Cape Fear
(1991) Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. | Released
Ratings
73%
7.3
7.3
75%
Financials
Revenue: $182,300,000
Budget: $35,000,000
Profit: + $147,300,000
Movie Details
Tag Line: Sam Bowden has always provided for his family's future. But the past is coming back to haunt them.
Status: Released
Average Rating: 7
Release Date: Nov 13, 1991
Rating: 1991-10-06
Run Time: 2h 08m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Amblin Entertainment , Cappa Productions , Tribeca Productions , Universal Pictures
Sources:
Genres
Keywords
People Rated This
sofia.jara.villarroel
Compatibility : N/AShared : N/Amargaret.warner
Compatibility : N/AShared : N/Aphoenix
Compatibility : N/AShared : N/Atracy.sullivan
Compatibility : N/AShared : N/Ajimja
Compatibility : N/AShared : N/Atom.grossman.iii
Compatibility : N/AShared : N/Ashaleen bean
Compatibility : N/AShared : N/Aryanb
Compatibility : N/AShared : N/A
Where to watch Cape Fear
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.
Synopsis
Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Freddie Francis
|
| Still Photographer |
Phillip V. Caruso
|
|
| Camera Operator |
Gordon Hayman
|
|
| Art | Set Decoration |
Alan Hicks
|
| Art Direction |
Jack G. Taylor Jr.
|
|
| Production Design |
Henry Bumstead
|
|
| Property Master |
Richard Adee
|
|
| Assistant Property Master |
Wally Adee
|
|
| Title Designer |
Elaine Bass
Saul Bass
|
|
| Set Dresser |
Michael Calabrese
Robert Crowley
|
|
| Assistant Art Director |
Adrian Gorton
|
|
| Directing | Director |
Martin Scorsese
|
| Script Supervisor |
Corey B. Yugler
|
|
| First Assistant Director |
Joseph P. Reidy
|
|
| Second Assistant Director |
Nathalie Vadim
|
|
| Second Second Assistant Director |
Deborah Lupard
|
|
| Production | Casting |
Ellen Lewis
|
| Executive Producer |
Frank Marshall
Kathleen Kennedy
|
|
| Producer |
Barbara De Fina
|
|
| Publicist |
Dianne E. Collins
|
|
| Writing | Novel |
John D. MacDonald
|
| Screenplay |
Wesley Strick
|
|
| Original Film Writer |
James R. Webb
|
|
| Editing | Editor |
Thelma Schoonmaker
|
| Crew | Special Effects Coordinator |
J.B. Jones
|
| Stunt Coordinator |
Leon Delaney
|
|
| Makeup Effects |
Neal Martz
|
|
| Stunts |
Don Pulford
Daniel W. Barringer
Billy Judkins
|
|
| Stunt Double |
Donna Evans
Doug Coleman
Marcia Holley
|
|
| Costume & Make-Up | Makeup Artist |
Edouard F. Henriques
Dorothy J. Pearl
Elizabeth Lambert
|
| Costume Design |
Rita Ryack
|
|
| Hairstylist |
Donna Battersby Greene
Edouard F. Henriques
Lyndell Quiyou
|
|
| Assistant Costume Designer |
Kathleen Gerlach
|
|
| Lighting | Rigging Gaffer |
William Hines
|
| Gaffer |
Gene Engels
|
|
| Sound | Supervising Sound Editor |
Skip Lievsay
|
| Music Editor |
Kathy Durning
|
|
| Conductor |
Elmer Bernstein
|
|
| Original Music Composer |
Elmer Bernstein
Bernard Herrmann
|
|
| Supervising Dialogue Editor |
Philip Stockton
|
|
| Dialogue Editor |
Marissa Littlefield
|
|
| Boom Operator |
T.J. O'Mara
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| Foley Artist |
Marko Costanzo
|
|
| Assistant Sound Editor |
William Docker
Kenton Jakub
Sylvia Menno
|
|
| Foley Editor |
Frank Kern
Steven Visscher
|
|
| Production Sound Mixer |
Tod A. Maitland
|
|
| Foley Supervisor |
Bruce Pross
|
|
| ADR Editor |
Gail Showalter
|
|
| Department | Role | Name |