Body of Evidence
(1993) An act of love, or an act of murder? | Released
Ratings
5
4.4
8%
Financials
Revenue: $38,000,000
Budget: $30,000,000
Profit: + $8,000,000
Movie Details
Tag Line: An act of love, or an act of murder?
Status: Released
Average Rating: 5
Release Date: Jan 15, 1993
Rating: 1993-01-15
Run Time: 1h 41m
Original Language: English
Website: Link
Production Countries: Germany , United States of America
Production Companies: Metro-Goldwyn-Mayer , Constantin Film
Genres
Keywords
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Synopsis
When an elderly millionaire is found dead with cocaine in his system, his will leaves $8 million to Rebecca Carlson, who was having an affair with him. District attorney Robert Garrett decides to prosecute Rebecca, arguing that she deliberately engaged in wild sex with the old man to overexcite him and lead to his premature death. Defense attorney Frank Dulaney defends Rebecca in court while getting sucked into a dangerous affair with her.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Brad Mirman
|
| Production | Producer |
Dino De Laurentiis
Bernd Eichinger
|
| Casting |
Mary Jo Slater
|
|
| Line Producer |
Mel Dellar
|
|
| Unit Production Manager |
Mel Dellar
|
|
| Executive Producer |
Stephen Deutsch
Melinda Jason
|
|
| Casting Associate |
Jan Glaser
|
|
| Production Coordinator |
Christine Baer
|
|
| Production Accountant |
Eduardo De La Grana
|
|
| Sound | Original Music Composer |
Graeme Revell
|
| Supervising Sound Editor |
Val Kuklowsky
Sandy Gendler
|
|
| Sound Re-Recording Mixer |
Paul Massey
Steve Pederson
Dan Wallin
|
|
| Boom Operator |
Timothy P. Salmon
|
|
| Production Sound Mixer |
Keith A. Wester
|
|
| Music Editor |
Dick Bernstein
|
|
| Music Supervisor |
Stuart Boros
|
|
| Camera | Director of Photography |
Douglas Milsome
|
| Still Photographer |
Murray Close
|
|
| Second Assistant Camera |
Gavin Alcott
J. Steven Matzinger
|
|
| Best Boy Grip |
Willie Mann
|
|
| Key Grip |
Les Percy
|
|
| First Assistant Camera |
Calmar Roberts
|
|
| Editing | Editor |
Thom Noble
|
| First Assistant Editor |
Luis Colina
|
|
| Negative Cutter |
Gary Burritt
|
|
| Color Timer |
Dale Caldwell
|
|
| Art | Art Direction |
Michael Rizzo
|
| Set Decoration |
Jerie Kelter
|
|
| Production Design |
Victoria Paul
|
|
| Leadman |
David Brace
James V. Kent
|
|
| Property Master |
Horst Grandt
|
|
| Assistant Property Master |
Larry Phillips
|
|
| Construction Coordinator |
Frank Viviano
|
|
| Costume & Make-Up | Costume Design |
Susan Becker
|
| Makeup Artist |
Deborah K. Larsen
Joseph A. Campayno
Pat Gerhardt
|
|
| Key Hair Stylist |
Christopher Shihar
|
|
| Hairstylist |
Anthony Cortino
Anne Morgan
|
|
| Costume Supervisor |
Violet N. Cane
|
|
| Directing | Director |
Uli Edel
|
| Script Supervisor |
Lyn Matsuda Norton
|
|
| Second Unit Director |
David R. Ellis
|
|
| First Assistant Director |
Dennis Maguire
|
|
| Second Assistant Director |
John Wildermuth
|
|
| Crew | Stunt Coordinator |
David R. Ellis
Manny Perry
|
| Post Production Supervisor |
Gary Chandler
|
|
| Scenic Artist |
Pat Morache
|
|
| Stunts |
Tim A. Davison
Annie Ellis
Erik Rondell
Ric Roman Waugh
|
|
| Unit Publicist |
David Fulton
|
|
| Lighting | Electrician |
Dhamarata Dhiensuwana
|
| Rigging Gaffer |
Patrick Lennon
|
|
| Chief Lighting Technician |
Patrick Reddish
|
|
| Department | Role | Name |