High Fidelity
(2000) A comedy about fear of commitment, hating your job, falling in love and other pop favorites. | Released
Ratings
79%
7.1
7.5
91%
Financials
Revenue: $47,100,000
Budget: $30,000,000
Profit: + $17,100,000
Movie Details
Tag Line: A comedy about fear of commitment, hating your job, falling in love and other pop favorites.
Status: Released
Average Rating: 7
Release Date: Mar 17, 2000
Rating: R
Run Time: 1h 53m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Touchstone Pictures , Working Title Films , Dogstar Films , New Crime Productions , Working Title Films
Genres
Keywords
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Synopsis
When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Howard Shore
|
| Music Supervisor |
John Cusack
D.V. DeVincentis
Steve Pink
Kathy Nelson
|
|
| Sound Re-Recording Mixer |
Adrian Rhodes
|
|
| Supervising Music Editor |
Michael Higham
|
|
| Music Coordinator |
Doug Dearth
|
|
| Foley Artist |
Jason Swanscott
Diane Greaves
Clare Mahoney
|
|
| Boom Operator |
Carl Fischer
|
|
| Music Editor |
Joe Lisanti
Shari Johanson
|
|
| Foley Mixer |
Ted Swanscott
Terry Isted
|
|
| Supervising Sound Editor |
Peter Joly
|
|
| Dialogue Editor |
Danny Longhurst
|
|
| Sound Mixer |
Petur Hliddal
|
|
| Utility Sound |
Jeffrey A. Williams
|
|
| Foley Editor |
Michael Redfern
|
|
| Assistant Sound Editor |
Mark Rose
|
|
| Editing | Editor |
Mick Audsley
|
| First Assistant Editor |
Mags Arnold
Kate Higham
|
|
| Color Timer |
John Stanborough
|
|
| Production | Casting |
Victoria Thomas
Claire Simon
|
| Producer's Assistant |
Emma Thomas
Anne Devereux
Juliette Dow
Melissa Sadoff
|
|
| Producer |
Tim Bevan
Rudd Simmons
|
|
| Co-Producer |
John Cusack
D.V. DeVincentis
Steve Pink
|
|
| Casting Associate |
Kim Taylor-Coleman
Wendy Weidman
|
|
| Executive Producer |
Liza Chasin
Mike Newell
Alan Greenspan
|
|
| ADR Voice Casting |
Brendan Donnison
|
|
| Unit Production Manager |
Billy Higgins
|
|
| Post Production Accountant |
Tarn Harper
|
|
| Production Assistant |
Veloz Gomez
Joanna S. Frank
David Malley
Kenneth w. Bradley
Eric H. Heisner
Dawn Patch
Ed Portoghese
Jon Schluenz
Jeff Sternberg
Adam Rosen
|
|
| Extras Casting |
Joan Philo
|
|
| Production Accountant |
Joan Altman
|
|
| Assistant Location Manager |
Jennifer Baron
|
|
| Assistant Production Coordinator |
Margaret J. Orlando
|
|
| Location Manager |
Demetra Diamantopoulos
|
|
| Location Assistant |
John David Wolfe
Adam Graham
|
|
| Second Assistant Accountant |
Adrienne Swan
|
|
| Payroll Accountant |
Deborah Evans
|
|
| Production Coordinator |
Anne Johns
|
|
| Production Consultant |
Dan Koretzky
|
|
| Production Secretary |
Anita Brongiel
|
|
| First Assistant Accountant |
Andy Wheeler
|
|
| Writing | Screenplay |
John Cusack
D.V. DeVincentis
Steve Pink
Scott Rosenberg
|
| Novel |
Nick Hornby
|
|
| Directing | Director |
Stephen Frears
|
| Script Supervisor |
Chiemi Karasawa
|
|
| First Assistant Director |
Jeffrey Wetzel
|
|
| Second Second Assistant Director |
Anne Berger
|
|
| Second Assistant Director |
Aiman A. Humaideh
|
|
| Camera | Director of Photography |
Seamus McGarvey
|
| Camera Operator |
William R. Nielsen Jr.
|
|
| Still Photographer |
Melissa Moseley
|
|
| Key Grip |
Art Bartels
|
|
| First Assistant Camera |
David Morenz
|
|
| Dolly Grip |
Fernando M. Briones
|
|
| Camera Intern |
Chad Erickson
|
|
| Second Assistant Camera |
Daniel W. Fuller
|
|
| Best Boy Grip |
Michael Lange
|
|
| Art | Production Design |
David Chapman
Thérèse DePrez
|
| Art Direction |
Nicholas Lundy
|
|
| Property Master |
Timothy W. Tiedje
|
|
| Assistant Property Master |
Michael D. Gianneschi
|
|
| Set Decoration |
Larry Lundy
|
|
| Graphic Designer |
Derrick Kardos
|
|
| Leadman |
Joel Prihoda
|
|
| Construction Coordinator |
Terry Baughman
|
|
| Lighting | Best Boy Electric |
Robert Swander
|
| Gaffer |
James A. Miller
|
|
| Crew | Dialect Coach |
Susan Hegarty
|
| Stunt Double |
Chris Nolte
Thomas Coe
|
|
| Post Production Supervisor |
Tania Blunden
|
|
| Stunt Coordinator |
Rick LeFevour
|
|
| Unit Publicist |
Louise Spencer
|
|
| Transportation Coordinator |
A. Welch Lambeth
William T. Hogan III
|
|
| Craft Service |
Will Gatlin
|
|
| Loader |
Elizabeth Miller
|
|
| Special Effects Coordinator |
Sam Barkan
|
|
| Score Engineer |
Ed Rak
Gareth Jones
|
|
| Set Medic |
Edward J. Reardon
Michael Cronin
Robert Byrnes
Patricia Newby
|
|
| Costume & Make-Up | Key Makeup Artist |
Jeanne Van Phue
|
| Makeup & Hair |
Naomi Donne
|
|
| Costume Supervisor |
Jennifer Jobst
|
|
| Costumer |
Heather Pollock
Gina Panno
|
|
| Costume Designer |
Laura Bauer
|
|
| On Set Dresser |
Phillip Ellman
|
|
| Key Hair Stylist |
Laura Connolly
|
|
| Assistant Costume Designer |
Margaret Morettini
|
|
| Department | Role | Name |