Ratings
Financials
Revenue: $10,600,497
Budget: $8,000,000
Profit: + $2,600,497
Movie Details
Tag Line: No Broadway producers want this out-of-luck theatrical agent...but the Mafia does.
Status: Released
Average Rating: 7
Release Date: Jan 27, 1984
Rating:
Run Time: 1h 24m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Orion Pictures
Genres
Keywords
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Synopsis
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.
Crew
Department | Role | Name |
---|---|---|
Production | Assistant Production Coordinator |
Todd M. Thaler
|
Casting |
Juliet Taylor
|
|
Producer |
Robert Greenhut
|
|
Production Coordinator |
Helen Robin
|
|
Executive Producer |
Charles H. Joffe
|
|
Production Manager |
Frederic B. Blankfein
|
|
Unit Production Manager |
Ezra Swerdlow
|
|
Location Coordinator |
Timothy M. Bourne
|
|
Associate Producer |
Michael Peyser
|
|
Casting Associate |
Paula Herold
|
|
Production Accountant |
Amy Lubchansky
|
|
Writing | Screenplay |
Woody Allen
|
Directing | Director |
Woody Allen
|
Additional Second Assistant Director |
Jonathan Filley
Les Banda
|
|
Second Assistant Director |
Jim Chory
|
|
First Assistant Director |
Thomas A. Reilly
|
|
Script Supervisor |
Kay Chapin
|
|
Camera | Director of Photography |
Gordon Willis
|
Still Photographer |
Brian Hamill
|
|
Camera Operator |
Dick Mingalone
|
|
Dolly Grip |
Ronald Burke
|
|
Key Grip |
Robert Ward
|
|
Second Assistant Camera |
Bob Paone
|
|
Assistant Camera |
Douglas C. Hart
|
|
Art | Set Decoration |
Leslie Bloom
|
Production Design |
Mel Bourne
|
|
Property Master |
James Mazzola
|
|
Lead Set Dresser |
Dave Weinman
|
|
Set Dresser |
Kevin McCarthy
|
|
Construction Grip |
Arne Olsen
|
|
Art Department Coordinator |
Joan Lopate
|
|
Costume & Make-Up | Costume Design |
Jeffrey Kurland
|
Makeup Designer |
Fern Buchner
|
|
Hair Designer |
Romaine Greene
|
|
Wardrobe Supervisor |
Patricia Eiben
Bill Christians
|
|
Editing | Editor |
Susan E. Morse
|
Assistant Editor |
Richard Nord
Jeffrey Stern
|
|
Lighting | Gaffer |
Ray Quinlan
|
Best Boy Electric |
James Fitzpatrick
|
|
Sound | Supervising Sound Editor |
Dan Sable
|
Assistant Sound Editor |
Lynn Sable
|
|
Production Sound Mixer |
James Sabat
|
|
Music Supervisor |
Dick Hyman
|
|
Original Music Composer |
Nick Apollo Forte
|
|
Sound Re-Recording Mixer |
Rick Dior
|
|
Sound Recordist |
Frank Graziadei
|
|
Boom Operator |
Louis Sabat
|
|
Sound Engineer |
Roy B. Yokelson
|
|
Apprentice Sound Editor |
Neil Eric Wenger
|
|
Music |
Luigi Denza
|
|
Crew | Key Scenic Artist |
James Sorice
|
Projection |
Carl Turnquest
|
|
Transportation Captain |
William Curry
|
|
Department | Role | Name |