Exeter
(2015) An excellent day for an exorcism | Released
Ratings
4.7
4.6
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: An excellent day for an exorcism
Status: Released
Average Rating: 5
Release Date: Jan 16, 2015
Rating:
Run Time: 1h 31m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Shallow Focus , Vicarious Entertainment , Bloodline Productions , GO Productions , Blumhouse Productions , Voltage Pictures
Genres
Keywords
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Synopsis
During an all-night, drug-fueled party at an abandoned asylum known for the horrific treatment of its patients, a group of ordinary teens decide to experiment with the occult, mysteriously leading to a violent possession. In an effort to find help, the group rushes to escape, only to find themselves locked inside with no means of communication. Tempers flare, trusts are broken and in attempt to save one of their friends possessed by the demon, the amateurs try to perform an exorcism. Instead of solving the problem, and unbeknownst to them, they unleash an even more powerful and vengeful spirit, one with a distinct motive and which wants them all dead. The teen's only chance of survival is to uncover the asylum's deep mysteries and find a way out before it's too late.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Anne McCarthy
Kellie Roy
Anne Mulhall
|
| Producer |
Marcus Nispel
Michael Corso
Brandt Andersen
Trent Othick
|
|
| Executive Producer |
Michael E. Phillips
|
|
| Production Accountant |
Christopher Conkling
|
|
| Production Coordinator |
Rebecca DiFillippo
|
|
| Directing | Director |
Marcus Nispel
|
| Script Supervisor |
Carol A. Compton
|
|
| First Assistant Director |
Gregory J. Smith
|
|
| Sound | Music |
Eric Allaman
|
| Sound Re-Recording Mixer |
Jeremy Grody
|
|
| Sound Designer |
Keith Bilderbeck
|
|
| Boom Operator |
Peter Stevenson
|
|
| First Assistant Sound Editor |
Kevin Nanaumi
|
|
| Music Editor |
David Bawiec
|
|
| Editing | Additional Editor |
Ken Blackwell
Eric R. Brodeur
|
| Assistant Editor |
Jeremy Brunson
|
|
| Editor |
Blake Maniquis
|
|
| Digital Intermediate Colorist |
Bradley Greer
|
|
| Writing | Writer |
Kirsten Elms
|
| Costume & Make-Up | Key Costumer |
Alyson MacInnis
|
| Costume Design |
Deborah Newhall
|
|
| Costume Supervisor |
Hillary Derby
|
|
| Hair Department Head |
Cheryl Daniels
|
|
| Makeup Department Head |
Carla Antonino
|
|
| Key Makeup Artist |
Jennifer Traub
|
|
| Visual Effects | Visual Effects Supervisor |
Rocco Passionino
Jeffrey Edward Baksinski
|
| Visual Effects Coordinator |
Joseph Payo
Emily Kister
|
|
| Digital Compositor |
Brian Hanable
Ryan Purnell
Graeme Baitz
|
|
| Matte Painter |
Ashish Dani
|
|
| Camera | Steadicam Operator |
Christopher TJ McGuire
|
| Director of Photography |
Eric Treml
|
|
| Camera Operator |
Eric Tramp
|
|
| Still Photographer |
Lisa Tanner
|
|
| Key Grip |
Paul Bulgin
|
|
| First Assistant Camera |
Darryl Byrne
Will Emery
|
|
| Best Boy Grip |
Mark Brochu
|
|
| Second Assistant Camera |
Deb Peterson
Andy Mellen
|
|
| Camera Production Assistant |
Jon Stenning
|
|
| Crew | Makeup Effects |
Christopher Dooly
Ben Bornstein
|
| Stunt Coordinator |
Paul Marini
|
|
| Special Effects Technician |
Herve Desroches
Peter Rippe
James Johnson
|
|
| Special Effects Coordinator |
John Ruggieri
|
|
| Compositor |
Colin Feist
|
|
| Generator Operator |
Chuck Rudolph
|
|
| Art | Production Design |
Guy Roland
|
| Art Direction |
Jared Hartley
|
|
| Set Decoration |
Sarah Hill Richmond
|
|
| Property Master |
R. Vincent Smith
|
|
| Assistant Property Master |
Joseph Kelsey
|
|
| Set Dresser |
Leila Mrakovcich
Zach Salinger-Simonson
|
|
| Lighting | Gaffer |
Branden James Maxham
|
| Lighting Technician |
Harry Pray IV
Steve Sikora
David Christopher
|
|
| Best Boy Electric |
Robert Clark
|
|
| Department | Role | Name |