We Live in Time
(2025) Every minute counts. | Released
Ratings
7.3
Financials
Revenue: $37,182,814
Budget: $20,000,000
Profit: + $17,182,814
Movie Details
Tag Line: Every minute counts.
Status: Released
Average Rating: 7
Release Date: Jun 24, 2025
Rating: 2024-10-31
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Film4 Productions , SunnyMarch , Shoebox Films , StudioCanal
Sources:
Genres
Keywords
People Rated This
Where to watch We Live in Time
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Synopsis
An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
John Crowley
|
| First Assistant Director |
Zoe Liang
|
|
| Second Assistant Director |
Danni Lizaitis
|
|
| Crowd Assistant Director |
Charlotte Amelia Miles
Georgina Miles
|
|
| Script Supervisor |
Alana Marmion-Warr
|
|
| Writing | Writer |
Nick Payne
|
| Production | Producer |
Leah Clarke
Guy Heeley
Adam Ackland
|
| Executive Producer |
Benedict Cumberbatch
Joe Naftalin
Ron Halpern
Daniel Battsek
Ollie Madden
Anna Marsh
David Kimbangi
|
|
| Co-Producer |
Tim Dennison
|
|
| Casting |
Fiona Weir
|
|
| ADR Voice Casting |
Vanessa Baker
|
|
| Casting Assistant |
Sinéad Donnelly
Lilly Mackie
|
|
| Camera | Director of Photography |
Stuart Bentley
|
| First Assistant "A" Camera |
Adam Conlon
|
|
| Digital Imaging Technician |
Shibbir Ahmed
|
|
| Steadicam Operator |
Stamos Triantafyllos
|
|
| Crew | Stunt Coordinator |
Nrinder Dhudwar
|
| Post Production Supervisor |
Gisela Evert
|
|
| Stunt Double |
Christina Low
|
|
| Special Effects Technician |
Chris Watson
|
|
| Special Effects Coordinator |
Bailey Wright
|
|
| Score Engineer |
Jeremy Murphy
|
|
| Costume & Make-Up | Costume Supervisor |
Georgina Napier
|
| Hair Designer |
Ivana Primorac
|
|
| Makeup Designer |
Ivana Primorac
|
|
| Costume Design |
Liza Bracey
|
|
| Special Effects Makeup Artist |
Sally Alcott
|
|
| Art | Production Design |
Alice Normington
|
| Supervising Art Director |
Thalia Ecclestone
|
|
| Title Designer |
Matt Curtis
|
|
| Art Direction |
Lissa Lamona
|
|
| Set Decoration |
Sarah Kane
|
|
| Assistant Property Master |
Roisin Abbott
|
|
| Storyboard Artist |
Temple Clark
|
|
| Property Master |
Noel Cowell
|
|
| Assistant Set Decoration |
Marlow Hope
|
|
| Assistant Art Director |
Rowland Siddall
|
|
| Standby Art Director |
Rebecca Sutton
|
|
| Art Department Assistant |
Amelia Williams
|
|
| Graphic Designer |
Jessica Sutton
|
|
| Sound | Music Supervisor |
Nick Angel
|
| Original Music Composer |
Bryce Dessner
|
|
| Production Sound Mixer |
John Casali
|
|
| Foley Editor |
Rob Davidson
|
|
| Supervising Sound Editor |
Dan Morgan
|
|
| Sound Editor |
Max Walsh
|
|
| Foley Supervisor |
Adam Mendez
|
|
| Foley Artist |
Oliver Ferris
|
|
| Sound Re-Recording Mixer |
Filipe Pereira
|
|
| Sound Designer |
Arthur Graley
|
|
| Boom Operator |
Chris Murphy
|
|
| Music Coordinator |
Lily Leonard
|
|
| Music Editor |
Tony Lewis
Yann McCullough
|
|
| Songs |
Romy
Sampha
|
|
| Editing | Editor |
Justine Wright
|
| Colorist |
Thomas Urbye
|
|
| First Assistant Editor |
Rob Eden
|
|
| Online Editor |
Aidan Bennett
|
|
| Visual Effects | Special Effects Supervisor |
John Rafique
|
| Visual Effects Supervisor |
Peter Young
|
|
| Visual Effects Producer |
April-Rae Hughes
|
|
| VFX Artist |
Paul Alexander Gill
|
|
| Lighting | Lighting Technician |
Cade Conetta
Bruce Magahy
Norbert Strehle
|
| Gaffer |
Matt Moffatt
|
|
| Department | Role | Name |