Ratings
74%
7.6
8
88%
Financials
Revenue: $168,841,459
Budget: $29,000,000
Profit: + $139,841,459
Movie Details
Tag Line: The future is history.
Status: Released
Average Rating: 8
Release Date: Dec 29, 1995
Rating: R
Run Time: 2h 09m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Atlas Entertainment , Classico , Twelve Monkeys Productions
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Costume Design |
Julie Weiss
|
| Hair Designer |
Christine Beveridge
|
|
| Key Hair Stylist |
Peggy Nicholson
|
|
| Assistant Costume Designer |
B.J. Rogers
|
|
| Costumer |
Marina Marit
|
|
| Costume Supervisor |
Eric H. Sandberg
|
|
| Hairstylist |
Christina Bartolucci
William A. Kohout
|
|
| Makeup Artist |
Allen Weisinger
|
|
| Wardrobe Supervisor |
Melissa Stanton
|
|
| Directing | Director |
Terry Gilliam
|
| First Assistant Director |
Mark Egerton
|
|
| Second Assistant Director |
Philip A. Patterson
Andrew Bernstein
|
|
| Script Supervisor |
Marilyn Bailey
|
|
| Writing | Screenplay |
Janet Peoples
David Webb Peoples
|
| Original Film Writer |
Chris Marker
|
|
| Production | Producer |
Charles Roven
|
| Executive Producer |
Robert Cavallo
Gary Levinsohn
Robert Kosberg
|
|
| Unit Production Manager |
Lloyd Phillips
|
|
| Co-Producer |
Lloyd Phillips
|
|
| Associate Producer |
Mark Egerton
Kelley Smith-Wait
|
|
| Casting |
Margery Simkin
|
|
| Production Executive |
Richard Suckle
|
|
| Local Casting |
Mike Lemon
|
|
| Assistant Production Manager |
Charles Miller
|
|
| Location Manager |
Scott Elias
|
|
| Casting Associate |
Mikie Heilbrun
|
|
| Production Coordinator |
Elizabeth J. Nevin
|
|
| Production Accountant |
Matilde Valera
|
|
| Casting Assistant |
Marissa Giunta
|
|
| Payroll Accountant |
J.R. Craigmille
|
|
| Assistant Location Manager |
Kathi Ash
|
|
| Location Production Assistant |
Tim Downs
|
|
| Extras Casting |
Susan Gish
|
|
| Production Secretary |
Valerie Bartlett
|
|
| Production Assistant |
Alex Brown
|
|
| Camera | Director of Photography |
Roger Pratt
|
| Still Photographer |
Phillip V. Caruso
|
|
| Dolly Grip |
Patrick McGrath
|
|
| Camera Operator |
Kyle Rudolph
Craig Haagensen
Peter Norman
|
|
| Grip |
Rhett Bloomquist
Lee Shapira
Brian Snell
William Jones
|
|
| First Assistant Camera |
Vinnie Gerardo
Blackford 'Boots' Shelton
|
|
| Key Grip |
Mike Miller
|
|
| Best Boy Grip |
Thomas Jirgal
|
|
| Second Assistant Camera |
Bill Gerardo
|
|
| Editing | Editor |
Mick Audsley
|
| First Assistant Editor |
Dan Gane
Brian Ufberg
|
|
| Color Timer |
Eddie Wilder
|
|
| Negative Cutter |
Trevor Collins
|
|
| Colorist |
Eric McClain
|
|
| Assistant Editor |
Amanda Pollack
|
|
| Sound | Sound Editor |
Imogen Pollard
|
| Sound Mixer |
Jay Meagher
|
|
| Assistant Sound Editor |
Simon Cozens
|
|
| Original Music Composer |
Paul Buckmaster
|
|
| ADR Editor |
Budge Tremlett
|
|
| Foley |
Jason Swanscott
Jack Stew
|
|
| Foley Recordist |
Ted Swanscott
|
|
| Foley Editor |
Ian Wilson
|
|
| Boom Operator |
Randy Smith
|
|
| Supervising Sound Editor |
Peter Joly
|
|
| Foley Artist |
Diane Greaves
|
|
| Dialogue Editor |
Danny Longhurst
|
|
| Apprentice Sound Editor |
Tasha Pym
|
|
| Musician |
Mark Berrow
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Art | Set Decoration |
Crispian Sallis
|
| Assistant Art Director |
Kevin Ishioka
Tim Galvin
Robert LaPrell
|
|
| Production Design |
Jeffrey Beecroft
|
|
| Art Direction |
William Ladd Skinner
|
|
| Set Buyer |
Robert Holtzman
|
|
| Standby Painter |
Wayne Smith
|
|
| Production Illustrator |
Matt Codd
|
|
| Construction Foreman |
Thomas Turnbull
|
|
| Assistant Property Master |
Scott Maginnis
|
|
| Property Master |
Doug Harlocker
|
|
| Leadman |
John D. Kretschmer
Carl Catanese
|
|
| Location Scout |
Charley Armstrong
|
|
| Construction Coordinator |
Steven Lane Ewing
|
|
| Art Department Coordinator |
Lara Kelly
|
|
| Painter |
Paul A. Minitello
|
|
| Greensman |
Larry Misselhorn
|
|
| Set Dresser |
Kate Bartouldus
James Kelley
|
|
| Title Designer |
Penny Causer
|
|
| Visual Effects | Visual Effects Supervisor |
Kent Houston
|
| Digital Compositors |
Martin Body
Richard Bain
Steve Cutmore
Doug Forrest
Chris Panton
|
|
| Special Effects Supervisor |
Anthony Simonaitis
|
|
| Visual Effects Coordinator |
Susi Roper
|
|
| Lighting | Rigging Grip |
Matt Miller
Mike Finnegan
|
| Chief Lighting Technician |
Chuck Finch
|
|
| Assistant Chief Lighting Technician |
Steven Litecky
|
|
| Electrician |
Andrew Reed Conner
David Cecil
Bill Fiedler
Keith Salkowski
|
|
| Rigging Gaffer |
Craig Ligget
|
|
| Crew | Stunts |
Bill Anagnos
Sandy Alexander
Douglas Crosby
Steve Martin
Chuck Jeffreys
G. A. Aguilar
David S. Lomax
Ronald O. Jaynes
John Copeman
Brian Smyj
Steve Santosusso
Paul Couch
E.J. Evans
Elliot Santiago
|
| Unit Publicist |
Ernie Malik
|
|
| Post Production Assistant |
Glynn Williams
Pamela Susan Hall
|
|
| Stunt Coordinator |
Steve Martin
|
|
| Stunt Double |
Terry Jackson
|
|
| Post-Production Manager |
Lucy Darwin
|
|
| Special Effects |
David Acord
Joseph P. Mercurio
Russell Hardee
James Healy
Russell Hurlburt
Paul Kocar
Thomas Lockey
Beecher Tomlinson
|
|
| Scenic Artist |
Silvija L. Moess
|
|
| Carpenter |
Lê Hoàng
Scott T. Pina
Glen Foster
Wesley Goodwin
Mark Kendig
Ted Lubonovich II
Paul Maiello
Gary Pugh
|
|
| Video Assist Operator |
Ian Kelly
|
|
| Craft Service |
Elena Moscatt
Carole French
Reva Grantham
|
|
| Public Relations |
Dennis Davidson
|
|
| Propmaker |
Rick Gamez
|
|
| Special Effects Coordinator |
Shirley Montefusco
|
|
| Loader |
Thomas Greco
|
|
| Set Medic |
Ted Criswell
|
|
| Legal Services |
Marc Diener
Warren Holcomb
|
|
| Security |
Avi Korein
|
|
| Driver |
Richard Curry
|
|
| Pyrotechnician |
Ken Tarallo
|
|
| Animal Coordinator |
Jim Clubb
|
|
| Special Effects Technician |
Gary Pilkinton
|
|
| Department | Role | Name |
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