Ratings
Financials
Revenue: $7,659,918
Budget: $8,700,000
Profit: - $-1,040,082
Movie Details
Tag Line: Everything is not going to be OK.
Status: Released
Average Rating: 7
Release Date: Jul 7, 2006
Rating: R
Run Time: 1h 40m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Warner Independent Pictures , Thousand Words , Detour Filmproduction , Section Eight , 3 Arts Entertainment
Genres
Keywords
People Rated This
Watch A Scanner Darkly
Synopsis
An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.
Crew
Department | Role | Name |
---|---|---|
Production | Casting |
Denise Chamian
|
Producer |
Anne Walker-McBay
Erwin Stoff
Palmer West
Jonah Smith
Tommy Pallotta
|
|
Executive Producer |
John Sloss
George Clooney
Steven Soderbergh
Jennifer Fox
Ben Cosgrove
|
|
Local Casting |
Beth Sepko
|
|
Unit Production Manager |
Susan Kirr
|
|
Co-Producer |
Erin Ferguson
|
|
Casting Associate |
Scout Masterson
|
|
Associate Producer |
Sara Johnson
|
|
Production Accountant |
Morgan Miles
|
|
Production Coordinator |
Dominic Cancilla
|
|
Location Manager |
Peter Atherton
|
|
Assistant Location Manager |
Dustin Weaver
|
|
Production Secretary |
Shannon Blackburn
|
|
Writing | Screenplay |
Richard Linklater
|
Novel |
Philip K. Dick
|
|
Directing | Director |
Richard Linklater
|
First Assistant Director |
Vincent Palmo Jr.
|
|
Script Supervisor |
Brooke Satrazemis
|
|
Second Assistant Director |
Kathie Tull
|
|
Second Second Assistant Director |
Andrew Payer
|
|
Editing | Editor |
Sandra Adair
|
First Assistant Editor |
Christopher Roldan
|
|
Sound | Sound Re-Recording Mixer |
Skip Lievsay
Jeremy Peirson
|
Original Music Composer |
Graham Reynolds
|
|
Sound Designer |
Tom Hammond
|
|
Supervising Sound Editor |
Tom Hammond
|
|
Sound Effects Editor |
Justin Hennard
|
|
Production Sound Mixer |
Ethan Andrus
|
|
Music Supervisor |
Nic Ratner
|
|
Foley Artist |
Gregg Barbanell
|
|
Boom Operator |
Tom Sturgis
|
|
ADR Mixer |
Thomas J. O'Connell
|
|
Sound Engineer |
Peter Germansen
|
|
Foley Mixer |
Jason Piatt
|
|
Dialogue Editor |
Ajae Clearway
|
|
ADR Editor |
Ajae Clearway
|
|
Utility Sound |
Michael Swanner
|
|
Musician |
Bruce Colson
|
|
Camera | Director of Photography |
Shane F. Kelly
|
First Assistant Camera |
Peter Simonite
|
|
Camera Operator |
Ralph Watson
|
|
Still Photographer |
Matt Lankes
|
|
Best Boy Grip |
Matt Cowan
|
|
Key Grip |
Aaron Atom Vyvial
|
|
Grip |
Mike Reyes
|
|
Art | Production Design |
Bruce Curtis
|
Set Decoration |
Joaquin A. Morin
|
|
Construction Coordinator |
Ian Sebastian Kasnoff
|
|
Art Department Coordinator |
Fred Daniel
|
|
Storyboard Artist |
Raymond Consing
|
|
Assistant Property Master |
Erick Garibay
|
|
Set Dresser |
Brad Blei
|
|
Title Designer |
Michael P. Garza
|
|
Property Master |
Stefan Wilcox
|
|
Costume & Make-Up | Costume Design |
Kari Perkins
|
Makeup Department Head |
Darylin Nagy
|
|
Hair Department Head |
Darylin Nagy
|
|
Costume Supervisor |
Melanie Armstrong Fletcher
|
|
Hairstylist |
Katina Gilkey
|
|
On Set Dresser |
Melanie Ferguson
|
|
Crew | Special Effects Coordinator |
Steve Krieger
|
Loader |
Tod Campbell
|
|
Unit Publicist |
Tracey Schaefer
|
|
Transportation Coordinator |
Ronald D. Chambers
|
|
Transportation Captain |
Jesus F. Tellez
|
|
Animal Wrangler |
Gil Dean
|
|
Assistant Craft Service |
Lisa Del Dotto
|
|
Set Medic |
Melody Lloyd
|
|
Lighting | Assistant Chief Lighting Technician |
Josh Taylor
|
Chief Lighting Technician |
Robert B. Reynolds
|
|
Visual Effects | Visual Effects Supervisor |
Richard Gordoa
|
Lead Animator |
Sterling Allen
Evan Cagle
Nick Derington
|
|
Head of Animation |
Jason Archer
|
|
Department | Role | Name |
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