Hellraiser: Bloodline
(1996) The past, the present and the future will all meet at the crossroads of hell! | Released
Ratings
5.3
5.1
31%
Financials
Revenue: $16,675,000
Budget: $4,000,000
Profit: + $12,675,000
Movie Details
Tag Line: The past, the present and the future will all meet at the crossroads of hell!
Status: Released
Average Rating: 5
Release Date: Mar 8, 1996
Rating: 1996-04-12
Run Time: 1h 26m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Dimension Films , Miramax , Trans Atlantic Entertainment
Sources:
Genres
Keywords
People Rated This
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Compatibility : N/AShared : N/A
Where to watch Hellraiser: Bloodline
Purchaseble on (Rent or Buy episodes, seasons or full series)
Apple TV
Amazon Video
Google Play Movies
YouTube
Fandango At Home
Microsoft Store
Synopsis
Three generations of the same family deal with the consequences of unleashing the forces of hell.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Ivo Cristante
|
| Art Direction |
Bruce Robert Hill
Jack Edjourian
Ken Larson
Carol Lavoie
|
|
| Storyboard Artist |
Pete von Sholly
|
|
| Set Designer |
Carol Bentley
Mark Poll
|
|
| Set Decoration |
Tim Colohan
|
|
| Construction Coordinator |
Roger Kelton
|
|
| Construction Foreman |
John Bucklin
|
|
| Writing | Writer |
Peter Atkins
|
| Characters |
Clive Barker
|
|
| Production | Executive Producer |
Paul Rich
Clive Barker
Casey Bennett
|
| Producer |
Nancy Rae Stone
|
|
| Unit Production Manager |
Nancy Rae Stone
David Witz
|
|
| Production Supervisor |
Elliot Lewis Rosenblatt
M. Cevin Cathell
|
|
| Production Accountant |
Kim Wozniak
|
|
| Casting Associate |
Andrea Stone Brokaw
Laurel Smith
|
|
| Camera | Director of Photography |
Gerry Lively
|
| First Assistant Camera |
Steven R. Monroe
Michael Martino
|
|
| Camera Operator |
Moshe Levin
|
|
| Steadicam Operator |
Kirk R. Gardner
Bob Gorelick
|
|
| Key Grip |
Robert J. Studenny
|
|
| Second Assistant Camera |
Jeffrey S. Lorenz
|
|
| Dolly Grip |
Alex Klabukov
|
|
| Still Photographer |
Robert Zuckerman
|
|
| Sound | Original Music Composer |
Daniel Licht
|
| Sound Mixer |
Ed White
|
|
| ADR Recordist |
Dean St. John
|
|
| ADR Mixer |
J.R. Westen
|
|
| Sound Editor |
Hector C. Gika
Mark R. La Pointe
Vic Radulich
Linda Folk
David M. Cowan
Noah Blough
Scott G.G. Haller
|
|
| Assistant Sound Editor |
Chris Winter
|
|
| Sound Re-Recording Mixer |
Patrick Cyccone Jr.
|
|
| Foley Artist |
John Roesch
Hilda Hodges
|
|
| Foley Mixer |
Mary Jo Lang
|
|
| Music Editor |
David Bondelevitch
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Supervising Sound Editor |
Val Kuklowsky
Sandy Gendler
|
|
| Additional Sound Re-Recording Mixer |
Robert L. Harman
|
|
| Boom Operator |
Kenneth C. Mantlo
|
|
| Scoring Mixer |
Larry Mah
|
|
| Editing | Editor |
Jim Prior
Rod Dean
Randy Bricker
|
| Associate Editor |
Peter McNulty
|
|
| Assistant Editor |
Pamela March
|
|
| Color Timer |
Herb Hickey
|
|
| Negative Cutter |
Rick Downey
|
|
| Directing | First Assistant Director |
K.C. Colwell
Christopher T. Gerrity
|
| Second Assistant Director |
David Ticotin
Gwyneth Horder-Payton
|
|
| Script Supervisor |
Paula Barrett-Barbier
|
|
| Director |
Alan Smithee
|
|
| Lighting | Gaffer |
Vojislav Mikulic
|
| Rigging Gaffer |
Carlo Papica
|
|
| Crew | Special Effects Coordinator |
John C. Hartigan
|
| Special Effects Technician |
Michael Del Genio
|
|
| Stunts |
William Morts
Brian Christensen
Kurt Bryant
Paul Beahm
|
|
| Stunt Double |
Joni Avery
Laura Albert
|
|
| Costume & Make-Up | Makeup Supervisor |
Anne Hieronymus
|
| Makeup & Hair Assistant |
Gary J. Perticone
Dan Frey
Douglas Noe
|
|
| Costumer |
Suzanne Flores
|
|
| Hair Supervisor |
Anne Hieronymus
|
|
| Costume Design |
Dayna Cussler
Eileen Kennedy
|
|
| Makeup Effects Designer |
Gary J. Tunnicliffe
|
|
| Visual Effects | Additional Effects Development |
Bryan Moore
|
| Department | Role | Name |
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