From Dusk Till Dawn
(1996) One night is all that stands between them and freedom. But it's going to be a hell of a night. | Released
Ratings
48%
7
7.3
64%
Financials
Revenue: $25,800,000
Budget: $19,000,000
Profit: + $6,800,000
Movie Details
Tag Line: One night is all that stands between them and freedom. But it's going to be a hell of a night.
Status: Released
Average Rating: 7
Release Date: Jan 19, 1996
Rating: 2016-11-06
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Los Hooligans Productions , A Band Apart , Dimension Films
Sources:
Genres
Keywords
People Rated This
patrick.smith
Compatibility : N/AShared : N/Adarkling71
Compatibility : N/AShared : N/Apeterhammer
Compatibility : N/AShared : N/Ajohnny rook
Compatibility : N/AShared : N/Amaria
Compatibility : N/AShared : N/Achae.maria
Compatibility : N/AShared : N/Atrappy92
Compatibility : N/AShared : N/Apatricklindsley
Compatibility : N/AShared : N/A
Where to watch From Dusk Till Dawn
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Synopsis
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Robert Rodriguez
|
| First Assistant Director |
Douglas Aarniokoski
|
|
| Second Assistant Director |
Brian Bettwy
|
|
| Script Supervisor |
Lou Ann Quast
|
|
| Second Second Assistant Director |
Dieter Busch
|
|
| Writing | Screenplay |
Quentin Tarantino
|
| Story |
Robert Kurtzman
|
|
| Production | Executive Producer |
Quentin Tarantino
Robert Rodriguez
Lawrence Bender
|
| Producer |
Gianni Nunnari
Meir Teper
|
|
| Casting |
Elaine J. Huzzar
Johanna Ray
|
|
| Co-Producer |
Elizabeth Avellan
John Esposito
Paul Hellerman
Robert Kurtzman
|
|
| Production Manager |
Paul Hellerman
|
|
| Unit Production Manager |
Luz María Rojas
|
|
| Location Manager |
Robert Earl Craft
|
|
| Production Accountant |
Steev Beeson
|
|
| Production Coordinator |
Dawn Todd Curfman
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Casting Assistant |
Mary Jane Fendler
|
|
| Location Assistant |
Douglas Dresser
|
|
| Art Department Production Assistant |
Melissa Hale
|
|
| Assistant Accountant |
Venus Ventura
|
|
| Assistant Production Coordinator |
Cathy Ragona
|
|
| Key Set Production Assistant |
Ben Parker
|
|
| Production Assistant |
Jack M. Harvey
|
|
| Sound | Original Music Composer |
Graeme Revell
|
| Dialogue Editor |
Frank Smathers
|
|
| Supervising Sound Editor |
Dean Beville
|
|
| Sound Recordist |
Matthew C. Beville
|
|
| Sound Editor |
Allan Bromberg
Warren Hamilton Jr.
Greg Hedgepath
Patricio A. Libenson
Charles Maynes
John Pospisil
Charles Ewing Smith
|
|
| Boom Operator |
Gloria Cooper
Patrushkha Mierzwa
|
|
| Foley Editor |
Scott Curtis
Solange S. Schwalbe
|
|
| Sound Re-Recording Mixer |
Tom Gerard
Sergio Reyes
Robert Rodriguez
B. Tennyson Sebastian III
|
|
| Assistant Sound Editor |
Dana Gustafson
|
|
| Sound Effects Editor |
William Jacobs
|
|
| Production Sound Mixer |
Mark Ulano
|
|
| Music Editor |
Joshua Winget
|
|
| Orchestrator |
Tim Simonec
|
|
| Scoring Mixer |
Dan Wallin
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| ADR Editor |
Beth Bergeron
|
|
| ADR Mixer |
Steve Heinke
|
|
| Apprentice Sound Editor |
Thomas Raymond Fabbricante
|
|
| Foley Mixer |
Robert Deschaine
|
|
| Foley Recordist |
Dana Porter
|
|
| Supervising ADR Editor |
Harry B. Miller III
|
|
| Conductor |
Tim Simonec
|
|
| Music Consultant |
Chuck Kelley
|
|
| Camera | Director of Photography |
Guillermo Navarro
|
| Camera Intern |
Patrick Yackett
|
|
| Camera Operator |
Guillermo Navarro
|
|
| First Assistant Camera |
Alan Cohen
|
|
| Key Grip |
Rick Stribling
|
|
| Grip |
Young Vance Cohen
|
|
| Steadicam Operator |
Robert Rodriguez
|
|
| Still Photographer |
Joyce Rudolph
|
|
| Additional Key Grip |
Kevin Wadowski
|
|
| Assistant Camera |
Gary Anderton
|
|
| Best Boy Grip |
James Irons
|
|
| Camera Loader |
David Berryman
|
|
| Dolly Grip |
Bob Ivanjack
|
|
| Second Assistant Camera |
Camille Freer
|
|
| Editing | Editor |
Robert Rodriguez
|
| First Assistant Editor |
Daniel Fort
|
|
| Color Timer |
David Orr
|
|
| Assistant Editor |
Joaquin Gonzalo Avellán
|
|
| Negative Cutter |
Mo Henry
|
|
| Project Manager |
Stephen Sobisky
|
|
| Art | Production Design |
Cecilia Montiel
|
| Art Direction |
Mayne Berke
|
|
| Set Decoration |
Felipe Fernández del Paso
|
|
| Construction Foreman |
Michael Atwell
|
|
| Painter |
James C. Beeson
Carlos A. Chavez
Jennifer Flynn
Wendy Jerde
Adam Markey
Pedro V. Suchite
|
|
| Sculptor |
Alex Bogartz
Robert Clark
Larry McCauley
David Shwartz
|
|
| Leadman |
Chris Carriveau
|
|
| Set Dresser |
Kenneth Carriveau
Paul Dowler
Gregg M. Hartman
Jeff Hay
Howard Payne Miller
Michael Whetstone
|
|
| Set Designer |
Colin De Rouin
|
|
| Assistant Art Director |
Adam Lustig
|
|
| Construction Coordinator |
Brian Markey
|
|
| Assistant Property Master |
Martin Milligan
|
|
| Art Department Coordinator |
Abigail Sheiner
|
|
| Property Master |
Caylah Eddleblute
|
|
| Creative Director |
Peter Sternlicht
|
|
| Swing |
Michael J. Brady
|
|
| Costume & Make-Up | Costume Design |
Graciela Mazón
|
| Makeup Effects Designer |
John Bisson
|
|
| Key Hair Stylist |
Ermahn Ospina
|
|
| Key Makeup Artist |
Ermahn Ospina
|
|
| Costume Supervisor |
Jacqueline Aronson
|
|
| Seamstress |
Mary Kay Jensen
|
|
| Set Costumer |
Jillian Kreiner
|
|
| Wardrobe Intern |
Nathan Easterling
|
|
| Crew | Stunts |
Robin Lynn Bonaccorsi
William H. Burton Jr.
Bob Brown
Troy Brown
Jennifer Caputo
Richie Gaona
Tim A. Davison
Randy Hall
Lance Gilbert
Troy Gilbert
Nadine Grycan
Anita Hart
Rosine 'Ace' Hatem
Dana Hee
Thomas Robinson Harper
Freddie Hice
Billy Hank Hooker
Buddy Joe Hooker
Steve Holladay
Jeff Imada
Matt Johnston
Tommy J. Huff
Henry Kingi
Gary McLarty
Billy D. Lucas
Greg Nicotero
Hugh Aodh O'Brien
Bennie Moore
Manny Perry
Chad Randall
Danny Rogers
Erik Rondell
Troy Robinson
Scott Wilder
Tim Trella
Frank Torres
Spice Williams-Crosby
Michael Haddad
Eddie L. Watkins
William Atwell
|
| Stunt Coordinator |
Steve M. Davison
|
|
| Tattooist |
Gill Montie
|
|
| Post Production Supervisor |
Tamara Smith
|
|
| Additional Music |
Craig Braginsky
|
|
| CGI Supervisor |
Antoine Durr
|
|
| Craft Service |
Kenneth Bondy
|
|
| Driver |
Bruce Callahan
|
|
| Post Production Assistant |
Laura Rush
|
|
| Security |
Nick Roberts
|
|
| Set Medic |
Taylor A. Cummings
|
|
| Set Production Assistant |
Jay Beattie
|
|
| Stand In |
William Atwell
|
|
| Transportation Coordinator |
Derek Raser
|
|
| Studio Teachers |
Jan D. Tys
|
|
| Stunt Double |
Steve M. Davison
|
|
| Stunt Driver |
George A. Sack Jr.
|
|
| Choreographer |
Salma Hayek Pinault
|
|
| Dialogue Coach |
Jon Sperry
|
|
| Digital Supervisor |
John 'D.J.' Des Jardin
|
|
| Pyrotechnician |
David Gallion
|
|
| Lighting | Best Boy Electric |
Nathan Hathaway
|
| Electrician |
Lennon Bass Jr.
|
|
| Gaffer |
Eric S. Foster
|
|
| Additional Gaffer |
Brian Louks
|
|
| Visual Effects | Digital Compositors |
Steven J. Scott
|
| Visual Effects Coordinator |
Rochelle Gross
|
|
| Visual Effects Producer |
Josh R. Jaggars
|
|
| Visual Effects Supervisor |
Diana Dru Botsford
|
|
| Effects Supervisor |
Robert Stromberg
|
|
| Department | Role | Name |
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