All the Money in the World
(2017) J. Paul Getty had a fortune. Everyone else paid the price. | Released
Ratings
6.5
6.8
78%
Financials
Revenue: $56,996,304
Budget: $50,000,000
Profit: + $6,996,304
Movie Details
Tag Line: J. Paul Getty had a fortune. Everyone else paid the price.
Status: Released
Average Rating: 7
Release Date: Dec 21, 2017
Rating: 2018-03-27
Run Time: 2h 12m
Original Language: English
Website: Link
Production Countries: Italy , United States of America
Production Companies: Imperative Entertainment , Lotus Production , Redrum Films , Panorama Films , TriStar Pictures , Scott Free Productions
Sources:
Genres
Keywords
People Rated This
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Synopsis
The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.
Crew
| Department | Role | Name |
|---|---|---|
| Crew | Stand In |
Lucy Scarfe
|
| Health and Safety |
Daniel Rogers
|
|
| Stunt Double |
Andrei Jdanov
|
|
| Stunt Coordinator |
Franco Maria Salamon
|
|
| Stunts |
alessandro scepi
Stefano Domenighini
|
|
| Production | Unit Production Manager |
Francesca Cingolani
|
| Producer |
Ridley Scott
Dan Friedkin
Chris Clark
Quentin Curtis
Mark Huffam
Bradley Thomas
Kevin J. Walsh
|
|
| Production Assistant |
Ivan Janakat
|
|
| Casting |
Carmen Cuba
Lara Atalla
Teresa Razzauti
Kate Ringsell
|
|
| Co-Producer |
Aidan Elliott
Marco Valerio Pugini
Teresa Kelly
|
|
| Location Manager |
Craig Cook
|
|
| Directing | First Assistant Director |
Raymond Kirk
Roy Bava
Adam Somner
|
| Second Assistant Director |
Edoardo Petti
|
|
| Script Supervisor |
Annie Penn
|
|
| Director |
Ridley Scott
|
|
| Camera | "A" Camera Operator |
Daniele Massaccesi
|
| First Assistant "A" Camera |
Alberto Torrecilla
|
|
| Second Assistant "A" Camera |
Riccardo Pau
|
|
| "B" Camera Operator |
Marco Sacerdoti
|
|
| First Assistant "B" Camera |
Francisco Pintore
|
|
| Second Assistant "B" Camera |
Irene Chiappa
|
|
| "C" Camera Operator |
Andrea Arnone
|
|
| First Assistant "C" Camera |
Emiliano Topai
|
|
| Second Assistant "C" Camera |
Esther Venanzi
|
|
| Key Grip |
Massimiliano Dessena
|
|
| Best Boy Grip |
Giorgio Pezzotti
|
|
| Director of Photography |
Dariusz Wolski
|
|
| Sound | Original Music Composer |
Daniel Pemberton
|
| Sound Re-Recording Mixer |
Gilbert Lake
Mark Taylor
|
|
| Supervising Sound Editor |
Oliver Tarney
|
|
| Foley Artist |
Jack Stew
|
|
| Dialogue Editor |
Rachael Tate
|
|
| ADR Mixer |
Mark DeSimone
|
|
| Lighting | Gaffer |
Francesco Zaccaria
|
| Editing | Editor |
Claire Simpson
|
| Art | Production Design |
Arthur Max
|
| Art Direction |
Samy Keilani
Andrew Munro
Massimo Pauletto
Gianpaolo Rifino
|
|
| Supervising Art Director |
Cristina Onori
|
|
| Set Decoration |
Letizia Santucci
Richard Roberts
|
|
| Costume & Make-Up | Costume Design |
Janty Yates
|
| Makeup Artist |
Sleiman Tadros
Louise Young
Laura Lilley
Raffaella Iorio
Jana Carboni
|
|
| Prosthetic Makeup Artist |
Liz Barlow
|
|
| Writing | Book |
John Pearson
|
| Writer |
David Scarpa
|
|
| Department | Role | Name |