Clear and Present Danger
(1994) Truth needs a soldier. | Released
Ratings
74%
6.6
6.9
82%
Financials
Revenue: $215,900,000
Budget: $62,000,000
Profit: + $153,900,000
Movie Details
Tag Line: Truth needs a soldier.
Status: Released
Average Rating: 7
Release Date: Aug 3, 1994
Rating: PG-13
Run Time: 2h 21m
Original Language: English
Website: -
Production Countries: United States of America , Mexico
Production Companies: Paramount , Mace Neufeld Productions , Robert Rehme Productions
Genres
Keywords
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Synopsis
Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Sound Designer |
Lance Brown
|
| Original Music Composer |
James Horner
|
|
| Conductor |
James Horner
|
|
| Orchestrator |
Don Davis
|
|
| Sound Editor |
Scott G.G. Haller
Patrick J. Foley
|
|
| Dialogue Editor |
Gloria D'Alessandro
Carin Rogers
Richard Corwin
|
|
| Production Sound Mixer |
Art Rochester
|
|
| Sound Effects Editor |
Jay Nierenberg
Mike Szakmeister
Donald L. Warner Jr.
Steve Mann
Glenn Hoskinson
David E. Stone
Frank Howard
Jeffrey L. Sandler
|
|
| Scoring Mixer |
Shawn Murphy
|
|
| Sound Re-Recording Mixer |
Jeffrey Perkins
Donald O. Mitchell
Michael Herbick
Frank A. Montaño
|
|
| Supervising Sound Editor |
Bruce Stambler
John Leveque
|
|
| Foley Artist |
David Lee Fein
Ken Dufva
|
|
| Music Editor |
Joe E. Rand
|
|
| Supervising Music Editor |
Jim Henrikson
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Boom Operator |
Douglas J. Schulman
Linda Coffey
|
|
| ADR Editor |
Lee Lemont
Stephen Janisz
|
|
| Supervising Dialogue Editor |
Joseph A. Ippolito
|
|
| Assistant Sound Editor |
Linda Yeaney
Thomas W. Small
Dawn Michelle King
Marc Deschaine
Thomas Needell
Bill Ward
|
|
| Other |
John Soukup
|
|
| Sound Mixer |
Tom Nelson
|
|
| ADR Recordist |
Cory Coken
|
|
| Foley Editor |
Christine Danelski
Pamela Bentkowski
Jeffrey R. Payne
|
|
| Music Supervisor |
Tim Sexton
|
|
| Foley Mixer |
Eric Gotthelf
|
|
| First Assistant Sound Editor |
Lance Laurienzo
|
|
| ADR Mixer |
Bob Baron
|
|
| Writing | Screenplay |
John Milius
Steven Zaillian
Donald Stewart
|
| Novel |
Tom Clancy
|
|
| Production | Casting Associate |
John Papsidera
|
| Producer |
Mace Neufeld
Robert Rehme
|
|
| Casting |
Mindy Marin
Claudia Becker
|
|
| Production Coordinator |
Monica Levinson
Belinda Uriegas
Debbie Schwab
|
|
| Production Manager |
Anna Roth
Edwin 'Itsi' Atkins
|
|
| Co-Producer |
Ralph S. Singleton
|
|
| Unit Manager |
Gerardo Barrera
|
|
| Key Production Assistant |
Caryn Krooth
|
|
| Associate Producer |
Lis Kern
|
|
| Location Manager |
Peter J. Novak
Peggy Pridemore
Nicole Kolin
Stuart Neumann
|
|
| Assistant Location Manager |
Yvette Gurza
Jeff Crandell
|
|
| Production Assistant |
Fernando Uriegas
Michelle Minyon
|
|
| Executive In Charge Of Production |
Krystyna Demkowicz
|
|
| Assistant Production Coordinator |
Leslie Silvey
|
|
| Location Assistant |
Kathleen Beall
|
|
| Extras Casting Coordinator |
Jesús Guerrero
|
|
| Production Accountant |
Susan Towner
|
|
| Production Secretary |
Barbara Casner
|
|
| Extras Casting |
Kimberly Skyrme
|
|
| Payroll Accountant |
Irina Naydichev
|
|
| Assistant Accountant |
Marcus Canty
|
|
| Camera | Director of Photography |
Donald McAlpine
|
| Steadicam Operator |
Ian Jones
|
|
| Still Photographer |
Bruce McBroom
|
|
| Assistant Camera |
Juan Ayala
|
|
| First Assistant Camera |
Patrick McArdle
|
|
| Camera Operator |
Douglas Ryan
|
|
| Grip |
Hugh McCallum
|
|
| Camera Technician |
Michael Charbonnet
|
|
| Key Grip |
Robin Alan Knight
|
|
| Dolly Grip |
Chuck Brown
|
|
| Second Assistant Camera |
David Blake
|
|
| Art | Set Decoration |
Mickey S. Michaels
Jay Hart
Michael Seirton
|
| Production Design |
Terence Marsh
|
|
| Art Direction |
William Cruse
Fernando Ramírez
|
|
| Assistant Art Director |
Robert Woodruff
|
|
| Set Designer |
Dawn Snyder
|
|
| Production Illustrator |
David J. Negron Jr.
|
|
| Assistant Property Master |
Michael Saccio
|
|
| Property Master |
Graham Sumner
Thomas Saccio
Hope M. Parrish
Dennis J. Parrish
|
|
| Leadman |
Christopher Neely
|
|
| Construction Coordinator |
Sebastian Milito
Fred Livingston
|
|
| Set Dresser |
John Schacht
Jim Husbands
Robert Camron
|
|
| Location Scout |
Marisa Moolick
|
|
| Costume & Make-Up | Costume Design |
Bernie Pollack
|
| Costume Supervisor |
Mark Peterson
Hugo Peña
Jaime Ortiz
|
|
| Makeup Artist |
Peter Robb-King
John R. Bayless
Raúl Sarmiento
Dennis Glas
Barbara Lacy
Pat Gerhardt
Deborah Humphries
|
|
| Hairstylist |
Esperanza Gómez
Beatrice De Alba
Carol Meikle
Anne Morgan
|
|
| Key Hair Stylist |
Sherri Bramlett
|
|
| Set Costumer |
Gregory B. Peña
|
|
| Set Dressing Artist |
Robert Camron
|
|
| Editing | Editor |
Neil Travis
|
| Associate Editor |
Andrew S. Eisen
Tim Tommasino
|
|
| Color Timer |
Terry Hager
|
|
| Assistant Editor |
Neil Greenberg
|
|
| First Assistant Editor |
John Haggar
|
|
| Negative Cutter |
Theresa Repola Mohammed
|
|
| Directing | Second Unit Director |
David R. Ellis
|
| Director |
Phillip Noyce
|
|
| First Assistant Director |
Alan B. Curtiss
Batan Silva
|
|
| Second Assistant Director |
Carlos Hidalgo
Robert Huberman
|
|
| Second Second Assistant Director |
Scott Robertson
Joaquin Silva
Sean McCarron
|
|
| Script Supervisor |
Faye Brenner
Ingrid Urich-Sass
|
|
| Second Unit First Assistant Director |
Michael Green
|
|
| First Assistant Director Trainee |
Carlos Piñero
|
|
| Visual Effects | Visual Effects Supervisor |
John C. Wash
Robert Grasmere
|
| Animation Supervisor |
Jeffrey Kleiser
|
|
| Visual Effects |
Gian Ganziano
Gregory L. McMurry
Richard E. Hollander
Rhonda C. Gunner
|
|
| Matte Painter |
Craig Barron
Michael Pangrazio
|
|
| VFX Editor |
Gus Duron
|
|
| Visual Effects Producer |
Jeffrey Diamond
Michael Van Himbergen
|
|
| Visual Effects Coordinator |
Paul Taglianetti
|
|
| Visual Effects Technical Director |
Carol Ashley
|
|
| VFX Artist |
Richard Kilroy
|
|
| Digital Compositors |
Harry Lam
|
|
| Modeling |
Stevan Del George
|
|
| Crew | Special Effects Technician |
Terry Erickson
Richard Wood
Rudy Perez
Kelly Kerby
Scott Garcia
Parry Willard
|
| Stunts |
Henry Kingi
Tom Elliott
Chuck Picerni Jr.
Pat Romano
Al Goto
Scott Wilder
Kenny Endoso
Richard M. Ellis
|
|
| Pilot |
Cliff Fleming
Dana Kristen Vahle
|
|
| Special Effects Coordinator |
Joe Lombardi
Paul J. Lombardi
Laurencio Cordero
|
|
| Stunt Coordinator |
Dick Ziker
|
|
| Stunt Driver |
Dick Ziker
|
|
| Driver |
Ricardo Díaz Avilés
|
|
| Aerial Coordinator |
Craig Hosking
|
|
| Special Effects |
Robert G. Willard
Phil H. Fravel
|
|
| Visual Effects Editor |
Gus Duron
|
|
| Transportation Coordinator |
James Thornsberry
|
|
| Transportation Co-Captain |
Manny Demello
|
|
| Craft Service |
Chris Winn
|
|
| Set Production Assistant |
David M. Bernstein
|
|
| Armorer |
Harry Lu
|
|
| Digital Effects Supervisor |
Diana Walczak
|
|
| Loader |
Kate O'Neill
|
|
| Scenic Artist |
Richard Kilroy
|
|
| Transportation Captain |
Anthony C. Steere
|
|
| Video Assist Operator |
Enrique del Rio
|
|
| Cableman |
James M. McCann
|
|
| Stunt Double |
John Alden
|
|
| Visual Effects Art Director |
Tim Donahue
|
|
| Unit Publicist |
Don Levy
|
|
| Lighting | Rigging Gaffer |
Steven Litecky
|
| Best Boy Electric |
Brett Laumann
|
|
| Chief Lighting Technician |
Bobby Burton
|
|
| Assistant Chief Lighting Technician |
Michael Murray
|
|
| Department | Role | Name |
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