Ratings
Financials
Revenue: $51,684,798
Budget: $20,000,000
Profit: + $31,684,798
Movie Details
Tag Line: The Army made Eugene a man. But Daisy gave him basic training!
Status: Released
Average Rating: 6
Release Date: Mar 25, 1988
Rating: 1988-03-25
Run Time: 1h 46m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Rastar Productions
Sources:
Genres
Keywords
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Synopsis
Eugene, an aspiring writer from Brooklyn, is drafted into the US Army during the final months of World War II. For his basic training, the Army sends him to Camp Shelby in Mississippi, where toil, bad food, and antisemitic jibes await. Eugene takes refuge in his sense of humor and in his diary, but they won't protect him in a battle of wills with an unstable drill sergeant.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Mike Nichols
|
| First Assistant Director |
Michael Haley
|
|
| Second Assistant Director |
James W. Skotchdopole
|
|
| Second Second Assistant Director |
Carla Corwin
|
|
| Additional Second Assistant Director |
Glen Trotiner
|
|
| Script Supervisor |
B.J. Bjorkman
|
|
| Writing | Screenplay |
Neil Simon
|
| Theatre Play |
Neil Simon
|
|
| Costume & Make-Up | Costume Design |
Ann Roth
|
| Hairstylist |
Frank Bianco
|
|
| Assistant Costume Designer |
Gary Jones
|
|
| Wardrobe Supervisor |
Michael Dennison
Bruce Ericksen
|
|
| Makeup Artist |
Jay Cannistraci
|
|
| Wardrobe Assistant |
Amy Roth
|
|
| Hair Designer |
Kelvin R. Trahan
|
|
| Makeup Designer |
Kelvin R. Trahan
|
|
| Editing | Editor |
Sam O'Steen
|
| Assistant Editor |
Lori Kornspun
Kris Cole
|
|
| Associate Editor |
Richard Nord
|
|
| Color Timer |
Bruce Pearson
|
|
| Art | Production Design |
Paul Sylbert
|
| Head Carpenter |
Edward C. Sexton
|
|
| Construction Coordinator |
Carlos Quiles
|
|
| Set Dresser |
Herbert F. Mulligan
|
|
| Set Decoration |
Alan Hicks
|
|
| Sound | Original Music Composer |
Georges Delerue
|
| Sound Mixer |
Allan Byer
|
|
| Supervising Sound Editor |
Stan Bochner
|
|
| Sound Re-Recording Mixer |
Lee Dichter
|
|
| Music Editor |
Patrick Mullins
|
|
| Assistant Sound Editor |
Gail Showalter
Tony Martinez
|
|
| ADR Supervisor |
Michael Jacobi
|
|
| Sound Editor |
Robert Hein
|
|
| Production | Executive Producer |
Marykay Powell
Joseph M. Caracciolo
|
| Casting |
Juliet Taylor
|
|
| Unit Production Manager |
Joseph M. Caracciolo
|
|
| Producer |
Ray Stark
|
|
| Production Office Coordinator |
Wendi Haas
|
|
| Extras Casting |
Sarah Tackett
|
|
| Camera | Director of Photography |
Bill Butler
|
| Second Assistant Camera |
Peter Gerling
|
|
| Steadicam Operator |
Robert Ulland
|
|
| Still Photographer |
Don Smetzer
|
|
| Camera Operator |
Ralph Gerling
|
|
| First Assistant Camera |
Bill Coe
|
|
| Dolly Grip |
James McGrath
|
|
| Key Grip |
Norman Buck
|
|
| Crew | Special Effects |
John Ottesen
Kevin Brink
Daniel Ottesen
|
| Stunt Coordinator |
Rick LeFevour
Whitey Hughes
|
|
| Unit Publicist |
Joan Eisenberg
|
|
| Lighting | Rigging Gaffer |
Francis J. McBride
|
| Rigging Grip |
Michael J. Fabiano
|
|
| Gaffer |
William Ward
|
|
| Best Boy Electric |
James Malone
|
|
| Department | Role | Name |






