Desperate Measures
(1998) Desperate times call for. . . | Released
Ratings
5.9
6.1
17%
Financials
Revenue: $13,800,000
Budget: $50,000,000
Profit: - $-36,200,000
Movie Details
Tag Line: Desperate times call for. . .
Status: Released
Average Rating: 6
Release Date: Jan 30, 1998
Rating: 1998-01-30
Run Time: 1h 40m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: TriStar Pictures , Mandalay Entertainment , Mandalay Pictures
Genres
Keywords
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Synopsis
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Howard Feuer
|
| Producer |
Gary Foster
Barbet Schroeder
Susan Hoffman
Lee Rich
|
|
| Executive Producer |
Jeffrey Chernov
|
|
| Co-Producer |
Josie Rosen
|
|
| Unit Production Manager |
Ross T. Fanger
|
|
| Editing | Editor |
Lee Percy
|
| First Assistant Editor |
Rebecca Nicolaou
|
|
| Directing | Second Unit Director |
David R. Ellis
|
| First Assistant Director |
Geoffrey Hansen
|
|
| Director |
Barbet Schroeder
|
|
| Script Supervisor |
Susan Malerstein
|
|
| Second Assistant Director |
David Hallinan
|
|
| Sound | Original Music Composer |
Trevor Jones
|
| Supervising Sound Editor |
Ron Bochar
|
|
| Foley Editor |
Kam Chan
Benjamin Cheah
Frank Kern
Steven Visscher
|
|
| Foley Artist |
Marko Costanzo
|
|
| Assistant Sound Editor |
Chris Fielder
Nicholas Renbeck
|
|
| Sound Effects Editor |
Lewis Goldstein
|
|
| Music Editor |
Suzana Peric
|
|
| Boom Operator |
Tom Hartig
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| ADR Editor |
Deborah Wallach
|
|
| Dialogue Editor |
Gina Alfano
|
|
| Foley Supervisor |
Bruce Pross
|
|
| Sound Mixer |
Steve Nelson
|
|
| Crew | Post Production Supervisor |
Jasmine Kosovic
Chantal Feghali
|
| Stunt Coordinator |
Jeffrey J. Dashnaw
|
|
| Stunts |
Brian Imada
Danny Epper
Darrin Prescott
Troy Robinson
Annie Ellis
Steve Vandeman
|
|
| Unit Publicist |
Spooky Stevens
|
|
| Studio Teacher |
Barbara Bass
|
|
| Special Effects Coordinator |
Kelly Kerby
|
|
| Costume & Make-Up | Makeup Artist |
Larry Abbott
Rick Sharp
Bob Mills
|
| Hairstylist |
Marlene D. Williams
Violet Ortiz
|
|
| Costume Design |
Gary Jones
|
|
| Wardrobe Supervisor |
Cheryl Beasley Blackwell
Bruce Ericksen
|
|
| Key Hair Stylist |
KG Ramsey
|
|
| Art | Set Decoration |
Jennifer Williams
|
| Production Design |
Geoffrey Kirkland
|
|
| Art Direction |
Sandy Getzler
|
|
| Set Designer |
Bo Johnson
Rando Schmook
Kelly Hannafin
|
|
| Property Master |
C.J. Maguire
|
|
| Construction Coordinator |
Walt Hadfield
|
|
| Camera | Camera Operator |
Ian Fox
Leo J. Napolitano
Monty Rowan
|
| Director of Photography |
Luciano Tovoli
|
|
| Second Unit Director of Photography |
Gary Capo
|
|
| First Assistant Camera |
Clyde E. Bryan
Bob Hall
|
|
| Still Photographer |
Merrick Morton
|
|
| Steadicam Operator |
Bob Gorelick
|
|
| Second Assistant Camera |
Philip Shanahan
|
|
| Best Boy Grip |
Arnaud Peiny
|
|
| Dolly Grip |
Arthur Blum
Jesse Chavez
|
|
| Lighting | Chief Lighting Technician |
Norman Glasser
|
| Best Boy Electric |
Gihan 'Sandy' Seneviratne
Earl C. Williman
|
|
| Rigging Gaffer |
Greg Cantrell
|
|
| Assistant Chief Lighting Technician |
George Dunagan
|
|
| Writing | Screenplay |
David Klass
|
| Visual Effects | Special Effects Supervisor |
Paul J. Lombardi
|
| Department | Role | Name |