Cutter |
Donah Bassett
|
|
Assistant Editor |
Roderick W. Finney
|
|
Sound | Sound Designer |
Richard Beggs
|
Sound Re-Recording Mixer |
Richard Beggs
Tom Johnson
Randy Thom
|
|
Music Editor |
Mark Adler
|
|
Supervising Sound Editor |
Gloria S. Borders
|
|
Foley Artist |
Dennie Thorpe
|
|
Sound Effects Editor |
Tim Holland
Robert Shoup
|
|
Foley Editor |
Sandina Bailo-Lape
Diana Pellegrini
|
|
ADR Editor |
Louise Rubacky
Tom Bellfort
|
|
Original Music Composer |
Joe Jackson
|
|
Assistant Sound Designer |
Mildred Iatrou
|
|
Assistant Sound Editor |
Martha Pike
Michele Perrone
Clare C. Freeman
Paige Sartorius
E. Jeane Putnam
Nicole Boris
|
|
Production Sound Mixer |
Michael Evje
|
|
Dialogue Editor |
Melissa Dietz
|
|
Boom Operator |
D. G. Fisher
|
|
Costume & Make-Up | Costume Designer |
Milena Canonero
|
Assistant Costume Designer |
Judianna Makovsky
|
|
Assistant Makeup Artist |
Karen Bradley
|
|
Makeup Artist |
Richard Dean
|
|
Assistant Hairstylist |
Terry Baliel
|
|
Hairstylist |
Lyndell Quiyou
|
|
Costume Supervisor |
Winnie D. Brown
|
|
Key Costumer |
Louis Infante
Anne Polland
Jill Maley
|
|
Writing | Screenplay |
Arnold Schulman
David Seidler
|
Lighting | Gaffer |
Pat Fitzsimmons
|
Visual Effects | Special Effects Supervisor |
David Pier
|
Visual Effects |
Robert Finley Jr.
|
|
Department | Role | Name |
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