Jarhead
(2005) Welcome to the suck. | Released
Ratings
58%
6.7
7
61%
Financials
Revenue: $97,076,152
Budget: $72,000,000
Profit: + $25,076,152
Movie Details
Tag Line: Welcome to the suck.
Status: Released
Average Rating: 7
Release Date: Nov 4, 2005
Rating: 2005-10-27
Run Time: 2h 03m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Red Wagon Entertainment , Neal Street Productions
Sources:
Genres
Keywords
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Synopsis
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Sam Mendes
|
| Script Supervisor |
Jayne-Ann Tenggren
|
|
| First Assistant Director |
Alan B. Curtiss
|
|
| Layout |
Luke Longin
|
|
| Second Assistant Director |
Basti Van Der Woude
|
|
| Second Second Assistant Director |
Jody Spilkoman
|
|
| Second Unit Director |
Jeff Habberstad
|
|
| Additional Second Assistant Director |
Cy Roscoe Strickland
|
|
| Camera | Director of Photography |
Roger Deakins
|
| Grip |
Brian Branton
|
|
| Still Photographer |
François Duhamel
|
|
| Camera Loader |
Kirsten Laube
|
|
| Camera Technician |
Greg Beaumonte
|
|
| Key Grip |
Mitchell Andrew Lillian
|
|
| First Assistant Camera |
Andy Harris
|
|
| Additional Second Assistant Camera |
Will Dearborn
|
|
| Second Assistant Camera |
Matthew Haskins
|
|
| Best Boy Grip |
Quinn Grove
|
|
| Camera Production Assistant |
Jason Corica
|
|
| Dolly Grip |
Seong Dilg
|
|
| Editing | Editor |
Walter Murch
|
| Color Timer |
Kenny Becker
|
|
| Additional Editing |
Pat Jackson
|
|
| Digital Intermediate Producer |
Terra Bliss
|
|
| Negative Cutter |
Mo Henry
|
|
| Assistant Editor |
R. Orlando Duenas
|
|
| Digital Intermediate Editor |
Curtis Lindersmith
|
|
| Associate Editor |
Sean Cullen
|
|
| Sound | Original Music Composer |
Thomas Newman
|
| Sound Mixer |
Willie D. Burton
|
|
| Scoring Mixer |
Thomas Vicari
|
|
| Sound Effects Editor |
Kyrsten Mate
|
|
| Music Supervisor |
Randall Poster
|
|
| Sound Editor |
Larry Schalit
|
|
| Dialogue Editor |
Richard Quinn
|
|
| Boom Operator |
Marvin E. Lewis
|
|
| Orchestrator |
Thomas Pasatieri
|
|
| Assistant Sound Editor |
Brian Chumney
|
|
| Music Editor |
Bill Bernstein
|
|
| Supervising Sound Editor |
Pat Jackson
|
|
| Sound Designer |
Kyrsten Mate
|
|
| Music Coordinator |
Jim Dunbar
|
|
| ADR Mixer |
David Boulton
|
|
| Foley Artist |
Alyson Dee Moore
|
|
| Foley Mixer |
Ben Conrad
|
|
| First Assistant Sound Editor |
Jeremy Molod
|
|
| Music Consultant |
George Budd
|
|
| ADR Editor |
Jane McCulley
|
|
| Apprentice Sound Editor |
Jon Logan
|
|
| ADR Recordist |
Krissopher Chevannes
|
|
| Foley Recordist |
James Willetts
|
|
| Costume & Make-Up | Costume Design |
Albert Wolsky
|
| Costume Supervisor |
Robert Q. Mathews
|
|
| Makeup Artist |
Steven E. Anderson
|
|
| Hair Department Head |
Robert L. Stevenson
|
|
| Seamstress |
Blanca Garcia
|
|
| Hairstylist |
Deidra Dixon
|
|
| Set Costumer |
Corey Bronson
|
|
| Assistant Costume Designer |
George L. Little
|
|
| Set Dressing Artist |
Jack Blanchard
|
|
| Makeup Supervisor |
Allan A. Apone
|
|
| Costumer |
Matt Chase
|
|
| Hairdresser |
Ma. Teresa Chavez
|
|
| Key Costumer |
Robert Iannaccone
|
|
| On Set Dresser |
Glenn H. Roberts
|
|
| Makeup Effects Designer |
Constantine Sekeris
|
|
| Production | Executive Producer |
Bobby Cohen
Sam Mercer
|
| Co-Producer |
Pippa Harris
|
|
| Producer |
Lucy Fisher
Douglas Wick
|
|
| Casting |
Debra Zane
|
|
| Casting Associate |
Tannis Vallely
|
|
| Production Accountant |
Mark Mayer
|
|
| Production Coordinator |
Lois Walker
|
|
| Location Manager |
Murray Miller
|
|
| Unit Production Manager |
Sharon Mann
|
|
| Production Supervisor |
Gerald Scaife
|
|
| Location Assistant |
Timber Kislan
|
|
| Accountant |
Enriqueta 'Queta' Amador
|
|
| First Assistant Accountant |
Edna Wilkerson
|
|
| Production Secretary |
R. Dawn Vigil
|
|
| Casting Assistant |
Stacy Opalewski
|
|
| Location Casting |
Deedra Ricketts
|
|
| Production Driver |
Julio Salazar
|
|
| Assistant Location Manager |
Bridget Cleary
|
|
| Assistant Production Coordinator |
Alejandra Cárdenas
|
|
| Extras Casting Assistant |
Ruben Marquez
|
|
| Key Set Production Assistant |
Terrence B. Zinn
|
|
| Local Casting |
Faith Hibbs-Clark
|
|
| ADR Voice Casting |
David H. Kramer
|
|
| Assistant Accountant |
Chesley Phipps
|
|
| Payroll Accountant |
John Montgomery
|
|
| Production Assistant |
Jake Borowski
|
|
| Travel Coordinator |
Jennifer Gillespie
|
|
| Second Assistant Accountant |
Skylar Schmidt
|
|
| Post Production Coordinator |
Bill Ceresia
|
|
| Art | Production Design |
Dennis Gassner
|
| Art Direction |
Christina Ann Wilson
Marco Niro
|
|
| Set Decoration |
Nancy Haigh
|
|
| Supervising Art Director |
Stefan Dechant
|
|
| Location Scout |
Rick Poyner
|
|
| Sculptor |
Carol Koch
|
|
| Leadman |
Mark Weissenfluh
|
|
| Production Illustrator |
Kasra Farahani
|
|
| Set Designer |
John Chichester
|
|
| Construction Coordinator |
Jeff Passanante
|
|
| Greensman |
Richard J. Bell
|
|
| Property Master |
Andrew Petrotta
|
|
| Assistant Art Director |
A. Todd Holland
|
|
| Art Department Coordinator |
Chris Cummings
|
|
| Construction Foreman |
Edward L. Turk
|
|
| Title Designer |
Deborah Ross
|
|
| Graphic Designer |
Kim Lincoln
|
|
| Storyboard Artist |
Eric Ramsey
|
|
| Concept Artist |
Phillip Cappe
|
|
| Assistant Property Master |
Mark W. Brown
|
|
| Crew | Technical Supervisor |
George A. Parker
|
| Set Production Assistant |
Cheryl Andryco
|
|
| Stunt Coordinator |
Jeff Habberstad
|
|
| Visual Effects Art Director |
Christian Alzmann
|
|
| Video Assist Operator |
Clark Higgins
|
|
| Transportation Captain |
Fred Teague
|
|
| Craft Service |
John Wright
|
|
| Transportation Co-Captain |
Robert E. Dingle
|
|
| Unit Publicist |
Rob Harris
|
|
| Utility Stunts |
Jeff M. Lewis
|
|
| Post Production Supervisor |
Sean T. Stratton
|
|
| Transportation Coordinator |
John A. Brubaker
|
|
| Cableman |
Gary A. Theard
|
|
| Special Effects Coordinator |
Steve Cremin
|
|
| Stunts |
Greg Anthony
Jeffrey J. Dashnaw
|
|
| Propmaker |
Mark Sparks
|
|
| Set Medic |
Lindsay Hudson
|
|
| Visual Effects Editor |
Kent Blocher
|
|
| Driver |
L. Chip Crosby Jr.
|
|
| Picture Car Coordinator |
Dennis McCarthy
|
|
| Aerial Coordinator |
Cliff Fleming
|
|
| Projection |
Robert Hatfield
|
|
| Stand In |
Chris Kephart
|
|
| Pilot |
Skip Holm
|
|
| Special Effects Technician |
Christian Eubank
|
|
| Generator Operator |
Michael DePue
|
|
| Special Effects Assistant |
P. David Miller
|
|
| Visual Effects | Visual Effects Supervisor |
Pablo Helman
|
| Visual Effects Producer |
Jennifer Bell
Jeanie King
|
|
| Digital Compositors |
Matt Brumit
|
|
| Visual Effects Coordinator |
Christopher Cram
|
|
| Visual Effects Production Assistant |
Todd Martin
|
|
| Visual Effects Assistant Editor |
Jerome Bakum
|
|
| VFX Director of Photography |
Martin Rosenberg
|
|
| Lead Animator |
Peter Daulton
|
|
| Rotoscoping Artist |
Stephanie Taubert
|
|
| Lighting | Rigging Gaffer |
Edward R. Nedin
|
| Lighting Technician |
Ken W. Ballantine
|
|
| Electrician |
Danny Ault
|
|
| Key Rigging Grip |
Gary Kangrga
|
|
| Chief Lighting Technician |
Chris Napolitano
|
|
| Assistant Chief Lighting Technician |
David Burnett
|
|
| Rigging Grip |
Jason Blaise Cunningham
|
|
| Writing | Script Consultant |
Sam Chouia
|
| Screenplay |
William Broyles Jr.
|
|
| Book |
Anthony Swofford
|
|
| Department | Role | Name |
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