Anacondas: The Hunt for the Blood Orchid
(2004) The hunters will become the hunted. | Released
Ratings
40%
5.5
4.6
25%
Financials
Revenue: $71,000,000
Budget: $20,000,000
Profit: + $51,000,000
Movie Details
Tag Line: The hunters will become the hunted.
Status: Released
Average Rating: 5
Release Date: Aug 25, 2004
Rating: 2004-08-25
Run Time: 1h 34m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Middle Fork Productions , Screen Gems
Sources:
Genres
Keywords
People Rated This
Where to watch Anacondas: The Hunt for the Blood Orchid
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.
Synopsis
The blood orchid - a rare flower that could hold the secret of eternal life and be worth a fortune to the company that finds it first. Led by a pharmaceutical research team, a scientific expedition sets out to go and explore deep into the jungles of Borneo to locate and bring back samples of the legendary plant. Battling through rainstorms to make their way upriver, the group encounters poisonous insects and a ferocious crocodile, only to discover they're being stalked by an even greater danger: a gathering of giant anacondas. Heat-sensing, fifty-foot-long flesh eaters that will go after anyone that crosses in their path.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Marcus D'Arcy
Mark Warner
|
| Dialogue Editor |
Nada Mikaš
|
|
| Additional Editing |
Antonio Mestres
|
|
| First Assistant Editor |
Alicia Gleeson
|
|
| Assistant Editor |
Matthew Ozerski
|
|
| Colorist |
Tristan La Fontaine
|
|
| Writing | Screenplay |
Daniel Zelman
Michael Miner
John Claflin
Edward Neumeier
|
| Story |
Jack Epps Jr.
Hans Bauer
Jim Cash
|
|
| Camera | Director of Photography |
Stephen F. Windon
|
| Helicopter Camera |
John Trapman
|
|
| Camera Operator |
Frank Hruby
|
|
| Still Photographer |
Jasin Boland
|
|
| First Assistant Camera |
Jem Rayner
|
|
| Grip |
Ian Bird
|
|
| Underwater Camera |
Simon Christidis
|
|
| Dolly Grip |
Martin Fargher
|
|
| Assistant Camera |
Marc Windon
|
|
| Second Assistant Camera |
Ben King
|
|
| Directing | Director |
Dwight H. Little
|
| Assistant Director |
Jamie Crooks
|
|
| Second Assistant Director |
Jason Faulkner
|
|
| Third Assistant Director |
Bish Bishop
|
|
| Second Unit Director |
Mark Wareham
|
|
| Production | Producer |
Verna Harrah
|
| Executive Producer |
Jacobus Rose
|
|
| Casting |
Justine Arteta
|
|
| Unit Manager |
Brendon 'Moose' Boyd
|
|
| Production Coordinator |
Arwen Munro
|
|
| Unit Production Manager |
Liz DiFiore
|
|
| Production Accountant |
Jason Bogard
|
|
| Production Manager |
Ray Hennessy
|
|
| Production Assistant |
Jessica Walsh
|
|
| Location Assistant |
Duncan Jones
|
|
| Production Executive |
Richard Harrah
|
|
| Production Secretary |
Judy Dale
|
|
| Second Assistant Accountant |
Kristin Kruger
|
|
| First Assistant Accountant |
Ernst W. Laurel
|
|
| Sound | Original Music Composer |
Nerida Tyson-Chew
|
| Music Editor |
Linda Murdoch
|
|
| Sound Designer |
Kirke Godfrey
|
|
| Sound Mixer |
Gary Wilkins
|
|
| Boom Operator |
Mark J. Wasiutak
|
|
| Orchestrator |
William Boston
|
|
| First Assistant Sound Editor |
William Ward
|
|
| Music Supervisor |
Pilar McCurry
|
|
| Supervising Sound Editor |
Andrew Plain
|
|
| ADR Editor |
Damian Candusso
|
|
| Conductor |
Nerida Tyson-Chew
|
|
| ADR Mixer |
Howard London
|
|
| Assistant Dialogue Editor |
Paul Korber
|
|
| Foley Mixer |
Blair Slater
|
|
| Art | Art Department Coordinator |
Dilys Tan
|
| Set Decoration |
Jill Eden
|
|
| Production Design |
Bryce Perrin
|
|
| Supervising Art Director |
Brian Edmonds
|
|
| Set Designer |
Jenny Hitchcock
|
|
| Production Illustrator |
Warren Beaton
|
|
| Assistant Art Director |
Miriam Johnson
|
|
| Art Direction |
Peter 'Babylon' Owens
|
|
| Storyboard Artist |
Julia Holden
|
|
| Swing |
Spencer Faulkner
|
|
| Crew | Visual Effects Editor |
Paul Booth
|
| Special Effects Coordinator |
Marianne Evans
|
|
| Property Master |
Richie Dehne
|
|
| Post Production Supervisor |
Gordon MacPhail
|
|
| Makeup Effects |
Sean Genders
|
|
| Video Assist Operator |
Luis Olivares
|
|
| Driver |
Spencer Faulkner
|
|
| Stunt Coordinator |
Glenn Ruehland
|
|
| Digital Effects Supervisor |
Angus Cameron
|
|
| Stunts |
Augie Davis
|
|
| Technical Supervisor |
Sylvan Dieckmann
|
|
| Software Engineer |
John Charles
|
|
| Special Effects Manager |
Kent Miklenda
|
|
| Special Effects Technician |
James Howe
|
|
| Stunt Double |
Renee Bowen
Ashley Fairfield
Sheree Swords
|
|
| Pyrotechnician |
Leo Henry
|
|
| Scenic Artist |
Andy Robinson
|
|
| Visual Effects | Visual Effects Producer |
Pippa Anderson
|
| Visual Effects Supervisor |
Dale Duguid
|
|
| Digital Compositors |
Marten Blumen
|
|
| Visual Effects |
Andrew Butler
|
|
| Special Effects Supervisor |
Tad Pride
|
|
| Costume & Make-Up | Key Hair Stylist |
Zeljka Stanin
|
| Costume Design |
Terry Ryan
|
|
| Hairstylist |
Kate Birch
|
|
| Makeup Artist |
Megan Dwyer
|
|
| Prosthetic Supervisor |
Nik Dorning
|
|
| Set Dressing Artist |
Nicki Gardiner
|
|
| Key Costumer |
Fiona Nicolls
|
|
| Costume Coordinator |
Diana Freeman
|
|
| Costumer |
Sandi Cichello
|
|
| Hairdresser |
Megan Dwyer
|
|
| Lighting | Rigging Grip |
Kevin Donovan
|
| Lighting Technician |
Leo Richmond
|
|
| Gaffer |
Karl Engeler
|
|
| Best Boy Electric |
Gillian Huxley
|
|
| Rigging Gaffer |
Henare Mato
|
|
| Department | Role | Name |