A.I. Artificial Intelligence
(2001) David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not. | Released
Ratings
65%
7
7.1
73%
Financials
Revenue: $235,926,552
Budget: $100,000,000
Profit: + $135,926,552
Movie Details
Tag Line: David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not.
Status: Released
Average Rating: 7
Release Date: Jun 29, 2001
Rating: 2001-06-29
Run Time: 2h 26m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Warner Bros. Pictures , DreamWorks Pictures , Amblin Entertainment , Stanley Kubrick Productions
Sources:
Genres
Keywords
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Synopsis
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Steven Spielberg
|
| Layout |
Jason Patnode
|
|
| Script Supervisor |
Ana Maria Quintana
|
|
| First Assistant Director |
Sergio Mimica-Gezzan
|
|
| Second Assistant Director |
David H. Venghaus Jr.
|
|
| Additional Second Assistant Director |
Paul Byrne Prenderville
|
|
| Second Second Assistant Director |
Lisa Brookes
|
|
| Production | Casting |
Avy Kaufman
|
| Producer |
Bonnie Curtis
Kathleen Kennedy
Steven Spielberg
|
|
| Executive Producer |
Walter F. Parkes
Jan Harlan
|
|
| Location Manager |
Gregory Alpert
|
|
| Publicist |
David Linck
|
|
| Unit Production Manager |
Patricia Churchill
|
|
| Production Coordinator |
Lisbeth Wynn-Owen
|
|
| Production Accountant |
Laurie Charchut
|
|
| Production Supervisor |
Peter M. Tobyansen
Lisa Joelle Curtis
|
|
| Casting Assistant |
Beth Bowling
|
|
| Assistant Production Coordinator |
John Burton West
|
|
| Assistant Accountant |
Linden Johnson
|
|
| Extras Casting |
Jennifer Alessi
|
|
| Post Production Coordinator |
Sven E. Fahlgren
|
|
| Payroll Accountant |
Cecilia Escobar
|
|
| Assistant Location Manager |
Tim Spurry
|
|
| Production Assistant |
Chas Dupuis
|
|
| Crew | Special Effects |
Chris Cunningham
|
| Post Production Supervisor |
Erica Frauman
|
|
| Visual Effects Editor |
Michael Gleason
Jennifer Leo Russ
|
|
| Stunt Coordinator |
Doug Coleman
|
|
| Transportation Coordinator |
Denny Caira
|
|
| Choreographer |
Francesca Jaynes
|
|
| Visual Effects Art Director |
David Nakabayashi
|
|
| Propmaker |
Brian Feola
|
|
| Post Production Assistant |
Mark Gillard
|
|
| Video Assist Operator |
Tomáš Loewy
|
|
| Sequence Supervisor |
Tom Martinek
|
|
| Set Production Assistant |
Scott Rorie
|
|
| Projection |
René González
|
|
| Driver |
George Alden
|
|
| Stunts |
Richard L. Blackwell
Leigh Hennessy
Diana R. Lupo
Whitney Coleman
Chris Palermo
Lisa Hoyle
Gene Hartline
|
|
| Utility Stunts |
Dana Dru Evenson
Caryn Mower
Alisa Hensley
|
|
| Stand In |
James Henderson
|
|
| Dialect Coach |
Francie Brown
|
|
| Makeup Effects |
Adam Christopher
|
|
| Carpenter |
Jeff Khachadoorian
|
|
| Animatronics Designer |
Stan Winston
|
|
| Special Effects Technician |
Thomas Brown
|
|
| Stunt Double |
J. Mark Donaldson
|
|
| Intern |
Jorge Pallares
|
|
| Craft Service |
John Wright
|
|
| Art | Art Direction |
Thomas Valentine
Richard L. Johnson
William James Teegarden
|
| Set Decoration |
Nancy Haigh
|
|
| Production Design |
Rick Carter
|
|
| Set Designer |
Patte Strong-Lord
Darrell L. Wight
Pamela Klamer
Richard F. Mays
Dawn Brown
Thomas Minton
Steven Schwartz
Masako Masuda
|
|
| Sculptor |
Fred Arbegast
James Jones
|
|
| Greensman |
Vincent D'Aquino
Johnny Torres
Alex Sessing
Jason Vanover
|
|
| Assistant Art Director |
Andrew Menzies
Elizabeth Lapp
Suzan Wexler
Patrick M. Sullivan
Harry E. Otto
Ramsey Avery
|
|
| Construction Foreman |
Mike Villarino
|
|
| Construction Coordinator |
John Villarino
|
|
| Art Department Coordinator |
Anya Rudnick
Latifa Ouaou
|
|
| Production Illustrator |
John Bell
|
|
| Painter |
Kirk D. Hansen
|
|
| Standby Painter |
Anthony 'AJ' Leonardi Jr.
|
|
| Title Designer |
Jimmy Zelinger
|
|
| Set Dresser |
Jack Blanchard
|
|
| Assistant Property Master |
Mark W. Brown
|
|
| Property Master |
Jerry Moss
|
|
| Graphic Designer |
Martin Charles
|
|
| Textile Artist |
Niamh Murphy
|
|
| Storyboard Artist |
Peter Ramsey
|
|
| Concept Artist |
Chris Baker
|
|
| Camera | Director of Photography |
Janusz Kamiński
|
| Steadicam Operator |
Chris Haarhoff
|
|
| Underwater Camera |
Pete Romano
|
|
| Camera Operator |
Mitch Dubin
Chris Haarhoff
|
|
| Still Photographer |
David James
|
|
| First Assistant Camera |
Mike Bienstock
|
|
| Camera Loader |
David O'Brien
|
|
| Dolly Grip |
Rick Kangrga
|
|
| Aerial Director of Photography |
Adam Dale
|
|
| Key Grip |
Jim Kwiatkowski
|
|
| Grip |
Bob Anderson
|
|
| Additional Second Assistant Camera |
Larissa Supplitt
|
|
| Second Assistant Camera |
Christopher Duskin
|
|
| Best Boy Grip |
Daniel Coscia
|
|
| Editing | Editor |
Michael Kahn
|
| Assistant Editor |
Michael Trent
|
|
| Editorial Services |
Brian Chumney
|
|
| First Assistant Editor |
Richard Byard
|
|
| Color Timer |
Dale E. Grahn
|
|
| Negative Cutter |
Gary Burritt
|
|
| Digital Color Timer |
Begonia Colomar
|
|
| Sound | Original Music Composer |
John Williams
|
| Sound Designer |
Gary Rydstrom
|
|
| Supervising Sound Editor |
Richard Hymns
Gary Rydstrom
|
|
| Sound Effects Editor |
Teresa Eckton
Chris Scarabosio
Kyrsten Mate
|
|
| Sound Re-Recording Mixer |
Andy Nelson
|
|
| Orchestrator |
John Neufeld
|
|
| Music Editor |
Kenneth Wannberg
|
|
| Boom Operator |
Robert Jackson
|
|
| Scoring Mixer |
Shawn Murphy
|
|
| Sound Mixer |
Ron Judkins
|
|
| ADR Supervisor |
Larry Singer
Gwendolyn Yates Whittle
|
|
| Foley Editor |
Lindakay Brown
Jonathan Null
|
|
| Musician |
James Thatcher
|
|
| Foley Artist |
Dennie Thorpe
Jana Vance
|
|
| Foley Mixer |
Tony Eckert
|
|
| Dialogue Editor |
Ewa Sztompke
Richard Quinn
|
|
| Foley Recordist |
Frank 'Pepe' Merel
|
|
| Sound Mix Technician |
Jurgen Scharpf
|
|
| ADR Recordist |
John Merton
|
|
| Assistant Dialogue Editor |
Larry Schalit
|
|
| ADR Mixer |
Dean Drabin
|
|
| Assistant Sound Editor |
Susan McLean
|
|
| Costume & Make-Up | Costume Design |
Bob Ringwood
|
| Key Makeup Artist |
Ve Neill
|
|
| Costume Supervisor |
David Rawley
|
|
| Key Hair Stylist |
Candace Neal
|
|
| Makeup Artist |
Bill Corso
|
|
| Hairstylist |
Karen Asano-Myers
|
|
| Hair Supervisor |
Kathy Kane-Macgowan
|
|
| Key Costumer |
Robert Chase
|
|
| Tailor |
Vicente Aguilar
|
|
| Costumer |
Ricardo Richard Alvarez
|
|
| Writing | Screenplay |
Steven Spielberg
|
| Screenstory |
Ian Watson
|
|
| Short Story |
Brian Aldiss
|
|
| Storyboard |
Philip Keller
|
|
| Idea |
Stanley Kubrick
|
|
| Visual Effects | Visual Effects Supervisor |
Dennis Muren
Henry LaBounta
Scott Farrar
|
| Visual Effects Producer |
Les Hunter
Ginger Theisen
|
|
| Visual Effects Coordinator |
Julie Creighton
|
|
| 3D Supervisor |
Duncan Blackman
|
|
| Digital Compositors |
Ken Dackermann
|
|
| Special Effects Supervisor |
Michael Lantieri
|
|
| Animation Supervisor |
Hal Hickel
|
|
| Visual Effects Production Assistant |
Evan Cecil
|
|
| Compositing Supervisor |
Eric Bruneau
|
|
| Effects Supervisor |
Lindsay MacGowan
|
|
| Animation |
Shawn Kelly
|
|
| Compositing Artist |
Erik Winquist
|
|
| Lighting | Best Boy Electric |
Scot Gaal
|
| Gaffer |
Glenn Corbett
|
|
| Lighting Technician |
Marek Bojsza
|
|
| Rigging Grip |
Kevin Fahey
|
|
| Rigging Gaffer |
David Gamerman
|
|
| Electrician |
John Atkins
|
|
| Chief Lighting Technician |
David Devlin
|
|
| Assistant Chief Lighting Technician |
Stanley L. Gonsales
|
|
| Department | Role | Name |
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