Ratings
Financials
Revenue: $63,710,000
Budget: $35,000,000
Profit: + $28,710,000
Movie Details
Tag Line: Bob's a special kind of friend. The kind that drives you crazy.
Status: Released
Average Rating: 7
Release Date: May 17, 1991
Rating: PG
Run Time: 1h 40m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Touchstone Pictures , Touchwood Pacific Partners 1
Genres
Keywords
People Rated This
Watch What About Bob?
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Synopsis
Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family's country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.
Crew
Department | Role | Name |
---|---|---|
Production | Co-Producer |
Bernard Williams
|
Producer |
Laura Ziskin
|
|
Post Production Coordinator |
Sandy Isaac
|
|
Casting |
Glenn Daniels
|
|
Unit Production Manager |
David C. Anderson
|
|
Production Coordinator |
Lisa Lynn Kearsley
Dana Williams
|
|
Location Manager |
Charles Thomas Baxter
|
|
Production Accountant |
Tandi Slater
|
|
Writing | Screenplay |
Tom Schulman
|
Story |
Laura Ziskin
Alvin Sargent
|
|
Camera | Director of Photography |
Michael Ballhaus
|
First Assistant Camera |
Florian Ballhaus
|
|
Camera Operator |
David M. Dunlap
|
|
Still Photographer |
Barry Wetcher
|
|
Key Grip |
Stuart Abramson
|
|
Second Assistant Camera |
Bobby Mancuso
|
|
Dolly Grip |
Arthur Blum
|
|
Best Boy Grip |
Craig Kohtala
|
|
Costume & Make-Up | Costume Design |
Bernie Pollack
|
Makeup Artist |
Matthew W. Mungle
|
|
Costume Supervisor |
Hugo Peña
|
|
Hairstylist |
Emanuel Millar
|
|
Directing | First Assistant Director |
James W. Skotchdopole
|
Director |
Frank Oz
|
|
Second Assistant Director |
Donald J. Lee Jr.
|
|
Script Supervisor |
Susan Malerstein
|
|
Art | Production Design |
Leslie Dilley
|
Set Decoration |
Anne Kuljian
|
|
Property Master |
Russell Bobbitt
Douglas Fox
|
|
Leadman |
Wayne Shepherd
|
|
Set Dresser |
Brett C. Smith
|
|
Art Direction |
Jack Blackman
|
|
Set Designer |
Roger G. Fortune
|
|
Painter |
Michael R. Clark
|
|
Construction Foreman |
Donald G. Helderle
Frank B. Nieves
|
|
Construction Coordinator |
Ken Scaife
|
|
Editing | Editor |
Anne V. Coates
|
Assistant Editor |
Christopher Cibelli
James D.R. Hickox
|
|
Sound | ADR Mixer |
Doc Kane
|
Foley Artist |
Catherine Harper
Edward M. Steidele
|
|
Original Music Composer |
Miles Goodman
|
|
Sound Editor |
John K. Carr
Pieter Hubbard
Hal Sanders
John Phillips
|
|
Sound Re-Recording Mixer |
David J. Hudson
Mel Metcalfe
Terry Porter
|
|
ADR Editor |
Devon Heffley Curry
|
|
Music Editor |
Nancy Fogarty
|
|
Boom Operator |
Kenneth C. Mantlo
|
|
Supervising Sound Editor |
Bill Phillips
|
|
Sound Mixer |
Ed White
|
|
Foley Mixer |
Bruce Bell
|
|
Assistant Sound Editor |
Liz Carlin
David Grannis
Scott Shadden
|
|
Crew | Stunts |
Bobby Burns
Michael Steve Jones
Jim Kindelon
|
Stunt Coordinator |
Dennis Scott
|
|
Unit Publicist |
Rafe Blasi
|
|
Lighting | Chief Lighting Technician |
James R. Tynes
|
Rigging Gaffer |
Robert W. Meyers
|
|
Visual Effects | Special Effects Supervisor |
Richard O. Helmer
|
Department | Role | Name |