Ratings
Financials
Revenue: $25,200,000
Budget: $10,000,000
Profit: + $15,200,000
Movie Details
Tag Line: Love knows best.
Status: Released
Average Rating: 7
Release Date: Feb 13, 2020
Rating: PG
Run Time: 2h 05m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Working Title Films , Perfect World Pictures , Blueprint Pictures
Genres
Keywords
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Synopsis
In 1800s England, a well-meaning but selfish young woman meddles in the love lives of her friends.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Tim Bevan
Eric Fellner
Graham Broadbent
Peter Czernin
|
Casting |
Jessica Ronane
|
|
Co-Producer |
Jo Wallett
|
|
Unit Production Manager |
Rachel Neale
|
|
Executive Producer |
Amelia Granger
Ben Knight
|
|
Production Secretary |
Sally Hill
|
|
Assistant Production Coordinator |
Shana Bah
Chelsea Bulloch
|
|
Production Coordinator |
Jannika Öberg
|
|
Production Assistant |
Lindani Ndabandaba
|
|
Post Production Coordinator |
Sophia Vas-Jones
Louise Sinclair
|
|
Production Accountant |
Samantha Beddoe
|
|
Casting Associate |
Christopher Worrall
|
|
Art | Production Design |
Kave Quinn
|
Standby Art Director |
Mary Buri
|
|
Conceptual Design |
Elo Soode
|
|
Concept Artist |
Elo Soode
|
|
Supervising Art Director |
Andrea Matheson
|
|
Art Direction |
Alice Sutton
Mark Lavis
|
|
Set Decoration |
Stella Fox
|
|
Graphic Designer |
Frances Bennett
|
|
Property Master |
Owen Harrison
|
|
Construction Manager |
Dan Marsden
|
|
Assistant Art Director |
Charlotte Hutchings
Aislinn Tudhope
|
|
Art Department Coordinator |
Erin Shien Smith
|
|
Painter |
Lisa Collins
|
|
Sound | Sound Designer |
Glenn Freemantle
Ben Barker
|
Foley Artist |
Peter Burgis
Zoe Freed
|
|
Sound Re-Recording Mixer |
Andrew Caller
Ian Tapp
|
|
Original Music Composer |
David Schweitzer
Isobel Waller-Bridge
|
|
Sound Effects Editor |
Danny Freemantle
Nick Freemantle
Robert Malone
Dayo James
|
|
Supervising Dialogue Editor |
Emilie O'Connor
|
|
Music Consultant |
William Lyons
Zach Cowie
|
|
Orchestrator |
Alastair King
|
|
Conductor |
Alastair King
|
|
Dialogue Editor |
James Wichall
|
|
Music Supervisor |
Becky Bentham
|
|
Music Editor |
Mark Willsher
|
|
Production Sound Mixer |
John Casali
|
|
Foley Mixer |
Jemma Riley-Tolch
|
|
Foley Editor |
Adam Oakley
|
|
Costume & Make-Up | Costume Design |
Alexandra Byrne
|
Hair Designer |
Marese Langan
|
|
Makeup Designer |
Marese Langan
|
|
Costume Supervisor |
Giles Gale
|
|
Assistant Costume Designer |
Sally Turner
Laura Smith
Anna Cavaliere
|
|
Makeup & Hair |
Denise Stocker
Claudia Stolze
Tünde Kiss-Benke
|
|
Costume Coordinator |
Alice Bambridge
|
|
Writing | Novel |
Jane Austen
|
Screenplay |
Eleanor Catton
|
|
Camera | Steadicam Operator |
Iain Mackay
|
"B" Camera Operator |
Iain Mackay
|
|
Director of Photography |
Christopher Blauvelt
|
|
Still Photographer |
Liam Daniel
|
|
Key Grip |
Alex Mott
|
|
Best Boy Grip |
Michael Wacker
|
|
Directing | Director |
Autumn de Wilde
|
Script Supervisor |
Zoe Morgan
|
|
First Assistant Director |
Deborah Saban
|
|
Editing | Editor |
Nick Emerson
|
First Assistant Editor |
Charlie Thorne
|
|
Visual Effects | Special Effects Supervisor |
Neal Champion
|
Visual Effects Producer |
Zafar Janjua
|
|
Visual Effects Supervisor |
Dillan Nicholls
|
|
Visual Effects Coordinator |
Elliot Mander
|
|
Crew | Unit Publicist |
Stacy Mann
|
Dialect Coach |
Jamie Matthewman
|
|
Transportation Captain |
Ollie Birmingham
|
|
Lighting | Gaffer |
Paul McGeachan
|
Rigging Gaffer |
Will Kendal
|
|
Department | Role | Name |
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