Ratings
Financials
Revenue: $51,800,000
Budget: $38,000,000
Profit: + $13,800,000
Movie Details
Tag Line: Everyone has a limit.
Status: Released
Average Rating: 7
Release Date: May 21, 2002
Rating: PG-13
Run Time: 1h 54m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Winkler Films
Genres
Keywords
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Synopsis
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
Crew
Department | Role | Name |
---|---|---|
Art | Art Direction |
Andrew Menzies
|
Production Design |
Doug Kraner
|
|
Set Decoration |
Tracey A. Doyle
|
|
Property Master |
Chris Ubick
|
|
Assistant Art Director |
Greg Berry
|
|
Set Designer |
Suzan Wexler
|
|
Construction Coordinator |
David T. Cannon
|
|
Graphic Designer |
Steven Samanen
|
|
Set Dresser |
Paul Mugavero
|
|
Leadman |
Luigi Mugavero
|
|
Standby Painter |
Lisa Shaftel
|
|
Editing | Editor |
Rick Shaine
|
Color Timer |
Harry Muller
|
|
First Assistant Editor |
Thomas Calderon
|
|
Assistant Editor |
Andrew Blustain
|
|
Sound | Original Music Composer |
David Arnold
|
Music Editor |
Zigmund Gron
Dina Eaton
|
|
Dialogue Editor |
Mildred Iatrou
Susan Dawes
|
|
Sound Re-Recording Mixer |
Paul Massey
Doug Hemphill
|
|
Orchestrator |
Nicholas Dodd
|
|
Sound Mixer |
Robert Janiger
|
|
ADR Supervisor |
Lucy Coldsnow-Smith
|
|
Supervising Sound Editor |
John A. Larsen
|
|
Sound Effects Editor |
Ken Fischer
|
|
Assistant Sound Editor |
Paul Apted
David Wolowic
J. Aloysius Flanagan III
|
|
ADR Editor |
Kelly Oxford
|
|
Foley Editor |
Christopher Flick
|
|
Boom Operator |
George W. Scott
|
|
Production | Producer |
Irwin Winkler
Rob Cowan
|
Casting |
Linda Lowy
John Brace
|
|
Executive Producer |
E. Bennett Walsh
|
|
Unit Production Manager |
Dennis Stuart Murphy
|
|
Co-Producer |
Jeanney Kim
|
|
Location Manager |
Jennifer Dunne
|
|
Production Accountant |
Michael Goosen
|
|
Casting Assistant |
Derek Marquand
|
|
Production Assistant |
J. Wilfrid White
|
|
Costume & Make-Up | Costume Design |
Shay Cunliffe
|
Hairstylist |
Susan Germaine
|
|
Costume Supervisor |
Helen Monaghan
|
|
Makeup Artist |
Margot Boccia
|
|
Hair Department Head |
Martin Samuel
|
|
Key Hair Stylist |
Rod Ortega
|
|
Makeup Department Head |
Teresa M. Austin
|
|
Key Makeup Artist |
Pamela Santori
|
|
Camera | Director of Photography |
Rogier Stoffers
|
Camera Operator |
Chris Squires
|
|
Still Photographer |
Van Redin
|
|
Key Grip |
Brian H. Reynolds
|
|
First Assistant Camera |
Makiko Carlson
|
|
Directing | Director |
Michael Apted
|
Second Assistant Director |
Joan G. Bostwick
|
|
Script Supervisor |
Benita Brazier
|
|
First Assistant Director |
Robert Huberman
|
|
Writing | Writer |
Nicholas Kazan
|
Crew | Stunts |
Gábor Piroch
|
Stunt Double |
Joe Bucaro III
Jill Brown
|
|
Cableman |
Tom Fox
|
|
Stunt Coordinator |
Simon Crane
|
|
Stand In |
Alder Sherwood
|
|
Unit Publicist |
Vic Heutschy
|
|
Special Effects Coordinator |
Rick Thompson
|
|
Transportation Co-Captain |
Timothy P. Ryan
|
|
Transportation Captain |
Don Tardino
|
|
Set Production Assistant |
Trish Stanard
Chad Saxton
|
|
Propmaker |
Tony R. Medina
|
|
Lighting | Rigging Gaffer |
Martin Bosworth
|
Department | Role | Name |