Fifty Shades Freed
(2018) Don't Miss the Climax | Released
Ratings
31%
6.7
4.4
13%
Financials
Revenue: $368,307,760
Budget: $55,000,000
Profit: + $313,307,760
Movie Details
Tag Line: Don't Miss the Climax
Status: Released
Average Rating: 7
Release Date: Jan 17, 2018
Rating: R
Run Time: 1h 45m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Universal Pictures , Perfect World Pictures
Genres
Keywords
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Synopsis
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Danny Elfman
|
| Music Editor |
Bill Abbott
Angie Rubin
|
|
| Foley Artist |
Christopher Moriana
Alyson Dee Moore
|
|
| Music Supervisor |
Dana Sano
|
|
| Sound Mixer |
Stéphane Bucher
Mark Noda
|
|
| Sound Re-Recording Mixer |
Frank A. Montaño
Jon Taylor
|
|
| Supervising Sound Editor |
Stephanie Flack
|
|
| ADR Mixer |
Adam Sharpe
Chris Navarro
|
|
| Foley Mixer |
John Sanacore
|
|
| First Assistant Sound Editor |
Matthew W. Kielkopf
|
|
| Assistant Sound Editor |
Jessie Pariseau
|
|
| Foley Editor |
Christopher Alba
|
|
| Boom Operator |
Lawrence L. Commans
|
|
| ADR Coordinator |
Mhairi Wyles-Lang
|
|
| Music Coordinator |
Hillary Holmes
|
|
| Songs |
Juliette Armanet
|
|
| Camera | Director of Photography |
John Schwartzman
|
| Camera Operator |
Ian Fox
|
|
| Additional Director of Photography |
Alar Kivilo
|
|
| Underwater Director of Photography |
Denis Lagrange
|
|
| Still Photographer |
Doane Gregory
|
|
| Aerial Director of Photography |
Steven Desbrow
|
|
| First Assistant "A" Camera |
Taylor Matheson
|
|
| Steadicam Operator |
Sasha Proctor
|
|
| First Assistant "B" Camera |
Tyler Woeste
|
|
| Key Grip |
Kim Olsen
|
|
| Aerial Camera |
François Vigon
|
|
| Camera Loader |
Adriene Wyse
|
|
| Second Assistant "A" Camera |
Rodrigo Carcamo Parga
|
|
| Best Boy Grip |
Dan Gorval
|
|
| Editing | Editor |
Richard Francis-Bruce
Debra Neil-Fisher
David S. Clark
|
| First Assistant Editor |
Jennifer Spenelli
Julian Andraus
|
|
| Production | Producer |
Michael De Luca
Marcus Viscidi
Dana Brunetti
E.L. James
|
| Casting |
Laray Mayfield
Julie Schubert
Corinne Renard-Bendjadi
|
|
| Unit Production Manager |
Marcus Viscidi
|
|
| Finishing Producer |
Stephen F. Newnam
|
|
| Production Coordinator |
Sally Potters
Kathleen Whelan
|
|
| Extras Casting |
Andrea Brown
|
|
| Post Production Coordinator |
Sorta Lim
|
|
| Art | Production Design |
Nelson Coates
|
| Construction Coordinator |
Doug Hardwick
|
|
| Supervising Art Director |
Jeremy Stanbridge
|
|
| Set Decoration |
Carolyn A. Loucks
|
|
| Art Direction |
Peter Bodnarus
|
|
| Property Master |
David Dowling
|
|
| Construction Foreman |
Mike McLeod
|
|
| Greensman |
Dylan Dowd
Adriaan Wagner
|
|
| Storyboard Artist |
Jim Magdaleno
|
|
| Set Designer |
Kyle White
|
|
| Title Designer |
Garson Yu
Yuanchen Jiang
|
|
| Art Department Coordinator |
Melina Neufeld
|
|
| Assistant Property Master |
Spencer Louttit
D. Martin Myatt
|
|
| Assistant Art Director |
Craig Humphries
|
|
| Graphic Designer |
Loree Cameron
|
|
| Construction Buyer |
Jan Holmsten
|
|
| Set Dresser |
Scott Holburn
|
|
| Costume & Make-Up | Costume Design |
Shay Cunliffe
|
| Costume Supervisor |
Janice MacIsaac
|
|
| Hair Department Head |
Danna Rutherford
|
|
| Assistant Hairstylist |
Amber Kemper
Renee Dombrosky
|
|
| Costume Coordinator |
Ren Boggio
|
|
| Assistant Makeup Artist |
Megan Harkness
|
|
| Directing | Director |
James Foley
|
| Second Unit Director |
Scott J. Ateah
Doug Coleman
|
|
| Assistant Director |
Michael Collins
|
|
| First Assistant Director |
Paul Barry
|
|
| Script Supervisor |
Anna Rane
|
|
| Second Assistant Director |
Karin Behrenz
Philip Nee Nee
|
|
| Third Assistant Director |
Amanda Petura
Paul Jolliot
|
|
| Second Unit First Assistant Director |
David Arnold
|
|
| Crew | Stunt Coordinator |
Doug Coleman
Scott J. Ateah
Mickey Giacomazzi
|
| Special Effects Coordinator |
Charles-Axel Vollard
|
|
| Stunt Driver |
Janene Carleton
Michael Hilow
Bret Kiene
|
|
| Dialogue Coach |
Michael Buster
|
|
| Unit Publicist |
Guy Adan
|
|
| Production Controller |
Donna Glasser-Hancock
|
|
| Post Production Supervisor |
Graham Stumpf
|
|
| Pilot |
Luc Poullain
|
|
| Writing | Screenplay |
Niall Leonard
|
| Novel |
E.L. James
|
|
| Lighting | Gaffer |
Jean-François Drigeard
|
| Rigging Grip |
Scott Andrew Armstrong
Alex Reno
|
|
| Lighting Technician |
Jesse Deacon
Randy A. Jablonka
Jeff Zwicker
|
|
| Assistant Chief Lighting Technician |
James M. Jackson
|
|
| Key Rigging Grip |
Bryce Munro
|
|
| Electrician |
Antonin Drigeard
|
|
| Best Boy Electric |
Tom Mitaux
|
|
| Rigging Gaffer |
Todd Turner
|
|
| Visual Effects | Special Effects Supervisor |
Alex Burdett
Georges Demétrau
|
| Department | Role | Name |
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