200 Cigarettes
(1999) It's 11:59 on New Years Eve... do you know where your date is? | Released
Ratings
33%
5.9
5.9
28%
Financials
Revenue: $6,852,450
Budget: $6,000,000
Profit: + $852,450
Movie Details
Tag Line: It's 11:59 on New Years Eve... do you know where your date is?
Status: Released
Average Rating: 6
Release Date: Feb 26, 1999
Rating: 1999-02-26
Run Time: 1h 41m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount , MTV Films , Lakeshore Entertainment , Dogstar Films
Sources:
Genres
Keywords
People Rated This
Where to watch 200 Cigarettes
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Synopsis
In 1981 New York City, a collection of twentysomethings try to cope with relationships, loneliness, desire and their individual neuroses on New Years Eve.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Risa Bramon Garcia
|
| First Assistant Director |
Vebe Borge
|
|
| Second Assistant Director |
Amy Lynn
|
|
| Script Supervisor |
Simone Lageoles
Chiemi Karasawa
|
|
| Writing | Writer |
Shana Larsen
|
| Production | Producer |
David Gale
Betsy Beers
Van Toffler
|
| Executive Producer |
Sigurjón Sighvatsson
Mike Newell
Tom Rosenberg
Alan Greenspan
Ted Tannebaum
|
|
| Casting |
Deborah Aquila
Sarah Halley Finn
|
|
| Co-Producer |
Cecilia Kate Roque
Andre Lamal
Steven L. Bernstein
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Unit Production Manager |
Cecilia Kate Roque
|
|
| Production Supervisor |
Shirley Davis
|
|
| Location Manager |
Daniel Strol
|
|
| Sound | Music Supervisor |
Randall Poster
|
| Music |
Mark Mothersbaugh
Robert Mothersbaugh
|
|
| Sound Mixer |
Scott Breindel
|
|
| Boom Operator |
Paul Koronkiewicz
|
|
| Supervising Sound Editor |
Terry Rodman
|
|
| First Assistant Sound Editor |
David Wolowic
|
|
| Assistant Sound Editor |
Brian Best
|
|
| Sound Re-Recording Mixer |
Chris David
|
|
| ADR Editor |
Andrea Horta
|
|
| Editing | Editor |
Lisa Zeno Churgin
|
| Color Timer |
Stephen R. Sheridan
|
|
| Negative Cutter |
Theresa Repola Mohammed
|
|
| First Assistant Editor |
Alex Renskoff
|
|
| Camera | Director of Photography |
Frank Prinzi
|
| Camera Operator |
Jonathan Herron
|
|
| Still Photographer |
David Lee
|
|
| First Assistant Camera |
Michael J. Latino
|
|
| Second Assistant Camera |
Deborah Lipman
|
|
| Dolly Grip |
John Mazzola
|
|
| Costume & Make-Up | Costume Designer |
Susan Lyall
|
| Assistant Costume Designer |
Christopher Peterson
|
|
| Wardrobe Supervisor |
Amy Andrews
Frankie Ritacco
|
|
| Makeup Supervisor |
Kymbra Callaghan
|
|
| Makeup Artist |
Karen Reuter Fabbo
Gloria Grant
Linda Grimes
Deborah Raposa
|
|
| Hair Supervisor |
Michelle Johnson
|
|
| Hairstylist |
Colleen Callaghan
Jacqueline Payne
Michael Wasula
|
|
| Art | Production Design |
Ina Mayhew
|
| Title Designer |
Nina Saxon
|
|
| Art Direction |
Judy Rhee
|
|
| Art Department Coordinator |
Cynthia Lovett
Shelley Rich
|
|
| Set Decoration |
Paul Weathered
|
|
| Property Master |
Kevin Ladson
|
|
| Assistant Property Master |
Tyler Kim
|
|
| Leadman |
Michael Leather
|
|
| Set Dresser |
David Scott Gagnon
Roman Greller
Jennifer B. Starke
|
|
| Crew | Transportation Captain |
Henry S. Avelin
Peter Tavis
|
| Stunt Coordinator |
G. A. Aguilar
|
|
| Stunts |
Blaise Corrigan
Douglas Crosby
Jeffrey Lee Gibson
Jalil Jay Lynch
Shawnna Thibodeau
|
|
| Post Production Supervisor |
James McQuaide
|
|
| Lighting | Chief Lighting Technician |
Douglas W. Shannon
|
| Assistant Chief Lighting Technician |
Robert Vuolo
|
|
| Department | Role | Name |