Clearcut
(1991) The violence has begun. | Released
Ratings
6.9
6.8
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: The violence has begun.
Status: Released
Average Rating: 7
Release Date: Sep 10, 1991
Rating: 1992-08-28
Run Time: 1h 40m
Original Language: English
Website: -
Production Countries: Canada
Production Companies: Cinexus Capital Corporation
Genres
Keywords
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Synopsis
A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Consulting Editor |
Ronald Sanders
|
| Editor |
Michael Rea
|
|
| Color Timer |
Chris Hinton
|
|
| First Assistant Editor |
Patricia Lambkin
|
|
| Production | Casting Director |
Deirdre Bowen
|
| Producer |
Ian McDougall
Stephen J. Roth
|
|
| Executive Producer |
Stephen J. Roth
Stephen Alix
|
|
| Casting Assistant |
Tina Gerussi
|
|
| Associate Producer |
Shelley Gillen
|
|
| Location Manager |
Fred Kamping
|
|
| Assistant Production Coordinator |
Christopher Comrie
|
|
| Production Coordinator |
Melody Comrie
|
|
| Assistant Location Manager |
Joyce Fundytus
|
|
| Crew | Stunts |
Marco Bianco
John Stoneham Jr.
Shelley Cook
Rick Forsayeth
|
| Special Effects |
Ted Ross
|
|
| Stunt Coordinator |
Branko Racki
|
|
| Transportation Coordinator |
Matthew Wolchock
|
|
| Scenic Artist |
Ricardo Spinacé
|
|
| Second Unit Cinematographer |
Henri Fiks
Christopher Raucamp
|
|
| Carpenter |
Andrew Palmer
David Valyear
Dwayne Jeffries
|
|
| Transportation Captain |
Frank Mizzi
|
|
| Sound | Foley Artist |
Andy Malcolm
|
| Orchestrator |
Donald Quan
|
|
| Dialogue Editor |
Fred Brennan
|
|
| Sound Re-Recording Mixer |
Dino Pigat
Al Ormerod
|
|
| Original Music Composer |
Shane Harvey
|
|
| Music |
Shane Harvey
|
|
| ADR Editor |
Dale Sheldrake
|
|
| Boom Operator |
Matthew Stark
|
|
| Sound Mixer |
Clark McCarron
|
|
| Assistant Foley Artist |
James A. Gore
|
|
| Directing | Second Unit Director |
Ian McDougall
|
| Second Assistant Director |
Karen Lee Hall
|
|
| Director |
Ryszard Bugajski
|
|
| First Assistant Director |
William Spahic
|
|
| Third Assistant Director |
Ron Oxley
|
|
| Script Supervisor |
Barbara Gordon
|
|
| Camera | Director of Photography |
François Protat
|
| Camera Operator |
Jon Cassar
|
|
| Steadicam Operator |
Jon Cassar
|
|
| First Assistant Camera |
Tony Guerin
|
|
| Assistant Camera |
Michael Carella
Michael Sinyi
|
|
| Key Grip |
Michael O'Connor
|
|
| Underwater Camera |
Pauline Heaton
Craig Ibbotson
|
|
| Best Boy Grip |
Ron Forward
|
|
| Camera Trainee |
Russel Bowie
Carrie Laurin
|
|
| Grip |
Fred Armstrong
|
|
| Additional First Assistant Camera |
Brad Creassar
|
|
| Art | Art Direction |
Ken Watkins
|
| Assistant Set Decoration |
Carolyn A. Loucks
|
|
| Production Design |
Perri Gorrara
|
|
| Set Dresser |
Thierry Bannon
Norman Sponhcia
Botch Bannon
Coco Pie Brizard
|
|
| Property Master |
Ane Christensen
|
|
| Set Decoration |
Gareth Wilson
|
|
| Assistant Property Master |
Shirley Gulliford
|
|
| Painter |
Kim Hamin
|
|
| Construction Coordinator |
Ed Doerksen
|
|
| Head Carpenter |
Tom de Grey
|
|
| Costume & Make-Up | Wardrobe Assistant |
Linda Leduc
Jane Fieber
|
| Wig Designer |
Ivan Lynch
|
|
| Assistant Makeup Artist |
Eva Coudouloux
|
|
| Costume Design |
Kathy Vieira
|
|
| Key Makeup Artist |
Marie-Angèle Protat
|
|
| Hairdresser |
Sandra Caputi
|
|
| Writing | Screenplay |
Robert Forsyth
|
| Script Editor |
Shelley Gillen
|
|
| Novel |
M.T. Kelly
|
|
| Lighting | Gaffer |
Richard Allen
|
| Best Boy Electric |
Craig Wright
|
|
| Department | Role | Name |
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