Fargo
(2025) A lot can happen in the middle of nowhere. | Released
Ratings
85%
7.9
8.1
93%
Financials
Revenue: $60,611,975
Budget: $7,000,000
Profit: + $53,611,975
Movie Details
Tag Line: A lot can happen in the middle of nowhere.
Status: Released
Average Rating: 8
Release Date: Apr 8, 2025
Rating: 1996-03-08
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: PolyGram Filmed Entertainment , Working Title Films
Sources:
Genres
Keywords
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Synopsis
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Joel Coen
|
| First Assistant Director |
Michelangelo Csaba Bolla
|
|
| Second Assistant Director |
James Alan Hensz
Brian O'Kelley
|
|
| Second Second Assistant Director |
Donald Murphy
|
|
| Script Supervisor |
T. Kukovinski
|
|
| Production | Producer |
Ethan Coen
|
| Casting |
John S. Lyons
|
|
| Casting Associate |
Christine Sheaks
|
|
| Extras Casting |
Sandra Dawes
|
|
| Unit Production Manager |
Gilly Ruben
|
|
| Location Manager |
Robert Graf
|
|
| Production Coordinator |
Karen Ruth Getchell
|
|
| Executive Producer |
Eric Fellner
Tim Bevan
|
|
| Line Producer |
John Cameron
|
|
| Sound | Original Music Composer |
Carter Burwell
|
| Foley Artist |
Marko Costanzo
|
|
| Foley Mixer |
Ezra Dweck
|
|
| Sound Effects Editor |
Eugene Gearty
Lewis Goldstein
Glenfield Payne
|
|
| Foley Editor |
Frank Kern
Bruce Pross
Steven Visscher
|
|
| Sound Mixer |
Allan Byer
|
|
| Boom Operator |
Peter F. Kurland
Keenan Wyatt
|
|
| Sound Re-Recording Mixer |
Michael Barry
Skip Lievsay
|
|
| Supervising Sound Editor |
Skip Lievsay
|
|
| Camera | Director of Photography |
Roger Deakins
|
| Still Photographer |
Jim Bridges
Michael Tackett
|
|
| Camera Operator |
Robin Brown
|
|
| Best Boy Grip |
Peter Clemence
|
|
| Dolly Grip |
Milo Durben
|
|
| Second Assistant Camera |
Adam Gilmore
|
|
| First Assistant Camera |
Andy Harris
|
|
| Key Grip |
Mitchell Andrew Lillian
|
|
| Camera Loader |
Ed Dally
|
|
| Writing | Screenplay |
Joel Coen
Ethan Coen
|
| Lighting | Chief Lighting Technician |
Bill O'Leary
|
| Art | Set Dresser |
Steve Speers
|
| Assistant Art Director |
John David Paul
|
|
| Storyboard Artist |
J. Todd Anderson
|
|
| Production Design |
Rick Heinrichs
|
|
| Set Decoration |
Lauri Gaffin
|
|
| Art Direction |
Thomas P. Wilkins
|
|
| Crew | Stunt Coordinator |
Jery Hewitt
|
| Editing | Associate Editor |
Tricia Cooke
|
| Editor |
Joel Coen
Ethan Coen
|
|
| Costume & Make-Up | Key Makeup Artist |
John Blake
|
| Key Hair Stylist |
Daniel Curet
|
|
| Costume Design |
Mary Zophres
|
|
| Department | Role | Name |