Ratings
Financials
Revenue: $98,400,000
Budget: $6,500,000
Profit: + $91,900,000
Movie Details
Tag Line: Moving at the speed of life, we are bound to collide with each other.
Status: Released
Average Rating: 7
Release Date: May 6, 2005
Rating: 2006-03-10
Run Time: 1h 52m
Original Language: English
Website: Link
Production Countries: United States of America , Germany
Production Companies: Blackfriars Bridge Films , Yari Film Group , Bob Yari Productions , ApolloProScreen Filmproduktion , Bull's Eye Entertainment , DEJ Productions , Harris Company
Sources:
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Keywords
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Synopsis
In post-Sept. 11 Los Angeles, tensions erupt when the lives of a Brentwood housewife, her district attorney husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple converge during a 36-hour period.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Paul Haggis
|
| Script Supervisor |
Jay Mason
|
|
| First Assistant Director |
Scott Cameron
|
|
| Second Assistant Director |
Simone Farber
|
|
| Third Assistant Director |
Christian Pichler
|
|
| Second Second Assistant Director |
Ime Etuk
|
|
| Writing | Screenplay |
Paul Haggis
Bobby Moresco
|
| Storyboard |
Jonathan Woods
|
|
| Story |
Paul Haggis
|
|
| Editing | Editor |
Hughes Winborne
|
| Assistant Editor |
J.D. McDonald
|
|
| Colorist |
Ed Twiford
|
|
| Digital Colorist |
Adam Hawkey
|
|
| Sound | Original Music Composer |
Mark Isham
|
| Supervising Sound Editor |
Sandy Gendler
|
|
| Sound Re-Recording Mixer |
Rick Ash
Adam Jenkins
Marc Fishman
|
|
| Sound mixer |
Richard Van Dyke
|
|
| Boom Operator |
Carl Fischer
|
|
| Music Supervisor |
Richard Glasser
|
|
| Dolby Consultant |
Andy Potvin
|
|
| Music Editor |
James Burt
|
|
| Music Arranger |
Mark Isham
|
|
| ADR Recordist |
Julie Altus
|
|
| Utility Sound |
Rocky Quiroz
|
|
| Foley Artist |
Joan Rowe
|
|
| Music Coordinator |
Rebecca Rienks
|
|
| ADR Mixer |
Greg Steele
|
|
| Foley Mixer |
Darrin Mann
|
|
| Dialogue Editor |
Karen Vassar Triest
Zack Davis
|
|
| Camera | Director of Photography |
J. Michael Muro
|
| Camera Operator |
Dana Gonzales
|
|
| Still Photographer |
Lorey Sebastian
Jim Sheldon
|
|
| First Assistant Camera |
Lee Blasingame
|
|
| Camera Intern |
Cole Gibson
|
|
| Key Grip |
Art Bartels
|
|
| Grip |
Jeff Goldberg
|
|
| Aerial Director of Photography |
Dylan Goss
|
|
| Additional Second Assistant Camera |
James 'Spud' Danicic
|
|
| Assistant Camera |
Matthew A. Del Ruth
|
|
| Camera Loader |
Raul Riveros
|
|
| Dolly Grip |
James D. Wickman
|
|
| Second Assistant Camera |
Kirk Bloomberg
|
|
| Best Boy Grip |
Bruce Chimerofsky
|
|
| Digital Imaging Technician |
David Fred Masselink
|
|
| Production | Casting |
Sarah Halley Finn
Randi Hiller
|
| Producer |
Cathy Schulman
Mark R. Harris
Paul Haggis
Bobby Moresco
Don Cheadle
Bob Yari
|
|
| Co-Producer |
Randi Hiller
Sarah Halley Finn
Betsy Danbury
|
|
| Executive Producer |
Andrew Reimer
Tom Nunan
Marina Grasic
Jan Korbelin
|
|
| Associate Producer |
Dana Maksimovich
|
|
| Finance |
Richard D. Lewis
|
|
| Casting Associate |
Erika Sellin
|
|
| Unit Production Manager |
Betsy Danbury
|
|
| Production Supervisor |
Mads Hansen
|
|
| Executive In Charge Of Production |
Robert Katz
|
|
| Production Accountant |
Tanoa Parks
|
|
| Production Coordinator |
Andrew Blau
|
|
| Location Manager |
Jennifer Dunne
|
|
| First Assistant Accountant |
Tiffany Thomas
|
|
| Assistant Location Manager |
David Diamond
|
|
| Production Secretary |
Dale Ottley
|
|
| Extras Casting |
Jimmy Jue
|
|
| Payroll Accountant |
Paul Giorgi
|
|
| Post Production Coordinator |
Joel T. Pashby
|
|
| Key Set Production Assistant |
Jordan Brendan Finnegan
|
|
| Production Executive |
Evan Edelist
|
|
| Casting Assistant |
Amy Greene
|
|
| Production Assistant |
James Cameron
|
|
| Costume & Make-Up | Costume Design |
Linda M. Bass
|
| Set Costumer |
Mary Cheung
|
|
| Key Hair Stylist |
Theraesa Rivers
|
|
| Set Dressing Artist |
James R. Barrows
|
|
| Hairstylist |
RaMona Fleetwood
|
|
| Makeup Artist |
Michelle Vittone
|
|
| Wardrobe Intern |
Leyla Jabbar
|
|
| Wardrobe Supervisor |
Gail Just
|
|
| Hair Department Head |
Kerry Mendenhall
|
|
| Crew | Stunt Coordinator |
Gary J. Wayton
|
| Chef |
Luis Brito
|
|
| Video Assist Operator |
Chris Shadley
|
|
| Driver |
Tony Barattini
|
|
| Scenic Artist |
Tek J. Smith
|
|
| Transportation Coordinator |
Michael Perrotti
|
|
| Studio Teachers |
Jack Stern
|
|
| Title Graphics |
J. Kathryn Landholt
|
|
| Set Medic |
Barbara J. Keys
|
|
| Transportation Co-Captain |
Juan Ramirez
|
|
| Unit Publicist |
Erik Bright
|
|
| Technical Supervisor |
Artaya Boonsoong
|
|
| Post Production Supervisor |
Brad Arensman
|
|
| Stunts |
Richie Parker
Dean Wayton
Keith Campbell
April Weeden
Randolph LeRoi
Chris Carnel
Robair Sims
Dartenea Bryant
Monica Staggs
Erik Betts
Kofi Elam
Delma Miranda
Jack Carpenter
Hank Amos
Paul E. Short
|
|
| Special Effects Coordinator |
Ron Trost
|
|
| Stand In |
Paul Borbon
|
|
| Propmaker |
Oswaldo Rojas
|
|
| Catering |
Luis Brito
|
|
| Special Effects Technician |
Dan Edwards
|
|
| Pilot |
Peter McKernan
|
|
| Art | Set Decoration |
Linda Lee Sutton
|
| Production Design |
Laurence Bennett
|
|
| Art Direction |
Brandee Dell'Aringa
|
|
| Leadman |
Daniel Brodo
|
|
| Construction Foreman |
Bradford W. Shoemaker
|
|
| Construction Coordinator |
Jay Jergensen
|
|
| Property Master |
Scott Ambrose
|
|
| Painter |
Steve Dennis
|
|
| Creative Director |
Michael McIntyre
|
|
| Lighting | Gaffer |
Dayton Nietert
|
| Rigging Gaffer |
Victor Svimonoff
|
|
| Electrician |
Paul Arnold
|
|
| Visual Effects | Digital Compositors |
Andy Chih-Jen Chang
|
| Visual Effects Producer |
Ian Noe
|
|
| Visual Effects Supervisor |
Payam Shohadai
|
|
| Visual Effects Coordinator |
Glenn Morris
|
|
| Department | Role | Name |







