Death Becomes Her
(1992) In one small bottle... The fountain of youth. The secret of eternal life. The power of an ancient potion. Sometimes it works... sometimes it doesn't. | Released
Ratings
56%
6.8
6.5
54%
Financials
Revenue: $149,022,650
Budget: $55,000,000
Profit: + $94,022,650
Movie Details
Tag Line: In one small bottle... The fountain of youth. The secret of eternal life. The power of an ancient potion. Sometimes it works... sometimes it doesn't.
Status: Released
Average Rating: 7
Release Date: Jul 30, 1992
Rating: PG-13
Run Time: 1h 44m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures
Genres
Keywords
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Synopsis
Madeline is married to Ernest, who was once arch-rival Helen's fiance. After recovering from a mental breakdown, Helen vows to kill Madeline and steal back Ernest. Unfortunately for everyone, the introduction of a magic potion causes things to be a great deal more complicated than a mere murder plot.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Alan Silvestri
|
| Sound Re-Recording Mixer |
Rick Alexander
Andy D'Addario
James Bolt
|
|
| Orchestrator |
Don Davis
|
|
| ADR Mixer |
Doc Kane
|
|
| Supervising Sound Editor |
Charles L. Campbell
Donald J. Malouf
|
|
| Foley Recordist |
Marilyn Graf
Sandra García
|
|
| Production Sound Mixer |
William B. Kaplan
|
|
| Boom Operator |
Earl Sampson
|
|
| Sound Editor |
Jeff Clark
Albert Gasser
Howard Neiman
Nils C. Jensen
Larry Carow
|
|
| Foley Artist |
Hilda Hodges
Kevin Bartnof
|
|
| Music Editor |
Kenneth Karman
|
|
| ADR Editor |
Thomas Whiting
Corinne Sessarego
|
|
| Foley Mixer |
Carolyn Tapp
|
|
| Assistant Sound Editor |
Jerry Edemann
Angie Luckey
|
|
| ADR Supervisor |
Larry Singer
|
|
| Sound Recordist |
Mike Boudry
|
|
| Directing | Director |
Robert Zemeckis
|
| Second Assistant Director |
Cherylanne Martin
|
|
| First Assistant Director |
Marty P. Ewing
|
|
| Second Unit Director |
Ken Ralston
Max Kleven
|
|
| Script Supervisor |
Anne Rapp
|
|
| Second Second Assistant Director |
Dana J. Kuznetzkoff
|
|
| Production | Producer |
Robert Zemeckis
Steve Starkey
|
| Casting |
Karen Rea
|
|
| Unit Production Manager |
Joan Bradshaw
|
|
| Co-Producer |
Joan Bradshaw
|
|
| Casting Associate |
Donna Ekholdt
|
|
| Production Coordinator |
Jacqueline A. Shea
|
|
| Assistant Production Coordinator |
Janine Cavoto
|
|
| Assistant Location Manager |
Richard De Labio
|
|
| Location Manager |
Karlene Gallegly
|
|
| Production Accountant |
Kevin Landry
|
|
| Camera | Second Unit Director of Photography |
Don Burgess
|
| Director of Photography |
Dean Cundey
|
|
| Camera Operator |
Raymond Stella
|
|
| First Assistant Camera |
Clyde E. Bryan
|
|
| Still Photographer |
Deana Newcomb
|
|
| Underwater Director of Photography |
Jack Cooperman
|
|
| Key Grip |
Ron Cardarelli
|
|
| Best Boy Grip |
Sid Lucero
|
|
| Grip |
Marty Dobkousky
Steven Cardarelli
John O'Grady
Michael Ronald Heath
|
|
| Dolly Grip |
Dave Wachtman
|
|
| Second Assistant Camera |
Jolanda R. Wipfli
|
|
| Camera Loader |
Jason Garcia
|
|
| Editing | Editor |
Arthur Schmidt
|
| First Assistant Editor |
Carin-Anne Strohmaier
|
|
| Color Timer |
David Orr
|
|
| Negative Cutter |
Gary Burritt
|
|
| Assistant Editor |
Stephen L. Meek
|
|
| Costume & Make-Up | Costumer |
Deborah Hopper
Patricia Bercsi
Gilbert S. Hernandez
Diana Wilson
Linda Redmon
Paul St. John
|
| Costume Design |
Joanna Johnston
|
|
| Makeup Designer |
Dick Smith
|
|
| Makeup Artist |
J. Roy Helland
Lance Anderson
Michael Mills
E. Thomas Case
Nadege Schoenfeld
Greg Nelson
|
|
| Hairstylist |
J. Roy Helland
Kathryn Blondell
Shirley Crawford
|
|
| Prosthetics |
Lance Anderson
|
|
| Key Hair Stylist |
Susan Germaine
|
|
| Makeup Effects Designer |
Jake Garber
Scott Oshita
John Dods
|
|
| Assistant Costume Designer |
Barcie Waite
|
|
| Prosthetic Supervisor |
Kevin Haney
|
|
| Makeup Supervisor |
Kevin Haney
|
|
| Costume Supervisor |
Pamela Wise
|
|
| Art | Production Design |
Rick Carter
|
| Set Decoration |
Jackie Carr
|
|
| Art Direction |
William James Teegarden
|
|
| Production Illustrator |
Martin A. Kline
David Lowery
Tom Cranham
|
|
| Set Designer |
Lauren E. Polizzi
Elizabeth Lapp
John Berger
Masako Masuda
|
|
| Assistant Art Director |
Paul Sonski
Lauren Cory
Linda Berger
Erin M. Cummins
|
|
| Set Dresser |
William Kemper Wright
Bruce Fuselier
Max E. Brehme
Scott W. Leslie
Steven Jarrard
|
|
| Property Master |
John Zemansky
|
|
| Assistant Property Master |
Lee B. Drygas
Daniel R. Bentley
|
|
| Greensman |
Craig B. Ayers Sr.
Jeffrey Thomas
Steven M. Miller
|
|
| Art Department Coordinator |
Caroline Quinn
|
|
| Leadman |
Tim Donelan
|
|
| Construction Coordinator |
Jerry Fitzpatrick
|
|
| Construction Foreman |
Richard Bruns
|
|
| Standby Painter |
William Solomon
|
|
| Writing | Author |
David Koepp
|
| Writer |
Martin Donovan
|
|
| Crew | Dialect Coach |
Tim Monich
|
| Stunt Coordinator |
Walter Scott
|
|
| Transportation Coordinator |
Robert Neilson
|
|
| Unit Publicist |
Patti Hawn
|
|
| Cableman |
D. G. Fisher
|
|
| Craft Service |
Tim Gonzales
|
|
| Transportation Captain |
Maylon Houston
|
|
| Transportation Co-Captain |
Ron Kelley
|
|
| Visual Effects | Visual Effects Supervisor |
Ken Ralston
|
| Special Effects Supervisor |
Michael Lantieri
|
|
| Animation Supervisor |
Wes Takahashi
|
|
| CG Artist |
Geoff Campbell
|
|
| Lighting | Chief Lighting Technician |
Mark Walthour
|
| Rigging Gaffer |
Patrick Marshall
|
|
| Key Rigging Grip |
Bud Heller
|
|
| Lighting Technician |
Mark Soucie
O'Shana Walker
Keith Roverud
Ben O. Graham
Anthony Wong
Edward R. Thompson Jr.
Gary Sneed
John Zirbel
|
|
| Rigging Grip |
Raymond Michels
|
|
| Assistant Chief Lighting Technician |
Steve Chandler
|
|
| Department | Role | Name |
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