Diggstown
(1992) Where the pros meet the cons. | Released
Ratings
6.2
7
57%
Financials
Revenue: $4,836,637
Budget: $17,000,000
Profit: - $-12,163,363
Movie Details
Tag Line: Where the pros meet the cons.
Status: Released
Average Rating: 6
Release Date: Aug 14, 1992
Rating: 1992-08-14
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Metro-Goldwyn-Mayer
Genres
Keywords
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Synopsis
Gabriel Caine has just been released from prison when he sets up a bet with a business man. The business man owns most of a boxing-mad town called Diggstown. The bet is that Gabe can find a boxer that will knock out 10 Diggstown men, in a boxing ring, within 24 hours. "Honey" Roy Palmer is that man - although at 48, many say he is too old.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Michael Ritchie
|
| First Assistant Director |
Thomas J. Mack
|
|
| Second Assistant Director |
David Kelley
|
|
| Script Supervisor |
Judith Saunders
|
|
| Second Second Assistant Director |
Dan Coffie
|
|
| Additional Second Assistant Director |
C.C. Barnes
|
|
| Writing | Novel |
Leonard Wise
|
| Screenplay |
Steven McKay
|
|
| Crew | Stunts |
Steven Lambert
Jeffrey J. Dashnaw
Chuck Waters
Alex Desir
Denorvell Collier
|
| Fight Choreographer |
Jimmy Nickerson
Bobby Bass
|
|
| Production | Casting |
Richard Pagano
Sharon Bialy
Debi Manwiller
|
| Associate Producer |
Sharon Roesler
Steven McKay
|
|
| Line Producer |
Art Schaefer
|
|
| Co-Producer |
Youssef Vahabzadeh
|
|
| Producer |
Robert Schaffel
|
|
| Unit Production Manager |
Art Schaefer
|
|
| Production Coordinator |
Chip Fowler
|
|
| Production Supervisor |
Tim Healey
|
|
| Assistant Production Coordinator |
Sib Ventress
|
|
| Casting Assistant |
Carole Buglewicz
|
|
| Sound | Original Music Composer |
James Newton Howard
|
| Sound Mixer |
Kim H. Ornitz
|
|
| Boom Operator |
Gary A. Theard
Beau Baker
|
|
| Supervising Sound Editor |
Don Hall
|
|
| Sound Editor |
Kirk Schuler
Don S. Walden
John O. Wilde
|
|
| ADR Editor |
R.J. Kizer
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Assistant Sound Editor |
Kurt Courtland
|
|
| Foley Editor |
Harry Cheney
David Williams
|
|
| Foley Mixer |
Jackson Schwartz
|
|
| Foley Artist |
Zane D. Bruce
Joseph T. Sabella
|
|
| Sound Re-Recording Mixer |
Donald O. Mitchell
Rick Hart
Frank A. Montaño
|
|
| Sound Recordist |
Gary Ritchie
|
|
| Music Consultant |
Jackie Krost
Sharal Churchill
|
|
| Music Editor |
Ellen Segal
|
|
| Orchestrator |
Brad Dechter
|
|
| Scoring Mixer |
Robert Schaper
|
|
| Editing | Editor |
Don Zimmerman
|
| First Assistant Editor |
Kevin Nolting
|
|
| Art | Production Design |
Stephen Hendrickson
|
| Art Direction |
Okowita
Rusty Smith
|
|
| Set Decoration |
Barbara Drake
|
|
| Set Designer |
Gregory Van Horn
Michael W. Devine
|
|
| Camera | Director of Photography |
Gerry Fisher
|
| Camera Operator |
Bill Roe
|
|
| First Assistant Camera |
Jeffrey R. Clark
|
|
| Second Assistant Camera |
Joseph A. Ponticelle
|
|
| "B" Camera Operator |
Dennis Smith
George Stephenson
|
|
| First Assistant "B" Camera |
Jamie Barber
|
|
| Still Photographer |
Richard Foreman Jr.
|
|
| Costume & Make-Up | Costume Designer |
Wayne A. Finkelman
|
| Costume Supervisor |
Luke Reichle
|
|
| Set Costumer |
Eden Clark Coblenz
Sybil Gray
Melinda Leeson
Lisa Grace Erndt
|
|
| Assistant Costume Designer |
Gil Hernandez
|
|
| Key Makeup Artist |
Ken Chase
|
|
| Prosthetic Makeup Artist |
Ken Chase
|
|
| Makeup & Hair |
Deborah La Mia Denaver
Gigi Coker
|
|
| Makeup Artist |
Dennis Glas
|
|
| Key Hair Stylist |
Nina Paskowitz
|
|
| Visual Effects | Special Effects Supervisor |
Mark Lilienthal
|
| Department | Role | Name |