Beyond the Sea
(2004) In the era of cool, Bobby Darin was the soundtrack. | Released
Ratings
46%
6.3
6.7
60%
Financials
Revenue: $8,400,000
Budget: $25,000,000
Profit: - $-16,600,000
Movie Details
Tag Line: In the era of cool, Bobby Darin was the soundtrack.
Status: Released
Average Rating: 6
Release Date: Nov 16, 2004
Rating: PG-13
Run Time: 1h 58m
Original Language: English
Website: -
Production Countries: Germany , United Kingdom , United States of America
Production Companies: Lionsgate
Genres
Keywords
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Synopsis
Based on the life and career of legendary entertainer, Bobby Darin, the biopic moves back and forth between his childhood and adulthood, to tell the tale of his life.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Lewis Colick
Kevin Spacey
|
| Directing | Director |
Kevin Spacey
|
| First Assistant Director |
Sean Guest
|
|
| Script Supervisor |
Susanna Lenton
|
|
| Production | Producer |
Kevin Spacey
Andy Paterson
Jan Fantl
Arthur E. Friedman
|
| Locale Casting Director |
Mary Selway
Risa Kes
Fiona Weir
Jill Green
|
|
| Executive Producer |
Mark Damon
Peter Block
Jason Constantine
Henning Molfenter
Thierry Potok
Jim Reeve
Steve Robbins
Michael Burns
Douglas Hansen
Joanne Horowitz
|
|
| Extras Casting |
Iris Müller
|
|
| Casting |
Joanna Colbert
|
|
| Co-Producer |
Dana Brunetti
Mark Tracey
Philip Barry
|
|
| Line Producer |
Guy Tannahill
|
|
| Associate Producer |
Jeremy Whelehan
Anna Campeau
Christian Frohn
|
|
| Production Manager |
Michael Scheel
|
|
| Unit Production Manager |
Michael Scheel
|
|
| ADR Voice Casting |
Louis Elman
Abigail Barbier
|
|
| Art | Assistant Art Director |
Stephan O. Gessler
|
| Art Department Coordinator |
Roxy Konrad
|
|
| Standby Painter |
Edgar Konkoll
|
|
| Art Direction |
Andreas Olshausen
|
|
| Production Design |
Andrew Laws
|
|
| Set Designer |
Anja Müller
Steve Summersgill
Tom Whitehead
|
|
| Art Department Assistant |
Sabine Engelberg
|
|
| Set Decoration |
Marina Morris
|
|
| Property Master |
Alan Bailey
|
|
| Sound | Foley Artist |
Peter Burgis
Paul Hanks
Ian Waggott
|
| Sound Re-Recording Mixer |
Nigel Heath
James Feltham
|
|
| Foley Editor |
Arthur Graley
|
|
| Sound Designer |
Julian Slater
|
|
| Sound Effects Editor |
Julian Slater
|
|
| Music Producer |
Phil Ramone
|
|
| Dolby Consultant |
James Seddon
|
|
| Dialogue Editor |
Dan Morgan
|
|
| ADR Editor |
Dan Morgan
|
|
| Camera | Director of Photography |
Eduardo Serra
|
| Camera Operator |
Mike Proudfoot
|
|
| Costume & Make-Up | Costume Design |
Ruth Myers
|
| Hair Designer |
Peter Swords King
|
|
| Makeup Designer |
Peter Swords King
|
|
| Key Hair Stylist |
Janine Schneider
|
|
| Key Makeup Artist |
Janine Schneider
|
|
| Costume Supervisor |
William McPhail
|
|
| Wardrobe Supervisor |
Meike Schlegel
|
|
| Makeup & Hair |
Björn Rehbein
Georgia Lockhart-Adams
Chloe-Claudia Brown
|
|
| Key Set Costumer |
Marnie Ormiston
|
|
| Editing | Editor |
Trevor Waite
|
| Additional Editorial Assistant |
Paul Elman
|
|
| First Assistant Editor |
Mark Neale
|
|
| Crew | Stand In |
John Keogh
|
| Choreographer |
Rob Ashford
|
|
| Picture Car Coordinator |
Michael Fechner
|
|
| Post Production Supervisor |
Emma Zee
|
|
| Transportation Captain |
Jens Enderling
|
|
| Dialect Coach |
Julia Wilson Dickson
|
|
| Visual Effects | Visual Effects Supervisor |
Tom Debenham
|
| Visual Effects Coordinator |
Muriel Gérard
|
|
| Lighting | Best Boy Electric |
Rene Frommholz
|
| Gaffer |
Martin Frank
|
|
| Department | Role | Name |
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