Hope Gap
(2019) | Released
Ratings
6.3
7.7
47%
Financials
Revenue: $1,136,167
Budget: $0
Profit: + $1,136,167
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Oct 3, 2019
Rating: PG-13
Run Time: 1h 40m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Lipsync Productions , Screen Media Films , Roadside Attractions , Screen Yorkshire , Sampsonic Media , Creative Media Investments , Origin Pictures , Immersiverse
Genres
Keywords
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Synopsis
Grace lives an idyllic life in a British seaside town, but her world soon comes crashing down when her husband of 29 years tells her he's leaving her for another woman. Through stages of shock, disbelief and anger -- and with support from her son -- Grace ultimately regains her footing while learning it's never too late to be happy.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
David M. Thompson
Sarada McDermott
|
| Executive Producer |
Peter Gould
Hugo Heppell
Peter Hampden
Norman Merry
Arno Hazebroek
Alex Tate
Christos Michaels
Nicolas D. Sampson
Gavin Poolman
Matthew Barnes
|
|
| Casting Director |
Gary Davy
|
|
| Associate Producer |
Alex Gordon
|
|
| Post Production Accountant |
Tarn Harper
Polly Wilby
|
|
| Casting Assistant |
Finnian Tweed
|
|
| Location Manager |
Nardia Hall
|
|
| Assistant Location Manager |
Andrew Henstock
|
|
| Production Assistant |
Theo Macdonald
Rory Hathaway
|
|
| Line Producer |
Karl Hall
|
|
| Unit Production Manager |
Kirsten Stoddart
|
|
| Co-Producer |
Joanie Blaikie
|
|
| Production Coordinator |
Lucy Eaton-Whitfield
|
|
| Payroll Accountant |
Martin Ainscough
|
|
| Production Accountant |
Ben Arslanian
|
|
| Casting Associate |
Sonia Allam
|
|
| Producer's Assistant |
Jo Wilding
|
|
| Assistant Accountant |
Edward Newman
|
|
| Unit Manager |
Eleanore Carr
|
|
| Writing | Screenplay |
William Nicholson
|
| Directing | Director |
William Nicholson
|
| Second Assistant Director |
Chris Marshall
|
|
| First Assistant Director |
Thomas Bassett
|
|
| Script Supervisor |
Sharon Ranger
|
|
| Third Assistant Director |
Amber Tordoff-Gibson
|
|
| Sound | Sound Re-Recording Mixer |
Robert Farr
James Hayday
Robert Farr
|
| Foley Artist |
Peter Burgis
Rebecca Heathcote
|
|
| Original Music Composer |
Alex Heffes
|
|
| Music Editor |
Pia Di Ciaula
Neil Stemp
|
|
| Supervising Sound Editor |
James Hayday
|
|
| Supervising Dialogue Editor |
Ben Tat
|
|
| Music Supervisor |
Maggie Rodford
|
|
| Foley Mixer |
Jemma Riley-Tolch
|
|
| Orchestrator |
John Ashton Thomas
|
|
| Sound Mixer |
Martin Beresford
|
|
| Production Sound Mixer |
Martin Beresford
|
|
| Foley Editor |
Adam Oakley
|
|
| Musician |
Tom Poster
|
|
| Editing | Editor |
Pia Di Ciaula
|
| Colorist |
Tom Russell
|
|
| Online Editor |
William Chetwynd
Ben North
|
|
| Assistant Editor |
Charlotte Gage
|
|
| Crew | Legal Services |
Reno Antoniades
James Walker
|
| Stunt Coordinator |
Paul Kennington
|
|
| Unit Publicist |
Jonathan Rutter
Eugene O'Connor
|
|
| Dialect Coach |
Penny Dyer
|
|
| Post Production Supervisor |
Shuna Frood
|
|
| Compositor |
Andy Quinn
Reno Cicero
Roni Rodrigues
Robert Treen
Garth Reilly
Valeria Rufa
Pedram Razi
|
|
| Stunt Double |
Paul Bailey
Stephanie Kerry
|
|
| Set Medic |
John Fillingham
Jessie Kirby
|
|
| Floor Runner |
Annabelle Hood
Max Hatfield
|
|
| Actor's Assistant |
Jenny Brum
|
|
| Generator Operator |
Stephen McLean
|
|
| Transportation Captain |
Paul Walton
|
|
| Driver |
Richard Spencer
Ryan O'Neill
Stewart Fleming
Russell Holmes
|
|
| Art | Set Decoration |
David Morison
|
| Production Design |
Simon Rogers
|
|
| Standby Property Master |
Simon Lee
Warren Ormondroyd
|
|
| Property Master |
Duane Marshall
|
|
| Standby Art Director |
Jen Ainsley
|
|
| Construction Manager |
Dave Green
|
|
| Art Direction |
Ben Clements
|
|
| Graphic Designer |
Rosa Nolan-Warren
|
|
| Standby Carpenter |
Adam Fortune
|
|
| Dressing Prop |
David Hayden
|
|
| Costume & Make-Up | Costume Designer |
Suzanne Cave
|
| Makeup Designer |
Melanie Lenihan
|
|
| Makeup Supervisor |
Laura Lawrence
|
|
| Makeup Artist |
Liz Bradbear
Natalie Fox
|
|
| Costume Supervisor |
Jen Davies
|
|
| Costume Standby |
Gemma Bates
|
|
| Visual Effects | Visual Effects Producer |
Carrie Rishel
|
| VFX Supervisor |
Luke Butler
|
|
| Special Effects Supervisor |
Scott MacIntyre
|
|
| VFX Editor |
Manuel Mendes
|
|
| Visual Effects Coordinator |
Jacqui Marchant-Adams
Lily Knott
|
|
| Camera | Still Photographer |
Gareth Gatrell
Robert Viglasky
Ludovic Robert
|
| Steadicam Operator |
Peter Wignall
Doug Walshe
Will Lyte
|
|
| "B" Camera Operator |
Doug Walshe
Tom Williams
|
|
| Second Unit Director of Photography |
Catherine Goldschmidt
|
|
| Director of Photography |
Anna Valdez Hanks
|
|
| Focus Puller |
Matt Hillier
Kirsten de Maid
Alex Taylor
Mike Richardson
|
|
| Clapper Loader |
Lina Rasmussen
Jonny Stillwell
Mitchell Payne
|
|
| Drone Pilot |
Steve Peters
|
|
| Assistant Grip |
Jack Kelly
Kurt Fox
|
|
| Digital Imaging Technician |
Steven Rundle
|
|
| Epk Camera Operator |
Dan Faber
Maria Nicholson
|
|
| Camera Trainee |
Agnes Aus
Marcel Myrtil
|
|
| Key Grip |
Stuart Gibson
|
|
| Lighting | Gaffer |
Carolina Schmidtholstein
|
| Electrician |
David Mitchell
Henriette Kristine Jacobsen
Jenni Suitiala
|
|
| Standby Rigger |
Paul Berry
|
|
| Rigging Gaffer |
Terry Maskell
|
|
| Best Boy Electric |
Alan Millar
|
|
| Department | Role | Name |
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