Ratings
Financials
Revenue: $840,809
Budget: $10,500,000
Profit: - $-9,659,191
Movie Details
Tag Line: All he had left was revenge
Status: Released
Average Rating: 6
Release Date: Feb 28, 2017
Rating: 2017-04-07
Run Time: 1h 32m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Ingenious Media , Protozoa Pictures , The Fyzz , Oak Productions , Pacific View Management , Union Editorial , Hat and Coat Productions , EFO Films
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Javier Gullón
|
| Directing | Director |
Elliott Lester
|
| Script Supervisor |
Sarah Horton
|
|
| First Assistant Director |
Jeremy Phoenix
|
|
| Second Assistant Director |
Jared Briley
|
|
| Production | Executive Producer |
Josh Stern
Wayne Marc Godfrey
Corey Large
Robert Jones
Vance Owen
Ted Fox
Mark Stewart
Stan Wertlieb
Steven Saxton
Barry Brooker
Tarek Anthony Jabre
|
| Casting |
Lindsay Graham Ahanonu
Mary Vernieu
|
|
| Co-Producer |
Anthony Callie
Timothy C. Sullivan
|
|
| Producer |
George Furla
Peter Dealbert
Randall Emmett
Scott Franklin
Darren Aronofsky
Eric Watson
Arnold Schwarzenegger
|
|
| Associate Producer |
Arnaud Lannic
|
|
| Line Producer |
William B. Steakley
|
|
| Local Casting |
Donna M. Belajac
Missy Finnell
|
|
| Casting Associate |
Lavonna Cupid
|
|
| Unit Production Manager |
Mary C. Rolfes
|
|
| Location Manager |
Nicholas Deroo
|
|
| Production Accountant |
Susan J. Bonno-Buckner
Jerry Lambert
|
|
| ADR Voice Casting |
Reed Harvey
|
|
| Art | Art Direction |
Sean Brennan
|
| Production Design |
Akin McKenzie
|
|
| Set Decoration |
Melisa Jusufi
|
|
| Set Dresser |
Brenden Meers
Richard Robles
Chad Ball
|
|
| Assistant Property Master |
Tayelor Nifong
|
|
| Property Master |
Scott Nifong
|
|
| Construction Coordinator |
Francis Link Boysie
|
|
| Leadman |
Jon Griffith
|
|
| Art Department Assistant |
Sean Highley
|
|
| Art Department Coordinator |
Rebecca Markuson
|
|
| Editing | Editor |
Nicholas Wayman-Harris
|
| First Assistant Editor |
Brendan Maghran
|
|
| Digital Intermediate |
Dave Hussey
Pete Polyakov
|
|
| Costume & Make-Up | Costume Design |
Bic Owen
|
| Hair Department Head |
Scott H. Reeder
|
|
| Makeup Department Head |
Karri Farris
|
|
| Key Costumer |
Joy Galbraith
|
|
| Key Makeup Artist |
Erica Stewart
|
|
| Key Set Costumer |
Jaclyn Laravie
|
|
| Makeup Effects Designer |
Alan Tuskes
|
|
| Hairstylist |
Dan Frey
Artra Edwards
Anna Maria Reyer
|
|
| Makeup Artist |
Erica Stewart
Kelly Lane
Kelly Harris
|
|
| Camera | Director of Photography |
Pieter Vermeer
|
| Dolly Grip |
Chris Salamone
|
|
| Steadicam Operator |
John S. Moyer
|
|
| Key Grip |
Michael Stoecker
|
|
| Additional Camera |
Rich Schutte
|
|
| Still Photographer |
Brian Douglas
|
|
| First Assistant Camera |
Amy Faust
|
|
| Grip |
Kevin Martt
Matt Hayes
Matt Maynard
|
|
| Second Assistant Camera |
Colleen Mleziva
Joe Bou
|
|
| Drone Pilot |
Matt Ragan
|
|
| Lighting | Best Boy Electric |
Scott Lipez
|
| Gaffer |
Russ Faust
|
|
| Electrician |
Dean Hayashi
|
|
| Sound | Foley |
Steve Baine
Peter Persaud
|
| Supervising Sound Editor |
Bob Kellough
|
|
| Boom Operator |
Scott Osowski
|
|
| Music Editor |
Jon Mooney
|
|
| Sound Mixer |
Marlowe Taylor
Craig Henighan
|
|
| ADR & Dubbing |
Roy Machado
|
|
| Music Supervisor |
Ashley Waldron
|
|
| Sound |
Milos Zivkovic
|
|
| Sound Designer |
Robert Dehn
|
|
| Original Music Composer |
Mark D. Todd
|
|
| Visual Effects | Visual Effects Supervisor |
Karen Heston
|
| Special Effects Supervisor |
Ken Gorrell
|
|
| Crew | Makeup Effects |
Alan Tuskes
Vincent J. Guastini
|
| Stunts |
Dieter Rauter
Tim Trella
|
|
| Stunt Coordinator |
Billy D. Lucas
|
|
| Special Effects |
James Carter
Wes Perry
|
|
| Post Production Supervisor |
Noah C. Haeussner
|
|
| Scenic Artist |
Jen Brinker
|
|
| CG Supervisor |
Dylan Nathan
|
|
| Department | Role | Name |
Where to watch Aftermath
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.































