Ratings
5.3
5.1
31%
Financials
Revenue: $16,675,000
Budget: $4,000,000
Profit: + $12,675,000
Movie Details
Tag Line: The past, the present and the future will all meet at the crossroads of hell!
Status: Released
Average Rating: 5
Release Date: Mar 8, 1996
Rating: 1996-04-12
Run Time: 1h 26m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Dimension Films , Miramax , Trans Atlantic Entertainment
Sources:
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Keywords
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Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Ivo Cristante
|
| Art Direction |
Bruce Robert Hill
Jack Edjourian
Ken Larson
Carol Lavoie
|
|
| Storyboard Artist |
Pete von Sholly
|
|
| Set Designer |
Carol Bentley
Mark Poll
|
|
| Set Decoration |
Tim Colohan
|
|
| Construction Coordinator |
Roger Kelton
|
|
| Construction Foreman |
John Bucklin
|
|
| Writing | Writer |
Peter Atkins
|
| Characters |
Clive Barker
|
|
| Production | Executive Producer |
Paul Rich
Clive Barker
Casey Bennett
|
| Producer |
Nancy Rae Stone
|
|
| Unit Production Manager |
Nancy Rae Stone
David Witz
|
|
| Production Supervisor |
Elliot Lewis Rosenblatt
M. Cevin Cathell
|
|
| Production Accountant |
Kim Wozniak
|
|
| Casting Associate |
Andrea Stone Brokaw
Laurel Smith
|
|
| Camera | Director of Photography |
Gerry Lively
|
| First Assistant Camera |
Steven R. Monroe
Michael Martino
|
|
| Camera Operator |
Moshe Levin
|
|
| Steadicam Operator |
Kirk R. Gardner
Bob Gorelick
|
|
| Key Grip |
Robert J. Studenny
|
|
| Second Assistant Camera |
Jeffrey S. Lorenz
|
|
| Dolly Grip |
Alex Klabukov
|
|
| Still Photographer |
Robert Zuckerman
|
|
| Sound | Original Music Composer |
Daniel Licht
|
| Sound Mixer |
Ed White
|
|
| ADR Recordist |
Dean St. John
|
|
| ADR Mixer |
J.R. Westen
|
|
| Sound Editor |
Hector C. Gika
Mark R. La Pointe
Vic Radulich
Linda Folk
David M. Cowan
Noah Blough
Scott G.G. Haller
|
|
| Assistant Sound Editor |
Chris Winter
|
|
| Sound Re-Recording Mixer |
Patrick Cyccone Jr.
|
|
| Foley Artist |
John Roesch
Hilda Hodges
|
|
| Foley Mixer |
Mary Jo Lang
|
|
| Music Editor |
David Bondelevitch
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Supervising Sound Editor |
Val Kuklowsky
Sandy Gendler
|
|
| Additional Sound Re-Recording Mixer |
Robert L. Harman
|
|
| Boom Operator |
Kenneth C. Mantlo
|
|
| Scoring Mixer |
Larry Mah
|
|
| Editing | Editor |
Jim Prior
Rod Dean
Randy Bricker
|
| Associate Editor |
Peter McNulty
|
|
| Assistant Editor |
Pamela March
|
|
| Color Timer |
Herb Hickey
|
|
| Negative Cutter |
Rick Downey
|
|
| Directing | First Assistant Director |
K.C. Colwell
Christopher T. Gerrity
|
| Second Assistant Director |
David Ticotin
Gwyneth Horder-Payton
|
|
| Script Supervisor |
Paula Barrett-Barbier
|
|
| Director |
Alan Smithee
|
|
| Lighting | Gaffer |
Vojislav Mikulic
|
| Rigging Gaffer |
Carlo Papica
|
|
| Crew | Special Effects Coordinator |
John C. Hartigan
|
| Special Effects Technician |
Michael Del Genio
|
|
| Stunts |
William Morts
Brian Christensen
Kurt Bryant
Paul Beahm
|
|
| Stunt Double |
Joni Avery
Laura Albert
|
|
| Costume & Make-Up | Makeup Supervisor |
Anne Hieronymus
|
| Makeup & Hair Assistant |
Gary J. Perticone
Dan Frey
Douglas Noe
|
|
| Costumer |
Suzanne Flores
|
|
| Hair Supervisor |
Anne Hieronymus
|
|
| Costume Design |
Dayna Cussler
Eileen Kennedy
|
|
| Makeup Effects Designer |
Gary J. Tunnicliffe
|
|
| Visual Effects | Additional Effects Development |
Bryan Moore
|
| Department | Role | Name |
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