Upgrade
(2018) Not man. Not machine. More. | Released
Ratings
7.5
7.5
71%
Financials
Revenue: $16,706,680
Budget: $5,000,000
Profit: + $11,706,680
Movie Details
Tag Line: Not man. Not machine. More.
Status: Released
Average Rating: 7
Release Date: May 31, 2018
Rating:
Run Time: 1h 40m
Original Language: English
Website: Link
Production Countries: Australia , United States of America
Production Companies: Goalpost Pictures , Automatik Entertainment , Blumhouse Productions , Nervous Tick , Film Victoria , BH Tilt
Genres
Keywords
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Synopsis
A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers Trace a cure — an artificial intelligence implant called STEM that will enhance his body. Now able to walk, Grey finds that he also has superhuman strength and agility — skills he uses to seek revenge against the thugs who destroyed his life.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Terri Taylor
Nikki Barrett
|
| Executive Producer |
Leigh Whannell
Rosemary Blight
Ben Grant
Charles Layton
|
|
| Producer |
Jason Blum
Brian Kavanaugh-Jones
Kylie du Fresne
|
|
| Line Producer |
Michelle Russell
|
|
| Co-Producer |
Phillip Dawe
Bailey Conway
Beatriz Sequeira
|
|
| Location Manager |
Alistair Reilly
|
|
| Casting Associate |
Sarah Domeier Lindo
|
|
| Extras Casting |
Andrew Thompson
|
|
| Casting Assistant |
Ally Conover
|
|
| Production Coordinator |
Mimi Davis-Taylor
|
|
| Production Accountant |
Sandie Morris
Gina Hallas
|
|
| Post Production Accountant |
Kylie Muller
|
|
| Production Assistant |
Lauren Keely
|
|
| Production Secretary |
Rachel Chakman
|
|
| Directing | Director |
Leigh Whannell
|
| Second Unit Director |
Andy Canny
|
|
| Script Supervisor |
Aria Harrison
|
|
| First Assistant Director |
Toby Pease
|
|
| Second Assistant Director |
Ian 'Scooter' Welbourn
|
|
| Second Unit First Assistant Director |
Damien M. Grant
|
|
| Third Assistant Director |
Tom Jecks
|
|
| Writing | Writer |
Leigh Whannell
|
| Lighting | Gaffer |
Karl Engeler
|
| Lighting Technician |
Massimo Luongo
|
|
| Rigging Grip |
Jayden Irving
Mark Bradford
|
|
| Rigging Gaffer |
Anthony Veith
|
|
| Visual Effects | Special Effects Supervisor |
Angelo Sahin
|
| Visual Effects Producer |
Edwina Hayes
David Van Dyke
Gabrielle Joosten
|
|
| Digital Compositor |
Randy Vellacott
Nadia Ascione
Kate Bernauer
Mark Kwanten
Ross Macpherson
Garth O'Bryan
Tane Welham
|
|
| Visual Effects Supervisor |
Jonathan Dearing
|
|
| Visual Effects Coordinator |
Syna San
Liam O'Kane
|
|
| 3D Generalist |
David Williams
|
|
| Visual Effects |
Glen Cone
Egan Wesener
Dobbie Jake
|
|
| Art | Production Design |
Felicity Abbott
|
| Sculptor |
Steven Carroll
|
|
| Set Designer |
Michael Bell
|
|
| Swing |
Amanda Grillini
Craig Dermody
Mitchell Dickie
Todd Gingell
David Morris
Nick Pearson
Anastassia Poppenberg
Camilla Ruig
Harrison Trubie
|
|
| Greensman |
Christopher Hand
|
|
| Set Decoration |
Katie Sharrock
|
|
| Art Direction |
Mandi Bialek-Wester
|
|
| Assistant Art Director |
Phoebe Roberts
|
|
| Construction Foreman |
Dean Norman
Dave Bartlett
|
|
| Title Designer |
Scott Geersen
|
|
| Art Department Coordinator |
Manuel Caracciolo
|
|
| Construction Coordinator |
Jessica Rogers
|
|
| Construction Manager |
Ross Murdoch
|
|
| Property Master |
Pia McDowell
|
|
| Concept Artist |
Xavier Irvine
|
|
| Sound | Music Editor |
Brett Pierce
|
| Foley Artist |
Steve Baine
Daniel Moctezuma
|
|
| Sound Effects Editor |
Chris Terhune
Emma Bortignon
Ken McGill
Adam Baker
|
|
| Supervising Sound Editor |
Will Files
P.K. Hooker
|
|
| ADR & Dubbing |
Polly McKinnon
|
|
| Sound Re-Recording Mixer |
Joel Dougherty
|
|
| Original Music Composer |
Jed Palmer
|
|
| Sound Designer |
P.K. Hooker
|
|
| Supervising ADR Editor |
Ryan Cole
|
|
| Supervising Dialogue Editor |
Ryan Cole
|
|
| Music Supervisor |
Jemma Burns
|
|
| Sound Recordist |
Andrew Ramage
|
|
| Foley Recordist |
Peter Persaud
|
|
| Boom Operator |
Hiroyuki Igarashi
|
|
| Sound Mix Technician |
Tom Burns
|
|
| ADR Recordist |
Brendan Croxon
|
|
| Foley |
Gina Gyles
|
|
| Editing | Editor |
Andy Canny
|
| Assistant Editor |
Ahmad Halimi
Matthew Wigg
Shannon Longville
|
|
| Digital Intermediate Colorist |
Adrian Hauser
Dwaine Hyde
|
|
| Online Editor |
Jo Spillane
|
|
| Colorist |
Tom Reiser
|
|
| Additional Editor |
Jonathan Keogh
|
|
| Camera | Director of Photography |
Stefan Duscio
|
| Still Photographer |
Ben Timony
Sarah Enticknap
Lisa Tomasetti
|
|
| Steadicam Operator |
Andrew AJ Johnson
|
|
| First Assistant Camera |
Andrew Jerram
|
|
| Aerial Camera |
Peter Beeh
|
|
| Key Grip |
Glenn Arrowsmith
|
|
| Second Unit Director of Photography |
Shelley Farthing-Dawe
|
|
| Grip |
Justin Meinesz
Darryl Murphy
|
|
| Digital Imaging Technician |
Tom Tcimpidis
|
|
| Second Assistant Camera |
Jensen Cope
Jonathan Haynes
Karina Davies
|
|
| Best Boy Grip |
John Regan
|
|
| Costume & Make-Up | Prosthetic Designer |
Larry Van Duynhoven
|
| Additional Hairstylist |
Zeljka Stanin
Maggie Kolev
Dyan Gregoriou
|
|
| Hair Designer |
Chiara Tripodi
|
|
| Makeup Designer |
Chiara Tripodi
|
|
| Makeup & Hair |
Rachelle O'Donnell
Selena Pertzel
|
|
| Costume Design |
Maria Pattison
|
|
| Prosthetics Sculptor |
Eden Small
|
|
| Assistant Hairstylist |
Leah Meurer
|
|
| Costume Assistant |
Camilla McKewen
|
|
| Costume Supervisor |
Fiona MacKinnon
|
|
| Costume Standby |
Tami Holton
|
|
| Crew | Dialect Coach |
Jenny Kent
|
| Stunt Coordinator |
Chris Anderson
|
|
| Armorer |
Scott Warwick
Stephen Cunnington
|
|
| Visual Effects Editor |
Matthew Wigg
Ethan Vellacott
Chase Worland
|
|
| Prop Maker |
Craig Fison
|
|
| Second Unit Cinematographer |
Shelley Farthing-Dawe
|
|
| Fight Choreographer |
Chris Weir
|
|
| Compositor |
David Williams
Ryan Coates
Darren Coombes
Monique O'Halloran
Ben Ying
Antony Haberl
|
|
| Carpenter |
Dylan Black
Tom St Jack
Avery Walker
Clint Wall
|
|
| Special Effects Coordinator |
Katerina Mitropoulos
|
|
| Special Effects Technician |
Herman Olguin
Jessica Power
Andrew Wallis
|
|
| Department | Role | Name |
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