Family Business
(1989) There's nothing like a good robbery to bring a family together. | Released
Ratings
5.7
5.7
38%
Financials
Revenue: $12,195,695
Budget: $0
Profit: + $12,195,695
Movie Details
Tag Line: There's nothing like a good robbery to bring a family together.
Status: Released
Average Rating: 6
Release Date: Dec 6, 1989
Rating: R
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: TriStar Pictures , Gordon Company , Regency International Pictures , The A. Milchan Investment Group
Genres
Keywords
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Synopsis
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Lawrence Gordon
|
| Executive Producer |
Burtt Harris
Jennifer Ogden
|
|
| Extras Casting |
Joy Todd
Linda Carolei
|
|
| Unit Production Manager |
Jennifer Ogden
|
|
| Casting |
Meg Simon
Fran Kumin
|
|
| Production Coordinator |
Judith Lyn Brown
|
|
| Location Manager |
Stephen Danza
|
|
| Production Accountant |
Dominique Bruballa
|
|
| Location Assistant |
Robert McClung
Paul Cremo
|
|
| Art | Art Direction |
Robert Guerra
|
| Production Design |
Philip Rosenberg
|
|
| Set Decoration |
Gary J. Brink
|
|
| Leadman |
William F. Reynolds
|
|
| Art Department Coordinator |
Siv Sandstrom
|
|
| Property Master |
Walter Stocklin
|
|
| Directing | Director |
Sidney Lumet
|
| First Assistant Director |
Michael Haley
|
|
| Second Second Assistant Director |
Daniel M. Stillman
|
|
| Continuity |
Mary A. Kelly
|
|
| Second Assistant Director |
Nathalie Vadim
|
|
| Editing | Editor |
Andrew Mondshein
|
| Assistant Editor |
Richard J. Rossi
|
|
| Costume & Make-Up | Costume Design |
Ann Roth
|
| Assistant Costume Designer |
Gary Jones
|
|
| Makeup Artist |
Joe Cranzano
|
|
| Hairstylist |
Bob Grimaldi
|
|
| Camera | Camera Operator |
Tom Priestley Jr.
|
| Director of Photography |
Andrzej Bartkowiak
|
|
| First Assistant Camera |
Gary Muller
|
|
| Still Photographer |
John Seakwood
|
|
| Second Assistant Camera |
Andrew Priestley
|
|
| Key Grip |
Norman Buck
|
|
| Dolly Grip |
James McGrath
|
|
| Writing | Screenplay |
Vincent Patrick
|
| Novel |
Vincent Patrick
|
|
| Sound | Original Music Composer |
Cy Coleman
|
| Sound Re-Recording Mixer |
Lee Dichter
|
|
| Sound Editor |
Richard P. Cirincione
Peter Odabashian
Bruce Kitzmeyer
|
|
| Supervising Sound Editor |
Maurice Schell
|
|
| Orchestrator |
Sonny Kompanek
|
|
| Sound Mixer |
Allan Byer
|
|
| ADR Editor |
Jane McCulley
|
|
| Assistant Sound Editor |
James H. Nau
|
|
| Crew | Transportation Captain |
John Leonidas
|
| Post Production Supervisor |
Lilith Jacobs
|
|
| Unit Publicist |
Bruce Bahrenburg
|
|
| Lighting | Gaffer |
William Ward
|
| Best Boy Electric |
Francis J. McBride
|
|
| Key Rigging Grip |
Michael J. Fabiano
|
|
| Department | Role | Name |