Zelig
(1983) You wanted more when it was all over! | Released
Ratings
7.4
Financials
Revenue: $11,798,616
Budget: $0
Profit: + $11,798,616
Movie Details
Tag Line: You wanted more when it was all over!
Status: Released
Average Rating: 7
Release Date: Jul 15, 1983
Rating: PG
Run Time: 1h 19m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Orion Pictures , Warner Bros. Pictures
Genres
Keywords
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Synopsis
Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Assistant Production Coordinator |
Todd M. Thaler
|
| Casting |
Juliet Taylor
|
|
| Producer |
Robert Greenhut
|
|
| Production Coordinator |
Helen Robin
|
|
| Executive Producer |
Charles H. Joffe
Jack Rollins
|
|
| Unit Manager |
Ezra Swerdlow
|
|
| Location Manager |
Timothy M. Bourne
|
|
| Production Manager |
Michael Peyser
|
|
| Associate Producer |
Michael Peyser
|
|
| Casting Associate |
Paula Herold
|
|
| Directing | Director |
Woody Allen
|
| First Assistant Director |
Frederic B. Blankfein
|
|
| Additional Second Assistant Director |
Jim Chory
Duncan Scott
|
|
| Assistant Director |
Thomas A. Reilly
|
|
| Script Supervisor |
Kay Chapin
|
|
| Second Assistant Director |
Tony Gittelson
|
|
| Writing | Writer |
Woody Allen
|
| Camera | Director of Photography |
Gordon Willis
|
| Still Photographer |
Kerry Hayes
|
|
| Camera Operator |
Dick Mingalone
|
|
| Grip |
Ronald Burke
|
|
| Key Grip |
Robert Ward
|
|
| Second Assistant Camera |
Bob Paone
|
|
| Assistant Camera |
Douglas C. Hart
|
|
| Art | Set Decoration |
Leslie Bloom
Janet Rosenbloom
|
| Production Design |
Mel Bourne
|
|
| Lead Set Dresser |
Joseph Badalucco Jr.
|
|
| Art Direction |
Speed Hopkins
|
|
| Property Master |
James Mazzola
|
|
| Location Scout |
Carol Nast
Cheryl Hill
Susan Rollins
Ken Rothstein
|
|
| Construction Grip |
Arne Olsen
|
|
| Art Department Coordinator |
Joan Lopate
|
|
| Editing | Editor |
Susan E. Morse
|
| Assistant Editor |
Richard Nord
Pamela Scott Arnold
|
|
| Costume & Make-Up | Makeup Designer |
Fern Buchner
|
| Hair Designer |
Romaine Greene
|
|
| Makeup Artist |
John Caglione Jr.
|
|
| Costume Design |
Santo Loquasto
|
|
| Costume Assistant |
Tom McKinley
Richard Hornung
Lyn Carroll
|
|
| Hairstylist |
Werner Sherer
|
|
| Wardrobe Supervisor |
Bill Christians
Lancey Saunders Clough
|
|
| Lighting | Gaffer |
Ray Quinlan
|
| Best Boy Electric |
Robert Connors
|
|
| Sound | Supervising Sound Editor |
Dan Sable
|
| Apprentice Sound Editor |
Lynn Sable
Janet Lund Robbins
|
|
| Production Sound Mixer |
James Sabat
|
|
| Original Music Composer |
Dick Hyman
|
|
| Assistant Sound Editor |
Fred Rosenberg
Jeffrey Stern
Suzanne Pillsbury
Debra Bard
Harry Peck Bolles
Randall Coleman
Gina Roose
|
|
| Sound Re-Recording Mixer |
Rick Dior
|
|
| Sound Recordist |
Frank Graziadei
|
|
| Boom Operator |
Louis Sabat
|
|
| Sound Engineer |
Roy B. Yokelson
|
|
| Sound Editor |
Marjorie Deutsch
|
|
| Crew | Unit Publicist |
Gail Sicilia
|
| Key Scenic Artist |
James Sorice
|
|
| Transportation Captain |
James Fanning
|
|
| Thanks |
Ken Murray
John Edward Allen
Irwin Young
|
|
| Special Effects |
David J. Schweitzer
|
|
| Scenic Artist |
Cosmo Sorice
|
|
| Driver |
Patrick Hogan
|
|
| Projection |
Carl Turnquest
|
|
| Choreographer |
Danny Daniels
|
|
| Visual Effects | Visual Effects Supervisor |
Stuart Robertson
|
| Department | Role | Name |