What About Bob?
(1991) Bob's a special kind of friend. The kind that drives you crazy. | Released
Ratings
60%
6.9
7
83%
Financials
Revenue: $63,710,000
Budget: $35,000,000
Profit: + $28,710,000
Movie Details
Tag Line: Bob's a special kind of friend. The kind that drives you crazy.
Status: Released
Average Rating: 7
Release Date: May 17, 1991
Rating: 1991-05-17
Run Time: 1h 40m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Touchstone Pictures , Touchwood Pacific Partners 1
Sources:
Genres
Keywords
People Rated This
Where to watch What About Bob?
Purchaseble on (Rent or Buy episodes, seasons or full series)
Synopsis
Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family's country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Frank Oz
|
| Second Assistant Director |
Donald J. Lee Jr.
|
|
| Script Supervisor |
Susan Malerstein
|
|
| First Assistant Director |
James W. Skotchdopole
|
|
| Sound | Original Music Composer |
Miles Goodman
|
| Sound Editor |
John K. Carr
John Phillips
Hal Sanders
Pieter Hubbard
|
|
| Boom Operator |
Kenneth C. Mantlo
|
|
| Sound Re-Recording Mixer |
Terry Porter
Mel Metcalfe
David J. Hudson
|
|
| Assistant Sound Editor |
Scott Shadden
David Grannis
Liz Carlin
|
|
| Foley Artist |
Edward Steidele
Catherine Harper
|
|
| ADR Editor |
Devon Heffley Curry
|
|
| Sound Mixer |
Ed White
|
|
| Supervising Sound Editor |
Bill Phillips
|
|
| Foley Mixer |
Bruce Bell
|
|
| ADR Mixer |
Doc Kane
|
|
| Music Editor |
Nancy Fogarty
|
|
| Camera | Director of Photography |
Michael Ballhaus
|
| Key Grip |
Stuart Abramson
|
|
| Camera Operator |
David M. Dunlap
|
|
| Best Boy Grip |
Craig Kohtala
|
|
| Dolly Grip |
Arthur Blum
|
|
| First Assistant Camera |
Florian Ballhaus
|
|
| Still Photographer |
Barry Wetcher
|
|
| Second Assistant Camera |
Bobby Mancuso
|
|
| Production | Producer |
Laura Ziskin
|
| Casting |
Glenn Daniels
|
|
| Production Coordinator |
Dana Williams
Lisa Lynn Kearsley
|
|
| Co-Producer |
Bernard Williams
|
|
| Post Production Coordinator |
Sandy Isaac
|
|
| Unit Production Manager |
David C. Anderson
|
|
| Location Manager |
Charles Thomas Baxter
|
|
| Production Accountant |
Tandi Slater
|
|
| Editing | Editor |
Anne V. Coates
|
| Assistant Editor |
James D.R. Hickox
Christopher Cibelli
|
|
| Writing | Screenplay |
Tom Schulman
|
| Story |
Laura Ziskin
Alvin Sargent
|
|
| Crew | Stunt Double |
Bobby Burns
|
| Stunts |
Steve Hart
Ted Barba
James Kindelon
Michael Steve Jones
|
|
| Stunt Coordinator |
Dennis Scott
|
|
| Unit Publicist |
Rafe Blasi
|
|
| Art | Set Decoration |
Anne Kuljian
|
| Production Design |
Leslie Dilley
|
|
| Art Direction |
Jack Blackman
|
|
| Painter |
Michael R. Clark
|
|
| Construction Foreman |
Donald G. Helderle
Frank B. Nieves
|
|
| Property Master |
Russell Bobbitt
Douglas Fox
|
|
| Construction Coordinator |
Ken Scaife
|
|
| Set Designer |
Roger G. Fortune
|
|
| Leadman |
Wayne Shepherd
|
|
| Set Dresser |
Brett C. Smith
|
|
| Costume & Make-Up | Costume Design |
Bernie Pollack
|
| Makeup Artist |
Matthew W. Mungle
|
|
| Hairstylist |
Emanuel Millar
|
|
| Costume Supervisor |
Hugo Peña
|
|
| Visual Effects | Special Effects Supervisor |
Richard O. Helmer
|
| Lighting | Chief Lighting Technician |
James R. Tynes
|
| Rigging Gaffer |
Robert W. Meyers
|
|
| Department | Role | Name |