Downton Abbey
(2019) We've been expecting you | Released
Ratings
7.1
7.8
84%
Financials
Revenue: $194,694,725
Budget: $20,000,000
Profit: + $174,694,725
Movie Details
Tag Line: We've been expecting you
Status: Released
Average Rating: 7
Release Date: Sep 12, 2019
Rating: 2022-03-08
Run Time: 2h 02m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Focus Features , Perfect World Pictures , Carnival Films
Genres
Keywords
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Synopsis
The beloved Crawleys and their intrepid staff prepare for the most important moment of their lives. A royal visit from the King and Queen of England will unleash scandal, romance and intrigue that will leave the future of Downton hanging in the balance.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Julian Fellowes
|
| Characters |
Julian Fellowes
|
|
| Production | Producer |
Gareth Neame
Julian Fellowes
Liz Trubridge
|
| Executive Producer |
Brian Percival
Nigel Marchant
|
|
| Casting Director |
Jill Trevellick
|
|
| Co-Producer |
Mark Hubbard
|
|
| Unit Production Manager |
Valentina Coccia
|
|
| Production Coordinator |
Aneta Chalas
|
|
| Assistant Production Coordinator |
Joshua Darby
|
|
| Production Secretary |
Carlene Garvey
|
|
| Directing | Director |
Michael Engler
|
| First Assistant Director |
Toby Ford
|
|
| Second Assistant Director |
Adam Byles
|
|
| Script Supervisor |
Sarah Garner
|
|
| Third Assistant Director |
Jason Rickwood
|
|
| Sound | Original Music Composer |
John Lunn
|
| Sound Effects Editor |
Jamie Allen
Alex Gibson
|
|
| Production Sound Mixer |
David Lascelles
|
|
| Sound Re-Recording Mixer |
Nigel Heath
Brad Rees
|
|
| Supervising Sound Editor |
Nigel Heath
|
|
| Dialogue Editor |
Alex Sawyer
James Feltham
|
|
| ADR Editor |
Alex Sawyer
|
|
| ADR Mixer |
Oliver Brierley
Alex Fielding
|
|
| Foley Artist |
Paula Boram
|
|
| Foley Editor |
Philip Moroz
|
|
| Camera | Director of Photography |
Ben Smithard
|
| "B" Camera Operator |
Simon Baker
|
|
| Steadicam Operator |
Simon Baker
|
|
| "A" Camera Operator |
Ben Smithard
|
|
| First Assistant "A" Camera |
Tristan Haley
|
|
| Key Grip |
Tony Sankey
|
|
| Best Boy Grip |
Jamie Brittain
|
|
| Aerial Director of Photography |
John Marzano
|
|
| Drone Pilot |
Peter Ayriss
|
|
| Editing | Editor |
Mark Day
|
| First Assistant Editor |
Thy Quach
|
|
| Art | Production Design |
Donal Woods
|
| Art Direction |
Simon Walker
|
|
| Set Decoration |
Gina Cromwell
|
|
| Construction Manager |
Dan Marsden
Dan Crandon
|
|
| Costume & Make-Up | Costume Design |
Anna Mary Scott Robbins
|
| Makeup & Hair |
Annette Field
Laura Blount
Karen Folly
Sam Smart
Marc Pilcher
|
|
| Makeup Designer |
Anne Oldham
|
|
| Hair Designer |
Anne Oldham
|
|
| Makeup Supervisor |
Elaine Browne
|
|
| Hair Supervisor |
Elaine Browne
|
|
| Costume Supervisor |
Michael Weldon
Harriet Edmonds
|
|
| Assistant Costume Designer |
Kathryn Tart
Eloise Park
|
|
| Crew | Stunt Coordinator |
Rowley Irlam
|
| Stunts |
David R. Grant
|
|
| Post Production Supervisor |
Ann Lynch
|
|
| Carpenter |
Gary Jobber
|
|
| Special Effects Coordinator |
Emma Champion
|
|
| Visual Effects Editor |
Sascha Dhillon
|
|
| Choreographer |
Diana Scrivener
|
|
| Lighting | Gaffer |
Tom Gates
|
| Best Boy Electric |
Kevin Heatherington
|
|
| Visual Effects | Special Effects Supervisor |
Neal Champion
|
| Department | Role | Name |
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