Ratings
Financials
Revenue: $1,136,167
Budget: $0
Profit: + $1,136,167
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Oct 3, 2019
Rating: 2020-03-06
Run Time: 1h 40m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Lipsync Productions , Screen Media Films , Roadside Attractions , Screen Yorkshire , Sampsonic Media , Creative Media Investments , Origin Pictures , Immersiverse
Sources:
Genres
Keywords
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Synopsis
Grace lives an idyllic life in a British seaside town, but her world soon comes crashing down when her husband of 29 years tells her he's leaving her for another woman. Through stages of shock, disbelief and anger -- and with support from her son -- Grace ultimately regains her footing while learning it's never too late to be happy.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
William Nicholson
|
| First Assistant Director |
Thomas Bassett
|
|
| Script Supervisor |
Sharon Ranger
|
|
| Second Assistant Director |
Chris Marshall
|
|
| Third Assistant Director |
Amber Tordoff-Gibson
|
|
| Camera | Director of Photography |
Anna Valdez Hanks
|
| Focus Puller |
Kirsten de Maid
Alex Taylor
Matt Hillier
Mike Richardson
|
|
| Clapper Loader |
Jonny Stillwell
Lina Rasmussen
Mitchell Payne
|
|
| Steadicam Operator |
Doug Walshe
Peter Wignall
Will Lyte
|
|
| Digital Imaging Technician |
Steven Rundle
|
|
| Camera Trainee |
Agnes Aus
Marcel Myrtil
|
|
| Key Grip |
Stuart Gibson
|
|
| Assistant Grip |
Kurt Fox
Jack Kelly
|
|
| Second Unit Director of Photography |
Catherine Goldschmidt
|
|
| "B" Camera Operator |
Doug Walshe
Tom Williams
|
|
| Drone Pilot |
Steve Peters
|
|
| Still Photographer |
Robert Viglasky
Gareth Gatrell
Ludovic Robert
|
|
| Epk Camera Operator |
Maria Nicholson
Dan Faber
|
|
| Aerial Camera |
Phil Arntz
|
|
| Art | Production Design |
Simon Rogers
|
| Set Decoration |
David Morison
|
|
| Art Direction |
Ben Clements
|
|
| Standby Art Director |
Jen Ainsley
|
|
| Graphic Designer |
Rosa Nolan-Warren
|
|
| Construction Manager |
Dave Green
|
|
| Standby Carpenter |
Adam Fortune
|
|
| Property Master |
Duane Marshall
|
|
| Standby Property Master |
Simon Lee
Warren Ormondroyd
|
|
| Dressing Prop |
David Hayden
|
|
| Title Designer |
Tom Burke
|
|
| Production | Producer |
David M. Thompson
Sarada McDermott
|
| Executive Producer |
Arno Hazebroek
Hugo Heppell
Gavin Poolman
Nicolas D. Sampson
Christos Michaels
Alex Tate
Peter Gould
Norman Merry
Peter Hampden
Matthew Barnes
|
|
| Co-Producer |
Joanie Blaikie
|
|
| Associate Producer |
Alex Gordon
|
|
| Line Producer |
Karl Hall
|
|
| Casting Director |
Gary Davy
|
|
| Location Manager |
Nardia Hall
|
|
| Unit Production Manager |
Kirsten Stoddart
|
|
| Production Coordinator |
Lucy Eaton-Whitfield
|
|
| Producer's Assistant |
Jo Wilding
|
|
| Production Assistant |
Rory Hathaway
Theo Macdonald
|
|
| Production Accountant |
Ben Arslanian
|
|
| Payroll Accountant |
Martin Ainscough
|
|
| Assistant Accountant |
Edward Newman
|
|
| Assistant Location Manager |
Andrew Henstock
|
|
| Unit Manager |
Eleanore Carr
|
|
| Casting Associate |
Sonia Allam
|
|
| Casting Assistant |
Finnian Tweed
|
|
| Post Production Accountant |
Tarn Harper
Polly Wilby
|
|
| Editing | Editor |
Pia Di Ciaula
|
| Colorist |
Tom Russell
|
|
| Assistant Editor |
Charlotte Gage
|
|
| Online Editor |
Ben North
William Chetwynd
|
|
| Digital Intermediate |
Andi Chu
|
|
| Costume & Make-Up | Makeup Artist |
Natalie Fox
Liz Bradbear
|
| Makeup Designer |
Melanie Lenihan
|
|
| Costume Designer |
Suzanne Cave
|
|
| Costume Supervisor |
Jen Davies
|
|
| Costume Standby |
Gemma Bates
|
|
| Makeup Supervisor |
Laura Lawrence
|
|
| Sound | Sound Mixer |
Martin Beresford
|
| Sound Re-Recording Mixer |
Robert Farr
James Hayday
Robert Farr
|
|
| Original Music Composer |
Alex Heffes
|
|
| Foley Artist |
Peter Burgis
Rebecca Heathcote
|
|
| Foley Editor |
Adam Oakley
|
|
| Production Sound Mixer |
Martin Beresford
|
|
| Supervising Sound Editor |
James Hayday
|
|
| Supervising Dialogue Editor |
Ben Tat
|
|
| Music Supervisor |
Maggie Rodford
|
|
| Music Editor |
Pia Di Ciaula
Neil Stemp
|
|
| Foley Mixer |
Jemma Riley-Tolch
|
|
| Orchestrator |
John Ashton Thomas
|
|
| Musician |
Tom Poster
|
|
| First Assistant Sound Editor |
Lee James
Phil Cape
|
|
| Second Assistant Sound |
Darryl Peat
|
|
| Writing | Screenplay |
William Nicholson
|
| Lighting | Gaffer |
Carolina Schmidtholstein
|
| Best Boy Electric |
Alan Millar
|
|
| Electrician |
Jenni Suitiala
David Mitchell
Henriette Kristine Jacobsen
|
|
| Rigging Gaffer |
Terry Maskell
|
|
| Standby Rigger |
Paul Berry
|
|
| Crew | Post Production Supervisor |
Shuna Frood
|
| Stunt Coordinator |
Paul Kennington
|
|
| Stunt Double |
Stephanie Kerry
Paul Bailey
|
|
| Actor's Assistant |
Jenny Brum
|
|
| Floor Runner |
Annabelle Hood
Max Hatfield
|
|
| Generator Operator |
Stephen McLean
|
|
| Unit Publicist |
Jonathan Rutter
Eugene O'Connor
|
|
| Dialect Coach |
Penny Dyer
|
|
| Transportation Captain |
Paul Walton
|
|
| Driver |
Richard Spencer
Ryan O'Neill
Stewart Fleming
Russell Holmes
|
|
| Set Medic |
John Fillingham
Jessie Kirby
|
|
| Compositor |
Reno Cicero
Andy Quinn
Garth Reilly
Pedram Razi
Robert Treen
|
|
| Legal Services |
Reno Antoniades
James Walker
|
|
| Visual Effects | Special Effects Supervisor |
Scott McIntyre
|
| VFX Supervisor |
Luke Butler
|
|
| Visual Effects Producer |
Carrie Rishel
|
|
| Visual Effects Coordinator |
Lily Knott
Jacqui Marchant-Adams
|
|
| VFX Editor |
Manuel Mendes
|
|
| Digital Compositor |
Roni Rodrigues
Valeria Rufa
|
|
| Department | Role | Name |






