Waves
(2019) Love is patient. | Released
Ratings
7.4
Financials
Revenue: $2,576,990
Budget: $6,000,000
Profit: - $-3,423,010
Movie Details
Tag Line: Love is patient.
Status: Released
Average Rating: 7
Release Date: Nov 15, 2019
Rating:
Run Time: 2h 15m
Original Language: English
Website: Link
Production Countries: Canada , United States of America
Production Companies: Bron Studios , JW Films
Genres
Keywords
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Synopsis
A controlling father’s attempts to ensure that his two children succeed in high school backfire after his son experiences a career-ending sports injury. Their familial bonds are eventually placed under severe strain by an unexpected tragedy.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Avy Kaufman
|
| Local Casting |
Mark Mullen
Beth Haden Marshall
|
|
| Producer |
Kevin Turen
James Wilson
Trey Edward Shults
|
|
| Executive Producer |
Jacob Jaffke
|
|
| Line Producer |
Jacob Jaffke
|
|
| Unit Production Manager |
Morgan Newell
|
|
| Co-Producer |
Justin R. Chan
Harrison Kreiss
|
|
| Casting Associate |
Harrison Nesbit
|
|
| Sound | Original Music Composer |
Trent Reznor
Atticus Ross
|
| Sound Designer |
Johnnie Burn
Jack Sedgwick
Simon Carroll
Ned Sisson
Brendan Feeney
Jack Patterson
|
|
| Supervising Sound Editor |
Johnnie Burn
|
|
| Sound Re-Recording Mixer |
Johnnie Burn
|
|
| Foley Editor |
Matt Snedecor
|
|
| Music Editor |
Trey Edward Shults
|
|
| Sound Effects Editor |
Jack Sedgwick
Simon Carroll
Max Behrens
Ned Sisson
Brendan Feeney
Jack Patterson
|
|
| Production Sound Mixer |
Dimitri Kouri
|
|
| Foley Recordist |
Leo Rozenberg
|
|
| Foley Artist |
Curtis Henderson
|
|
| Utility Sound |
Cary Simon
|
|
| Crew | Stunt Coordinator |
Artie Malesci
|
| Thanks |
Mahershala Ali
Arielle Cooper-Lethem
Rebecca Boswell
|
|
| Post Production Supervisor |
Andrew Hauser
Mark Sean Haynes
|
|
| Stunt Double |
Sli Lewis
|
|
| In Memory Of |
Bill Shultz
|
|
| Stunt Driver |
James C. Wallace
|
|
| Costume & Make-Up | Hair Department Head |
Gianna Sparacino
|
| Costume Design |
Rachel Dainer-Best
|
|
| Key Hair Stylist |
Carol Raskin
|
|
| Makeup Department Head |
Dolly Hernandez
|
|
| Set Costumer |
Ellen Cerrito
|
|
| Costume Supervisor |
Mila Kastari
|
|
| Art | Set Decoration |
Adam Willis
|
| Production Design |
Elliott Hostetter
|
|
| Set Dresser |
Michael J. Flynn
Richard E. Kruder
John Francis Kupfer
|
|
| Art Direction |
Margaux Rust
|
|
| Assistant Art Director |
John Navarro Jr.
|
|
| Camera | Director of Photography |
Drew Daniels
|
| Underwater Camera |
Sean P. Gilbert
|
|
| Steadicam Operator |
Osvaldo Silvera Jr.
|
|
| "A" Camera Operator |
Osvaldo Silvera Jr.
|
|
| Digital Imaging Technician |
Sean Lunski
|
|
| Still Photographer |
Monica Lek
|
|
| Key Grip |
Kevin Higgins
|
|
| Dolly Grip |
Malcolm Jolley
|
|
| Best Boy Grip |
Fred Kimble
|
|
| Writing | Screenplay |
Trey Edward Shults
|
| Directing | Director |
Trey Edward Shults
|
| First Assistant Director |
Eric LaFranchi
|
|
| Second Second Assistant Director |
Ryan McInerney
|
|
| Second Assistant Director |
Alicia Triana Tabeau
|
|
| Editing | Editor |
Trey Edward Shults
Isaac Hagy
|
| Consulting Editor |
Lucian Johnston
|
|
| Visual Effects | Visual Effects Supervisor |
Lucien Harriot
|
| Lighting | Gaffer |
Chris Hill
|
| Key Rigging Grip |
Rick LaCoste
|
|
| Rigging Gaffer |
Daniel Demirgian
|
|
| Best Boy Electric |
Paco Moises
|
|
| Department | Role | Name |
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