When Evil Lurks
(2023) There's no point in praying. | Released
Ratings
7.4
Financials
Revenue: $1,743,976
Budget: $0
Profit: + $1,743,976
Movie Details
Tag Line: There's no point in praying.
Status: Released
Average Rating: 7
Release Date: Oct 5, 2023
Rating: 2024-03-26
Run Time: 1h 40m
Original Language: Spanish
Website: -
Production Countries: Argentina , United States of America
Production Companies: Machaco Films , La Puerta Roja , Aramos Cine , Shudder , Cine Argentino , INCAA
Genres
Keywords
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Synopsis
Residents of a small rural town discover that a demon is about to be born among them. They desperately try to escape before the evil is born, but it may be too late.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Demián Rugna
|
| Directing | Director |
Demián Rugna
|
| Assistant Director |
Fabián Forte
|
|
| Script Supervisor |
Bernardo Bronstein
|
|
| Continuity |
Bernardo Bronstein
|
|
| First Assistant Director |
Lucía Paz
|
|
| Second Assistant Director |
Melina Vasiliadis Bozzo
|
|
| Camera | Director of Photography |
Mariano Suárez
|
| Camera Operator |
Mariano Suárez
|
|
| First Assistant Camera |
Ezequiel Calafell Díaz
Camila Melone
|
|
| Second Assistant Camera |
Ciro Zanela
|
|
| Key Grip |
Chule Muñoz
Aníbal Cattaneo
|
|
| Grip |
Juan Manuel Hagelstrom
Valentín Girbino
Matías Buzzalino
Lucas Recalde
|
|
| Still Photographer |
Lucía Fernández
|
|
| Sound | Music |
Fuu Pablo
|
| Sound Designer |
Pablo Isola
|
|
| Sound Mixer |
Damián Montes Calabró
|
|
| Foley Artist |
Ricardo Lutsich
Teodoro Gryner
|
|
| Sound Editor |
Ricardo Lutsich
Teodoro Gryner
|
|
| Dialogue Editor |
Teodoro Gryner
|
|
| Boom Operator |
Eugenia Maneyro
|
|
| Sound Director |
Pablo Isola
|
|
| Sound Effects Editor |
Julián Maurin López
Ricardo Lutsich
|
|
| Sound Mix Technician |
Leandro de Loredo
|
|
| Production | Producer |
Fernando Díaz
Roxana Ramos
|
| Executive Producer |
Emily Gotto
Roxana Ramos
Samuel Zimmerman
Fernando Díaz
|
|
| Production Director |
Valeria Bistagnino
Tomás Eloy Muñoz
|
|
| Production Assistant |
Giselle Fiorini
María Julio Rojo
|
|
| Location Manager |
Carlos Segane
Paula Eliana Morel
|
|
| Post Production Coordinator |
Paula Ceballos
|
|
| Editing | Editor |
Lionel Cornistein
|
| Assistant Editor |
Alba Ávila Jacome
|
|
| Color Grading |
Lionel Cornistein
|
|
| Art | Production Design |
Laura Aguerrebehere
|
| Art Direction |
Laura Aguerrebehere
|
|
| Set Designer |
Alicia Vázquez
Martín Conti
|
|
| Set Decoration |
Soledad Guerrero
|
|
| Assistant Art Director |
Florencia Gabelli
|
|
| Props |
Juan Francisco Ramos
Carlos Riveros
Marcelo Rossati
|
|
| Costume & Make-Up | Makeup Department Head |
Elizabet Gora
|
| Costume Design |
Pheonia Veloz
|
|
| Costume Assistant |
Sofía Pisoni
Mauro Ferreira
|
|
| Hair Designer |
Micaela Pimentel
|
|
| Lighting | Gaffer |
Carlos Chango Diaz
|
| Lighting Director |
Matías Moccia
|
|
| Lighting Technician |
Tomás Regidor
|
|
| Genetator Operator |
Jorge Martínez
|
|
| Crew | Special Effects |
Marcos Berta
|
| Visual Effects Art Director |
Andrés Borghi
Matias Costilla
Erick Culasso
|
|
| Video Assist Operator |
Francisco Sarduy
|
|
| Visual Effects | Visual Effects Coordinator |
Paula Ceballos
|
| VFX Supervisor |
Andrés Borghi
|
|
| VFX Artist |
Andrés Borghi
Abel Gómez
Ludmila Rodríguez Moreno
Lionel Cornistein
Eleazar Figueroa
Marcelo Santiago Yañes
Mauro Romero
|
|
| Department | Role | Name |
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