Clear and Present Danger
(1994) The war of drugs would lead him to the war of power. | Released
Ratings
74%
6.6
6.9
82%
Financials
Revenue: $215,887,717
Budget: $62,000,000
Profit: + $153,887,717
Movie Details
Tag Line: The war of drugs would lead him to the war of power.
Status: Released
Average Rating: 7
Release Date: Aug 3, 1994
Rating: PG-13
Run Time: 2h 21m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount , Mace Neufeld Productions
Genres
Keywords
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Synopsis
CIA Analyst Jack Ryan is drawn into an illegal war fought by the US government against a Colombian drug cartel.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Sound Designer |
Lance Brown
|
| Original Music Composer |
James Horner
|
|
| Conductor |
James Horner
|
|
| Orchestrator |
Don Davis
|
|
| Production Sound Mixer |
Art Rochester
|
|
| Foley Artist |
Ken Dufva
|
|
| Sound Editor |
Patrick J. Foley
|
|
| Music Editor |
Joe E. Rand
|
|
| Supervising Music Editor |
Jim Henrikson
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Sound Effects Editor |
Glenn Hoskinson
|
|
| Supervising Sound Editor |
John Leveque
|
|
| Dialogue Editor |
Richard Corwin
|
|
| Supervising Dialogue Editor |
Joseph A. Ippolito
|
|
| ADR Editor |
Stephen Janisz
|
|
| Boom Operator |
Linda Coffey
|
|
| Assistant Sound Editor |
Marc Deschaine
|
|
| Foley Editor |
Pamela Bentkowski
|
|
| Music Supervisor |
Tim Sexton
|
|
| Foley Mixer |
Eric Gotthelf
|
|
| First Assistant Sound Editor |
Lance Laurienzo
|
|
| ADR Mixer |
Bob Baron
|
|
| Writing | Screenplay |
John Milius
Steven Zaillian
Donald Stewart
|
| Novel |
Tom Clancy
|
|
| Production | Casting Associate |
John Papsidera
|
| Producer |
Mace Neufeld
Robert Rehme
|
|
| Casting |
Mindy Marin
|
|
| Production Coordinator |
Monica Levinson
|
|
| Co-Producer |
Ralph S. Singleton
|
|
| Unit Manager |
Gerardo Barrera
|
|
| Key Production Assistant |
Caryn Krooth
|
|
| Associate Producer |
Lis Kern
|
|
| Assistant Location Manager |
Yvette Gurza
|
|
| Executive In Charge Of Production |
Krystyna Demkowicz
|
|
| Production Manager |
Edwin 'Itsi' Atkins
|
|
| Assistant Production Coordinator |
Leslie Silvey
|
|
| Location Assistant |
Kathleen Beall
|
|
| Extras Casting Coordinator |
Jesús Guerrero
|
|
| Production Accountant |
Susan Towner
|
|
| Production Secretary |
Barbara Casner
|
|
| Location Manager |
Stuart Neumann
|
|
| Payroll Accountant |
Irina Naydichev
|
|
| Assistant Accountant |
Marcus Canty
|
|
| Production Assistant |
Michelle Minyon
|
|
| Camera | Director of Photography |
Donald McAlpine
|
| Steadicam Operator |
Ian Jones
|
|
| Still Photographer |
Bruce McBroom
|
|
| Assistant Camera |
Juan Ayala
|
|
| First Assistant Camera |
Patrick McArdle
|
|
| Camera Operator |
Douglas Ryan
|
|
| Grip |
Hugh McCallum
|
|
| Camera Technician |
Michael Charbonnet
|
|
| Key Grip |
Robin Alan Knight
|
|
| Dolly Grip |
Chuck Brown
|
|
| Second Assistant Camera |
David Blake
|
|
| Art | Set Decoration |
Mickey S. Michaels
Jay Hart
|
| Production Design |
Terence Marsh
|
|
| Art Direction |
William Cruse
|
|
| Assistant Art Director |
Robert Woodruff
|
|
| Set Designer |
Dawn Snyder
|
|
| Production Illustrator |
David J. Negron Jr.
|
|
| Assistant Property Master |
Michael Saccio
|
|
| Construction Coordinator |
Sebastian Milito
|
|
| Property Master |
Dennis J. Parrish
|
|
| Location Scout |
Marisa Moolick
|
|
| Costume & Make-Up | Costume Design |
Bernie Pollack
|
| Costume Supervisor |
Mark Peterson
|
|
| Hairstylist |
Beatrice De Alba
|
|
| Key Hair Stylist |
Sherri Bramlett
|
|
| Set Costumer |
Gregory B. Peña
|
|
| Set Dressing Artist |
Robert Camron
|
|
| Makeup Artist |
Pat Gerhardt
|
|
| Editing | Editor |
Neil Travis
|
| Associate Editor |
Andrew S. Eisen
|
|
| Color Timer |
Terry Haggar
|
|
| Assistant Editor |
Neil Greenberg
|
|
| First Assistant Editor |
John Haggar
|
|
| Negative Cutter |
Theresa Repola Mohammed
|
|
| Directing | Second Unit Director |
David R. Ellis
|
| Director |
Phillip Noyce
|
|
| First Assistant Director |
Alan B. Curtiss
|
|
| Second Second Assistant Director |
Scott Robertson
|
|
| Script Supervisor |
Faye Brenner
|
|
| Visual Effects | Animation Supervisor |
Jeffrey Kleiser
|
| Visual Effects Supervisor |
Robert Grasmere
|
|
| Visual Effects Producer |
Jeffrey Diamond
|
|
| Visual Effects Coordinator |
Paul Taglianetti
|
|
| VFX Artist |
Richard Kilroy
|
|
| Digital Compositors |
Harry Lam
|
|
| Crew | Pilot |
Cliff Fleming
|
| Stunt Coordinator |
Dick Ziker
|
|
| Stunt Driver |
Dick Ziker
|
|
| Unit Publicist |
Don Levy
|
|
| Driver |
Ricardo Díaz Avilés
|
|
| Aerial Coordinator |
Craig Hosking
|
|
| Special Effects Coordinator |
Laurencio Cordero
|
|
| Visual Effects Editor |
Gus Duron
|
|
| Transportation Coordinator |
James Thornsberry
|
|
| Transportation Co-Captain |
Manny Demello
|
|
| Craft Service |
Chris Winn
|
|
| Set Production Assistant |
David M. Bernstein
|
|
| Armorer |
Harry Lu
|
|
| Digital Effects Supervisor |
Diana Walczak
|
|
| Loader |
Kate O'Neill
|
|
| Scenic Artist |
Richard Kilroy
|
|
| Transportation Captain |
Anthony C. Steere
|
|
| Video Assist Operator |
Enrique del Rio
|
|
| Special Effects Technician |
Scott Garcia
|
|
| Stunt Double |
John Alden
|
|
| Lighting | Rigging Gaffer |
Steven Litecky
|
| Best Boy Electric |
Brett Laumann
|
|
| Chief Lighting Technician |
Bobby Burton
|
|
| Assistant Chief Lighting Technician |
Michael Murray
|
|
| Department | Role | Name |
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