I, Robot
(2004) One man saw it coming | Released
Ratings
59%
6.9
7.1
57%
Financials
Revenue: $347,234,916
Budget: $120,000,000
Profit: + $227,234,916
Movie Details
Tag Line: One man saw it coming
Status: Released
Average Rating: 7
Release Date: Jul 15, 2004
Rating: 2004-12-14
Run Time: 1h 55m
Original Language: English
Website: -
Production Countries: United States of America , Germany
Production Companies: Davis Entertainment , Laurence Mark Productions , Canlaws Productions , 20th Century Fox , Overbrook Entertainment , Mediastream Vierte Film GmbH & Co. Vermarktungs KG
Sources:
Genres
Keywords
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Where to watch I, Robot
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Synopsis
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Akiva Goldsman
Jeff Vintar
|
| Screenstory |
Jeff Vintar
|
|
| Story Editor |
Marc Marcum
|
|
| Novel |
Isaac Asimov
|
|
| Directing | Director |
Alex Proyas
|
| Script Supervisor |
Shelley Crawford
|
|
| Script Coordinator |
Stephanie Kate Mitchell
|
|
| Assistant Director |
Sam Harris
|
|
| Second Unit Director |
Scott J. Ateah
|
|
| Second Assistant Director |
Paul Barry
|
|
| Third Assistant Director |
David R. Baron
|
|
| Second Second Assistant Director |
Tracey Poirier
|
|
| Sound | Original Music Composer |
Marco Beltrami
|
| Foley |
Stu Bernstein
|
|
| Sound Mixer |
James Kusan
|
|
| Sound |
Matt Willoughby-Price
|
|
| First Assistant Sound Editor |
Galen Goodpaster
|
|
| Sound Designer |
Erik Aadahl
Craig Berkey
|
|
| Sound Effects Editor |
Jay Wilkinson
|
|
| Boom Operator |
Jeff MacFarlane
|
|
| Music Editor |
Alex Gibson
|
|
| Supervising Sound Editor |
John A. Larsen
|
|
| Dialogue Editor |
Dave Kulczycki
Susan Dawes
|
|
| ADR Supervisor |
Michael Haight
|
|
| Sound Recordist |
Tim Gomillion
|
|
| Second Assistant Sound |
Blake R. Cornett
|
|
| Foley Supervisor |
John Murray
|
|
| Foley Mixer |
David Betancourt
|
|
| Sound Assistant |
Greg Hewett
|
|
| ADR Engineer |
Derek Casari
|
|
| Foley Artist |
Dawn Fintor
|
|
| ADR Recordist |
Marc Hayes
|
|
| ADR Mixer |
Charleen Richards-Steeves
|
|
| Sound Re-Recording Mixer |
Paul Massey
|
|
| Music Arranger |
Tom Brown
|
|
| Production | Producer |
John Davis
Topher Dow
Laurence Mark
Wyck Godfrey
Michael Lee Baron
|
| Casting |
Jeanne McCarthy
Juel Bestrop
Heike Brandstatter
Coreen Mayrs
|
|
| Executive Producer |
Will Smith
James Lassiter
Anthony Romano
Michel Shane
|
|
| Co-Producer |
Steven R. McGlothen
|
|
| Associate Producer |
John Kilkenny
|
|
| Production Accountant |
Maureen 'Mo' Crutchfield
|
|
| Production Supervisor |
Eric Fox Hays
|
|
| Location Manager |
Al Nolan-Cohn
|
|
| Production Coordinator |
Penny Rogers
|
|
| Production Manager |
Mary Guilfoyle
|
|
| Unit Production Manager |
Barbara Kelly
|
|
| Casting Associate |
Blythe Cappello
|
|
| Production Assistant |
Evan Allen
Nazima Nagdee
|
|
| Assistant Location Manager |
Jason Collier
|
|
| Casting Consultant |
Billy DaMota
|
|
| Payroll Accountant |
Jill Anderson
|
|
| Production Executive |
Michael Taylor
|
|
| Travel Coordinator |
Jill Armstrong
|
|
| First Assistant Accountant |
Kathy Edwards
|
|
| First Assistant Production Coordinator |
Danny McNair
|
|
| Casting Assistant |
James McKenzie Moore
|
|
| Casting Coordinator |
Errin Lally
|
|
| Assistant Accountant |
Colette Jost
|
|
| Head of Production |
Jeff Swenty
|
|
| Second Assistant Production Coordinator |
Spencer Hon Lui
|
|
| Post Production Coordinator |
Chris McClintock
|
|
| General Manager |
Matt Bauer
|
|
| Production Driver |
Bruce Scott
|
|
| Researcher |
Karam Khan
|
|
| Location Production Assistant |
Dustin Bouchard
|
|
| Key Set Production Assistant |
Vincent Dela Luna
|
|
| Camera | Director of Photography |
Simon Duggan
|
| Underwater Camera |
Ian Seabrook
|
|
| Steadicam Operator |
David Crone
|
|
| Still Photographer |
Ava Gerlitz
|
|
| Grip |
Doug Reid
|
|
| Helicopter Camera |
Ralph Mendoza
|
|
| Libra Head Technician |
Christopher Walsh
|
|
| Best Boy Grip |
J. Norman Earle
|
|
| Dolly Grip |
Daryl Hartwell
|
|
| Data Wrangler |
Scott Edelstein
|
|
| Camera Trainee |
Dave Ashcroft
|
|
| Second Assistant Camera |
Sam Jones
|
|
| First Assistant Camera |
Paul Taylor
|
|
| Costume & Make-Up | Costume Design |
Liz Keogh
|
| Makeup Artist |
Leah Ehman
|
|
| Makeup Department Head |
Stan Edmonds
|
|
| Hair Department Head |
Angelina P. Cameron
|
|
| Prosthetic Supervisor |
Bill Terezakis
|
|
| Assistant Costume Designer |
Jana MacDonald
|
|
| Hairstylist |
Pierce Austin
|
|
| Set Costumer |
Tamaryn Lang
|
|
| Key Hair Stylist |
Katalin Lippay
|
|
| Seamstress |
Summer Eves
|
|
| Set Dressing Artist |
Tim Dagley
|
|
| Assistant Makeup Artist |
Tamar Ouziel
|
|
| Costume Coordinator |
Janice Swayze
|
|
| Costume Set Supervisor |
Michelle Baines
|
|
| First Assistant Makeup Artist |
Tanya Howard
|
|
| Tailor |
Savino Peragine
|
|
| Truck Costumer |
Andre Brouwer
|
|
| Costumer |
Cathy Darby
|
|
| Visual Effects | Visual Effects |
Michael Leung
Neacol Booth
|
| Visual Effects Producer |
Sandra Almond
|
|
| Visual Effects Coordinator |
Charlene Eberle Douglas
|
|
| Digital Compositors |
Ted Andre
|
|
| Visual Effects Supervisor |
Dale Fay
John Nelson
Erik Nash
Joe Letteri
|
|
| Animation Supervisor |
Andrew R. Jones
|
|
| Visual Development |
Jerome Platteaux
|
|
| 3D Supervisor |
Susie Kleis
|
|
| Visual Effects Production Assistant |
Tom Core
|
|
| Rotoscoping Artist |
Anne Ritter
|
|
| Visual Effects Production Manager |
Ryan Stafford
|
|
| Animation Coordinator |
Clare Burgess
|
|
| Digital Effects Producer |
Dan Foster
|
|
| Pre-Visualization Coordinator |
Lisa Turner
|
|
| Senior Animator |
Elisabeth Arko
|
|
| Compositing Lead |
Jean Lapointe
|
|
| 2D Sequence Supervisor |
G.G. Heitmann Demers
|
|
| CG Artist |
Nicholas Boughen
Wes Sargent
|
|
| Compositing Supervisor |
Sonja Burchard
Erik Winquist
|
|
| Animation Technical Director |
William Dwelly
|
|
| Digital Compositor |
Lou Pecora
|
|
| Creature Design |
Patrick Tatopoulos
|
|
| Editing | Editor |
Armen Minasian
Richard Learoyd
William Hoy
|
| First Assistant Editor |
Liza D. Espinas
|
|
| Digital Intermediate |
Phil Greig
|
|
| Color Timer |
Jim Passon
|
|
| Assistant Editor |
Alexander Garcia
|
|
| Digital Intermediate Colorist |
Skip Kimball
|
|
| Associate Editor |
Matt Villa
|
|
| Additional Editing |
Neil Travis
|
|
| Negative Cutter |
Gary Burritt
|
|
| Crew | CG Supervisor |
Guy Williams
Greg Butler
Dan Lemmon
|
| Stunts |
Rikki Gagne
Peter Cox
Doug Chapman
Marny Eng
Rick Pearce
Crystal Dalman
Brett Armstrong
Owen Walstrom
Alette Falle
Lauro David Chartrand-DelValle
Carolyn Anderson
David Mylrea
Clint Carleton
Jeff Sanca
Steven McMichael
Sharon Simms
Anthony David Moyer
Phillip Mitchell
Ray Pichette
Ronald Robinson
|
|
| Stand In |
Andre Blair
|
|
| Craft Service |
Violet Barisoff
|
|
| Post Production Supervisor |
Patrick Esposito
|
|
| Visual Effects Editor |
Jeff Beattie
|
|
| Systems Administrators & Support |
Bill Ryder
|
|
| Score Engineer |
Bill Talbott
|
|
| Unit Publicist |
Toni Atterbury
|
|
| Video Assist Operator |
George Collins
|
|
| Additional Music |
Buck Sanders
|
|
| Stunt Coordinator |
Scott J. Ateah
Glenn Boswell
|
|
| Transportation Co-Captain |
Shawn Henter
|
|
| Security |
Terence Chase
|
|
| Software Engineer |
Shane Cooper
|
|
| Transportation Coordinator |
Rob Vreugde
|
|
| Chef |
Bob Bedard
|
|
| Scenic Artist |
John B. Keys
|
|
| Telecine Colorist |
Jill Allanson
|
|
| Loader |
Allison Beda
|
|
| Special Effects Coordinator |
Mike Vézina
|
|
| Post-Production Manager |
Anet Hambarsumian
|
|
| Motion Capture Artist |
Valy Lungoccia
|
|
| Digital Effects Supervisor |
John Andrew Berton Jr.
|
|
| Driver |
Lawrence Albright
|
|
| Makeup Effects |
Harlow MacFarlane
|
|
| Transportation Captain |
Robert Buxton
|
|
| Carpenter |
Tor Baxter
|
|
| Digital Producer |
Lisa Spence
|
|
| Post Production Assistant |
Bailee Reid
|
|
| Stunt Driver |
Claire Webb
|
|
| Animal Coordinator |
Dana Dubé
|
|
| Assistant Chef |
Melanie Donohue
|
|
| Playback Coordinator |
Darren Robertson
|
|
| Special Effects Technician |
Douglas W. Beard
|
|
| Stunt Double |
Christopher Gordon
Monique Ganderton
|
|
| Aerial Coordinator |
Michael Franck
|
|
| Special Effects Assistant |
Beck Carver
|
|
| Generator Operator |
Mick Gray
|
|
| Security Coordinator |
Larry Woodhouse
|
|
| Technical Advisor |
Ron Blecker
|
|
| Art | Art Direction |
Helen Jarvis
Chris August
|
| Assistant Art Director |
Kendelle Elliott
|
|
| Set Designer |
Michael Elkan
|
|
| Set Decoration |
Lin MacDonald
|
|
| Art Department Assistant |
Jaydene Maryk
|
|
| Painter |
Sheila Thomas
Mark N. Tompkins
|
|
| Sculptor |
Melanie Cassidy
|
|
| Production Design |
Patrick Tatopoulos
|
|
| Construction Coordinator |
Thom Wells
|
|
| Location Scout |
Mark Gamache
|
|
| Art Department Coordinator |
Franziska Keller
|
|
| Conceptual Design |
Howard Lau
|
|
| Lead Painter |
Janette Hyland
|
|
| Leadman |
Eldon Coney
|
|
| Set Decoration Buyer |
Michael Webb
|
|
| Construction Foreman |
Jim Birkel
|
|
| Property Master |
Dan Sissons
|
|
| Conceptual Illustrator |
Milena Zdravkovic
|
|
| Construction Buyer |
G. Scott Stewart
|
|
| Set Decorating Coordinator |
Lee Campbell
|
|
| Assistant Property Master |
Antonio Germinario
|
|
| Graphic Designer |
Sally Hudson
|
|
| First Assistant Property Master |
Michelle Hendriksen
|
|
| Swing |
Wilton Higgins
|
|
| Storyboard Artist |
James Doh
|
|
| Lighting | Lighting Technician |
Cam Esau
|
| Lighting Artist |
Tohda Asuka
|
|
| Rigging Gaffer |
Rod Feldmeier
|
|
| Best Boy Electric |
Robert Hicks
|
|
| Gaffer |
John Adams
|
|
| Rigging Grip |
George Raymond Carter
|
|
| Electrician |
Cliff Cenerini
|
|
| Key Rigging Grip |
Gene Keigher
|
|
| Department | Role | Name |
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