Ratings
Financials
Revenue: $11,798,616
Budget: $0
Profit: + $11,798,616
Movie Details
Tag Line: You wanted more when it was all over!
Status: Released
Average Rating: 7
Release Date: Jul 15, 1983
Rating: 1983-07-15
Run Time: 1h 19m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Orion Pictures
Sources:
Genres
Keywords
People Rated This
Where to watch Zelig
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Synopsis
Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Woody Allen
|
| First Assistant Director |
Frederic B. Blankfein
|
|
| Second Assistant Director |
Tony Gittelson
|
|
| Additional Second Assistant Director |
Duncan Scott
Jim Chory
|
|
| Assistant Director |
Thomas A. Reilly
|
|
| Script Supervisor |
Kay Chapin
|
|
| Production | Producer |
Robert Greenhut
|
| Executive Producer |
Charles H. Joffe
Jack Rollins
|
|
| Unit Manager |
Ezra Swerdlow
|
|
| Assistant Production Coordinator |
Todd M. Thaler
|
|
| Associate Producer |
Michael Peyser
|
|
| Casting |
Juliet Taylor
|
|
| Production Manager |
Michael Peyser
|
|
| Casting Associate |
Paula Herold
|
|
| Location Manager |
Timothy M. Bourne
|
|
| Production Coordinator |
Helen Robin
|
|
| Camera | Director of Photography |
Gordon Willis
|
| Assistant Camera |
Douglas C. Hart
|
|
| Second Assistant Camera |
Bob Paone
|
|
| Key Grip |
Robert Ward
|
|
| Grip |
Ronald Burke
|
|
| Still Photographer |
Kerry Hayes
|
|
| Camera Operator |
Dick Mingalone
|
|
| Editing | Editor |
Susan E. Morse
|
| Assistant Editor |
Pamela Scott Arnold
Richard Nord
|
|
| Sound | Original Music Composer |
Dick Hyman
|
| Sound Editor |
Marjorie Deutsch
|
|
| Sound Engineer |
Roy B. Yokelson
|
|
| Apprentice Sound Editor |
Lynn Sable
Janet Lund Robbins
|
|
| Assistant Sound Editor |
Randall Coleman
Gina Roose
Fred Rosenberg
Harry Peck Bolles
Jeffrey Stern
Debra Bard
Suzanne Pillsbury
|
|
| Sound Re-Recording Mixer |
Rick Dior
|
|
| Production Sound Mixer |
James Sabat
|
|
| Boom Operator |
Louis Sabat
|
|
| Supervising Sound Editor |
Dan Sable
|
|
| Sound Recordist |
Frank Graziadei
|
|
| Writing | Writer |
Woody Allen
|
| Art | Set Decoration |
Janet Rosenbloom
Leslie Bloom
|
| Lead Set Dresser |
Joseph Badalucco Jr.
|
|
| Construction Grip |
Arne Olsen
|
|
| Art Department Coordinator |
Joan Lopate
|
|
| Location Scout |
Cheryl Hill
Carol Nast
Susan Rollins
Ken Rothstein
|
|
| Production Design |
Mel Bourne
|
|
| Art Direction |
Speed Hopkins
|
|
| Property Master |
James Mazzola
|
|
| Crew | Key Scenic Artist |
James Sorice
|
| Choreographer |
Danny Daniels
|
|
| Projection |
Carl Turnquest
|
|
| Special Effects |
David J. Schweitzer
|
|
| Transportation Captain |
James Fanning
|
|
| Driver |
Patrick Hogan
|
|
| Unit Publicist |
Gail Sicilia
|
|
| Thanks |
John Edward Allen
Ken Murray
Irwin Young
|
|
| Scenic Artist |
Cosmo Sorice
|
|
| Lighting | Best Boy Electric |
Robert Connors
|
| Gaffer |
Ray Quinlan
|
|
| Costume & Make-Up | Costume Assistant |
Tom McKinley
Richard Hornung
Lyn Carroll
|
| Wardrobe Supervisor |
Bill Christians
Lancey Saunders Clough
|
|
| Costume Design |
Santo Loquasto
|
|
| Makeup Designer |
Fern Buchner
|
|
| Makeup Artist |
John Caglione Jr.
|
|
| Hair Designer |
Romaine Greene
|
|
| Hairstylist |
Werner Sherer
|
|
| Visual Effects | Visual Effects Supervisor |
Stuart Robertson
|
| Department | Role | Name |



