Warlock: The Armageddon
(1993) When he comes... All hell breaks loose. | Released
Ratings
5.3
5.4
Financials
Revenue: $3,902,679
Budget: $3,000,000
Profit: + $902,679
Movie Details
Tag Line: When he comes... All hell breaks loose.
Status: Released
Average Rating: 5
Release Date: May 1, 1993
Rating: 1993-09-24
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Tapestry Films , Trimark Pictures
Genres
Keywords
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Synopsis
Every six hundred years, a great evil has the opportunity to escape and unleash Armageddon. A group of five stones has the power to either free the evil, or banish it for another six hundred years. An order of Druids battles with a Warlock determined to unleash his father upon the world.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Anthony Hickox
|
| First Assistant Director |
Paul N. Martin
|
|
| Second Assistant Director |
Ty Arnold
Phil Robinson
|
|
| Second Second Assistant Director |
Deanna Gallier
|
|
| Script Supervisor |
Gina Michel
|
|
| Second Unit Director |
Robert L. Levy
|
|
| Production | Co-Producer |
Natan Zahavi
|
| Casting |
Allison Gordon-Kohler
|
|
| Executive Producer |
Roger Burlage
Andrew Hersh
|
|
| Producer |
Peter Abrams
Robert L. Levy
|
|
| Executive In Charge Of Production |
Jonathon Komack Martin
|
|
| Associate Producer |
Sam Bernard
|
|
| Production Coordinator |
Clarissa Troop
|
|
| Assistant Production Coordinator |
Alex Turner
|
|
| Location Manager |
Bonnie Sills
|
|
| Costume & Make-Up | Costume Design |
Leonard Pollack
|
| Special Effects Makeup Artist |
Bob Keen
Christopher Allen Nelson
|
|
| Makeup & Hair |
Rudy Sotomayor
|
|
| Sound | Original Music Composer |
Mark McKenzie
|
| Sound Designer |
Frank Serafine
|
|
| Production Sound Mixer |
Donald F. Johnson
|
|
| Sound Mixer |
Brent Johnson
|
|
| Sound Editor |
Elmo Weber
|
|
| Sound Re-Recording Mixer |
Elmo Weber
Dennis Patterson
|
|
| Dialogue Editor |
Phillip Raves
|
|
| Dolby Consultant |
Douglas Greenfield
|
|
| ADR Recordist |
Dennis Patterson
|
|
| Foley Recordist |
Dennis Patterson
|
|
| Foley Artist |
Monette Holderer
Ginger Geary
G.K. Holderer
|
|
| Music Editor |
James D. Young
|
|
| Music Supervisor |
Kevin Benson
|
|
| Editing | Editor |
Christopher Cibelli
James D.R. Hickox
|
| Additional Editing |
Emma E. Hickox
|
|
| Color Timer |
Larry Rovetti
|
|
| Art | Production Design |
Steve Hardie
|
| Art Direction |
John Chichester
|
|
| Construction Coordinator |
Daniel Turk
|
|
| Storyboard Artist |
Marc Baird
|
|
| Set Decoration |
David A. Koneff
|
|
| Leadman |
Anthony Bashford
|
|
| Set Dresser |
Mark Holt
|
|
| Property Master |
Jayne-Ann Tenggren
|
|
| Title Designer |
Dickson McMurray
|
|
| Camera | Director of Photography |
Gerry Lively
|
| Camera Operator |
Richard Clabaugh
|
|
| First Assistant Camera |
Ron Bahara
|
|
| Still Photographer |
Michael Paris
|
|
| Key Grip |
Michael L. Hall
|
|
| Dolly Grip |
Louis Cicero
|
|
| Second Unit Director of Photography |
Russ Brandt
|
|
| Steadicam Operator |
Dan Kneece
|
|
| Writing | Story |
Kevin Rock
|
| Screenplay |
Kevin Rock
Sam Bernard
|
|
| Characters |
David Twohy
|
|
| Crew | Unit Publicist |
Tony Angellotti
|
| Post Production Supervisor |
Sherwood Jones
|
|
| Stunt Coordinator |
R.A. Rondell
|
|
| Stunts |
Cheryl Wheeler Duncan
Ronnie Rondell Jr.
David R. Ellis
Gary McLarty
Steve M. Davison
Brian Smrz
Jani D. Davis
Perry Barndt
James M. Halty
Chuck Hicks
Maria R. Kelly
Pat Romano
Norman Howell
Richard M. Ellis
|
|
| Lighting | Gaffer |
Adam Santelli
|
| Best Boy Electric |
Andrew Rawson
|
|
| Electrician |
Chris Milani
Melvin Pukowsky
Jason Santelli
|
|
| Visual Effects | Visual Effects Supervisor |
Robert D. Bailey
|
| Department | Role | Name |