Ratings
Financials
Revenue: $162,000,000
Budget: $70,000,000
Profit: + $92,000,000
Movie Details
Tag Line: It's already too late.
Status: Released
Average Rating: 6
Release Date: Nov 12, 1997
Rating: R
Run Time: 1h 49m
Original Language: English
Website: Link
Production Countries: United States of America , France
Production Companies: 20th Century Fox , Brandywine Productions
Genres
Keywords
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Synopsis
Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.
Crew
Department | Role | Name |
---|---|---|
Art | Set Decoration |
John M. Dwyer
|
Art Direction |
Andrew Neskoromny
|
|
Production Design |
Nigel Phelps
|
|
Set Designer |
Maya Shimoguchi
Jann K. Engel
John Chichester
Luis G. Hoyos
Mick Cukurs
Richard Fernandez
|
|
Storyboard Artist |
Adolfo Martínez Pérez
Andy Friend
|
|
Sculptor |
Steve Wang
Mike Smithson
Steve Koch
Jeffrey P. Buccacio Jr.
|
|
Assistant Art Director |
Bill Boes
|
|
Supervising Art Director |
Steve Cooper
|
|
Construction Coordinator |
Gary A. Krakoff
James Peattie
|
|
Property Master |
Emily Ferry
|
|
Art Department Coordinator |
Penny Smartt-Juday
|
|
Leadman |
William K. Dolan
Greg Sanger
|
|
Set Dresser |
Gregory Zemgals
Elijah Bryant
Jerry Wax
Dean B. Katz
Marc Martin Del Campo
Joseph R. Pinkos
|
|
Painter |
Cliff Berns
Mike Larrabee
Robert E. Denne
James Hogue
Ernest von Hauff
Dan Brodzik
|
|
Assistant Property Master |
Joy Taylor
|
|
Standby Painter |
John A. Mileski
|
|
Production | Producer |
David Giler
Walter Hill
Gordon Carroll
Bill Badalato
|
Casting |
Richard Pagano
|
|
Co-Producer |
Sigourney Weaver
|
|
Casting Associate |
Eyde Belasco
Terrence Harris
|
|
ADR Voice Casting |
Terri Douglas
|
|
Character Technical Supervisor |
Chris Cunningham
|
|
Publicist |
Rachel Aberly
|
|
Production Secretary |
Robb Earnest
Ivan Martin del Campo
|
|
Production Accountant |
Cynthia Quan
|
|
Extras Casting |
Bill Dance
|
|
First Assistant Accountant |
Barbara Crow
|
|
Production Manager |
Gene Kozicki
|
|
Production Supervisor |
Bob Johnston
|
|
Crew | Stunts |
Todd Bryant
Chad Stahelski
Mark De Alessandro
Edward Conna
Randall Huber
Nigel Miguel
Brad Martin
Eddie Yansick
Tony Snegoff
Vladimir Orlov
William Washington
Chris O'Hara
Noon Orsatti
Dorenda Moore
Lesley Aletter
Mark Chadwick
Christina Ritzi
Keith Shindoll
Theresa Pink
Jani D. Davis
|
Special Effects Coordinator |
Eric Allard
|
|
Stunt Double |
Chad Stahelski
Gregg Sargeant
Mary Peters
David Brian Martin
|
|
Propmaker |
George Stokes
Charles S. Serrano
Jon Marsala
|
|
Stunt Coordinator |
Ernie F. Orsatti
|
|
Visual Effects Editor |
Martin November
|
|
Transportation Coordinator |
Dave Robling
|
|
Unit Publicist |
Rachel Aberly
|
|
Digital Supervisor |
Antoine Durr
|
|
Carpenter |
Gregory Lynch Jr.
|
|
Pyrotechnician |
Robert Hutchins
|
|
Digital Effects Supervisor |
Mitch Kopelman
|
|
Camera | Director of Photography |
Darius Khondji
|
Still Photographer |
Suzanne Tenner
|
|
Camera Operator |
Conrad W. Hall
|
|
Steadicam Operator |
David Emmerichs
|
|
Underwater Director of Photography |
Pete Romano
|
|
First Assistant Camera |
Zoran Veselic
|
|
Second Assistant Camera |
Don Steinberg
|
|
Camera Loader |
Dana Kroeger
|
|
Grip |
Peter McAdams
|
|
Best Boy Grip |
Michael Alexonis
Gary S. Christie
|
|
Key Grip |
C. Alan Rawlins
|
|
Dolly Grip |
C. Ashley Sudge
|
|
Directing | Director |
Jean-Pierre Jeunet
|
Script Supervisor |
Shannon Kenny
|
|
Second Assistant Director |
Nancy King
|
|
Assistant Director |
Susan Walter
|
|
First Assistant Director |
Mark Oppenheimer
|
|
Second Second Assistant Director |
Jackie C. Lee
|
|
Editing | Editor |
Hervé Schneid
|
Color Timer |
David Orr
|
|
First Assistant Editor |
James Andrykowski
|
|
Negative Cutter |
Gary Burritt
|
|
Assistant Editor |
Liza Sullivan
|
|
Costume & Make-Up | Costume Design |
Bob Ringwood
|
Costumer |
Katina Le Kerr
Claudia Wick
Paul Delucca
Cathy Hill
Jennifer Morrison Holyfield
|
|
Hair Designer |
Alan D'Angerio
|
|
Makeup Artist |
Mike Smithson
Bill Myer
John Dods
|
|
Costume Supervisor |
David Rawley
|
|
Makeup Department Head |
Barry R. Koper
|
|
Makeup Designer |
Naomi Donne
|
|
Key Costumer |
Ed Fincher
|
|
Hairstylist |
Paul Anthony Morris
|
|
Key Hair Stylist |
Jasen Joseph Sica
|
|
Visual Effects | Visual Effects Supervisor |
Pitof
Erik Henry
Richard E. Hollander
|
Creature Design |
H. R. Giger
|
|
VFX Director of Photography |
Conrad W. Hall
|
|
Compositing Supervisor |
Alain Carsoux
Thomas Duval
|
|
Visual Effects Producer |
Matthew Ferro
Susan Zwerman
|
|
Pyrotechnic Supervisor |
Joe Viskocil
|
|
Modeling |
Mike Defeo
|
|
Visual Effects Coordinator |
Lauren Smith
|
|
Writing | Characters |
Dan O'Bannon
Ronald Shusett
|
Screenplay |
Joss Whedon
|
|
Sound | Dialogue Editor |
Harry B. Miller III
Dave Kulczycki
|
Sound Designer |
Leslie Shatz
|
|
Original Music Composer |
John Frizzell
|
|
ADR Supervisor |
R.J. Kizer
|
|
Foley |
Dan O'Connell
John T. Cucci
Linda Lew
|
|
Sound Re-Recording Mixer |
Gregory H. Watkins
Rick Kline
|
|
Foley Editor |
Ted Caplan
|
|
Sound Effects Editor |
Sean Garnhart
Jay Wilkinson
|
|
Supervising Sound Editor |
John A. Larsen
|
|
Sound Recordist |
Robin Haskins
David Cunningham
|
|
Music Editor |
Abby Treloggen
|
|
Sound Effects Designer |
Paul Urmson
|
|
ADR Editor |
Lauren Palmer
|
|
Music Producer |
Mark Cross
|
|
Boom Operator |
Steve Bowerman
|
|
Lighting | Rigging Gaffer |
Peter Davidian
|
Electrician |
Carlos M. Torres
Chris Franco
Dan Kerns
Monty Woodard
Michael Lambert
|
|
Best Boy Electric |
Michael Arvanitis
William T. McKane
|
|
Key Rigging Grip |
Bob Leitelt
|
|
Lighting Technician |
Thomas P. Powell
|
|
Chief Lighting Technician |
Chris Strong
|
|
Department | Role | Name |
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