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Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: An excellent day for an exorcism
Status: Released
Average Rating: 5
Release Date: Jan 16, 2015
Rating: 2015-03-26
Run Time: 1h 31m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Shallow Focus , Vicarious Entertainment , Bloodline Productions , GO Productions , Blumhouse Productions , Prescience and Row Productions
Sources:
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Keywords
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Synopsis
During an all-night, drug-fueled party at an abandoned asylum known for the horrific treatment of its patients, a group of ordinary teens decide to experiment with the occult, mysteriously leading to a violent possession. In an effort to find help, the group rushes to escape, only to find themselves locked inside with no means of communication. Tempers flare, trusts are broken and in attempt to save one of their friends possessed by the demon, the amateurs try to perform an exorcism. Instead of solving the problem, and unbeknownst to them, they unleash an even more powerful and vengeful spirit, one with a distinct motive and which wants them all dead. The teen's only chance of survival is to uncover the asylum's deep mysteries and find a way out before it's too late.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Kirsten Elms
|
| Directing | Director |
Marcus Nispel
|
| Script Supervisor |
Carol A. Compton
|
|
| First Assistant Director |
Gregory J. Smith
|
|
| Sound | First Assistant Sound Editor |
Kevin Nanaumi
|
| Music |
Eric Allaman
|
|
| Sound Designer |
Keith Bilderbeck
|
|
| Music Editor |
David Bawiec
|
|
| Sound Re-Recording Mixer |
Jeremy Grody
|
|
| Boom Operator |
Peter Stevenson
|
|
| Camera | Steadicam Operator |
Christopher TJ McGuire
|
| Still Photographer |
Lisa Tanner
|
|
| Director of Photography |
Eric Treml
|
|
| Camera Operator |
Eric Tramp
|
|
| First Assistant Camera |
Will Emery
Darryl Byrne
|
|
| Best Boy Grip |
Mark Brochu
|
|
| Key Grip |
Paul Bulgin
|
|
| Camera Production Assistant |
Jon Stenning
|
|
| Second Assistant Camera |
Deb Peterson
Andy Mellen
|
|
| Crew | Stunt Coordinator |
Paul Marini
|
| Special Effects Coordinator |
John Ruggieri
|
|
| Makeup Effects |
Christopher Dooly
Ben Bornstein
|
|
| Special Effects Technician |
James Johnson
Peter Rippe
Herve Desroches
|
|
| Compositor |
Colin Feist
|
|
| Generator Operator |
Chuck Rudolph
|
|
| Editing | Editor |
Blake Maniquis
|
| Additional Editor |
Ken Blackwell
Eric R. Brodeur
|
|
| Assistant Editor |
Jeremy Brunson
|
|
| Digital Intermediate Colorist |
Bradley Greer
|
|
| Lighting | Gaffer |
Branden James Maxham
|
| Lighting Technician |
David Christopher
Harry Pray IV
Steve Sikora
|
|
| Best Boy Electric |
Robert Clark
|
|
| Costume & Make-Up | Costume Supervisor |
Hillary Derby
|
| Costume Design |
Deborah Newhall
|
|
| Makeup Department Head |
Carla Antonino
|
|
| Key Costumer |
Alyson MacInnis
|
|
| Hair Department Head |
Cheryl Daniels
|
|
| Key Makeup Artist |
Jennifer Traub
|
|
| Production | Casting |
Kellie Roy
Anne Mulhall
Anne McCarthy
|
| Producer |
Michael Corso
Brandt Andersen
Marcus Nispel
Trent Othick
|
|
| Executive Producer |
Michael E. Phillips
|
|
| Production Coordinator |
Rebecca DiFillippo
|
|
| Production Accountant |
Christopher Conkling
|
|
| Art | Production Design |
Guy Roland
|
| Art Direction |
Jared Hartley
|
|
| Set Decoration |
Sarah Hill Richmond
|
|
| Set Dresser |
Leila Mrakovcich
Zach Salinger-Simonson
|
|
| Assistant Property Master |
Joseph Kelsey
|
|
| Property Master |
R. Vincent Smith
|
|
| Visual Effects | Visual Effects Supervisor |
Jeffrey Edward Baksinski
Rocco Passionino
|
| Visual Effects Coordinator |
Joseph Payo
Emily Kister
|
|
| Matte Painter |
Ashish Dani
|
|
| Digital Compositor |
Graeme Baitz
Ryan Purnell
Brian Hanable
|
|
| Department | Role | Name |







