Ratings
58%
6.6
7
61%
Financials
Revenue: $97,076,152
Budget: $72,000,000
Profit: + $25,076,152
Movie Details
Tag Line: Welcome to the suck.
Status: Released
Average Rating: 7
Release Date: Nov 4, 2005
Rating:
Run Time: 2h 03m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Red Wagon Entertainment , Neal Street Productions
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Thomas Newman
|
| Sound Designer |
Kyrsten Mate
|
|
| Sound Effects Editor |
Kyrsten Mate
|
|
| ADR Mixer |
David Boulton
|
|
| Supervising Sound Editor |
Pat Jackson
|
|
| Music Editor |
Bill Bernstein
|
|
| Music Supervisor |
Randall Poster
|
|
| Music Coordinator |
Jim Dunbar
|
|
| Scoring Mixer |
Thomas Vicari
|
|
| Boom Operator |
Marvin E. Lewis
|
|
| Dialogue Editor |
Richard Quinn
|
|
| Foley Artist |
Alyson Dee Moore
|
|
| ADR Recordist |
Krissopher Chevannes
|
|
| Sound Editor |
Larry Schalit
|
|
| Foley Mixer |
Ben Conrad
|
|
| Sound Mixer |
Willie D. Burton
|
|
| Orchestrator |
Thomas Pasatieri
|
|
| Music Consultant |
George Budd
|
|
| Assistant Sound Editor |
Brian Chumney
|
|
| ADR Editor |
Jane McCulley
|
|
| First Assistant Sound Editor |
Jeremy Molod
|
|
| Foley Recordist |
James Willetts
|
|
| Apprentice Sound Editor |
Jon Logan
|
|
| Directing | Director |
Sam Mendes
|
| Second Unit Director |
Jeff Habberstad
|
|
| First Assistant Director |
Alan B. Curtiss
|
|
| Script Supervisor |
Jayne-Ann Tenggren
|
|
| Layout |
Luke Longin
|
|
| Second Assistant Director |
Basti Van Der Woude
|
|
| Second Second Assistant Director |
Jody Spilkoman
|
|
| Additional Second Assistant Director |
Cy Roscoe Strickland
|
|
| Production | Casting |
Debra Zane
|
| Executive Producer |
Bobby Cohen
Sam Mercer
|
|
| Producer |
Douglas Wick
Lucy Fisher
|
|
| Unit Production Manager |
Sharon Mann
|
|
| Co-Producer |
Pippa Harris
|
|
| Local Casting |
Faith Hibbs-Clark
|
|
| Post Production Coordinator |
Bill Ceresia
|
|
| Location Manager |
Murray Miller
|
|
| Casting Associate |
Tannis Vallely
|
|
| Assistant Production Coordinator |
Alejandra Cárdenas
|
|
| Key Set Production Assistant |
Terrence B. Zinn
|
|
| Location Casting |
Deedra Ricketts
|
|
| ADR Voice Casting |
David H. Kramer
|
|
| Production Coordinator |
Lois Walker
|
|
| Production Supervisor |
Gerald Scaife
|
|
| Casting Assistant |
Stacy Opalewski
|
|
| Production Accountant |
Mark Mayer
|
|
| Production Assistant |
Jake Borowski
|
|
| Payroll Accountant |
John Montgomery
|
|
| Travel Coordinator |
Jennifer Gillespie
|
|
| Location Assistant |
Timber Kislan
|
|
| Production Driver |
Julio Salazar
|
|
| Assistant Location Manager |
Bridget Cleary
|
|
| Accountant |
Enriqueta 'Queta' Amador
|
|
| Assistant Accountant |
Chesley Phipps
|
|
| Extras Casting Assistant |
Ruben Marquez
|
|
| First Assistant Accountant |
Edna Wilkerson
|
|
| Production Secretary |
R. Dawn Vigil
|
|
| Second Assistant Accountant |
Skylar Schmidt
|
|
| Writing | Screenplay |
William Broyles Jr.
|
| Book |
Anthony Swofford
|
|
| Script Consultant |
Sam Chouia
|
|
| Camera | Director of Photography |
Roger Deakins
|
| Still Photographer |
François Duhamel
|
|
| Camera Technician |
Greg Beaumonte
|
|
| Additional Second Assistant Camera |
Will Dearborn
|
|
| Second Assistant Camera |
Matthew Haskins
|
|
| First Assistant Camera |
Andy Harris
|
|
| Key Grip |
Mitchell Andrew Lillian
|
|
| Grip |
Brian Branton
|
|
| Camera Loader |
Kirsten Laube
|
|
| Best Boy Grip |
Quinn Grove
|
|
| Camera Production Assistant |
Jason Corica
|
|
| Dolly Grip |
Seong Dilg
|
|
| Editing | Editor |
Walter Murch
|
| Digital Intermediate Editor |
Curtis Lindersmith
|
|
| Assistant Editor |
R. Orlando Duenas
|
|
| Color Timer |
Kenny Becker
|
|
| Negative Cutter |
Mo Henry
|
|
| Additional Editing |
Pat Jackson
|
|
| Digital Intermediate Producer |
Terra Bliss
|
|
| Associate Editor |
Sean Cullen
|
|
| Art | Set Decoration |
Nancy Haigh
|
| Production Design |
Dennis Gassner
|
|
| Art Direction |
Marco Niro
Christina Ann Wilson
|
|
| Supervising Art Director |
Stefan Dechant
|
|
| Production Illustrator |
Kasra Farahani
|
|
| Set Designer |
John Chichester
|
|
| Property Master |
Andrew Petrotta
|
|
| Construction Coordinator |
Jeff Passanante
|
|
| Assistant Art Director |
A. Todd Holland
|
|
| Leadman |
Mark Weissenfluh
|
|
| Sculptor |
Carol Koch
|
|
| Art Department Coordinator |
Chris Cummings
|
|
| Greensman |
Richard J. Bell
|
|
| Assistant Property Master |
Mark W. Brown
|
|
| Title Designer |
Deborah Ross
|
|
| Construction Foreman |
Edward L. Turk
|
|
| Location Scout |
Rick Poyner
|
|
| Storyboard Artist |
Eric Ramsey
|
|
| Graphic Designer |
Kim Lincoln
|
|
| Concept Artist |
Phillip Cappe
|
|
| Crew | Stunt Coordinator |
Jeff Habberstad
|
| Stunts |
Jeffrey J. Dashnaw
Greg Anthony
|
|
| Aerial Coordinator |
Cliff Fleming
|
|
| Special Effects Coordinator |
Steve Cremin
|
|
| Unit Publicist |
Rob Harris
|
|
| Visual Effects Editor |
Kent Blocher
|
|
| Visual Effects Art Director |
Christian Alzmann
|
|
| Transportation Co-Captain |
Robert E. Dingle
|
|
| Cableman |
Gary A. Theard
|
|
| Post Production Supervisor |
Sean T. Stratton
|
|
| Transportation Coordinator |
John A. Brubaker
|
|
| Technical Supervisor |
George A. Parker
|
|
| Transportation Captain |
Fred Teague
|
|
| Craft Service |
John 'Magic' Wright
|
|
| Picture Car Coordinator |
Dennis McCarthy
|
|
| Special Effects Assistant |
P. David Miller
|
|
| Set Production Assistant |
Cheryl Andryco
|
|
| Driver |
L. Chip Crosby Jr.
|
|
| Projection |
Robert Hatfield
|
|
| Propmaker |
Mark Sparks
|
|
| Set Medic |
Lindsay Hudson
|
|
| Stand In |
Chris Kephart
|
|
| Utility Stunts |
Jeff M. Lewis
|
|
| Video Assist Operator |
Clark Higgins
|
|
| Special Effects Technician |
Christian Eubank
|
|
| Generator Operator |
Michael DePue
|
|
| Pilot |
Skip Holm
|
|
| Costume & Make-Up | Costume Design |
Albert Wolsky
|
| Assistant Costume Designer |
George L. Little
|
|
| Hair Department Head |
Robert L. Stevenson
|
|
| Makeup Supervisor |
Allan A. Apone
|
|
| Costume Supervisor |
Robert Q. Mathews
|
|
| Set Costumer |
Corey Bronson
|
|
| Makeup Effects Designer |
Constantine Sekeris
|
|
| Hairstylist |
Deidra Dixon
|
|
| Set Dressing Artist |
Jack Blanchard
|
|
| Key Costumer |
Robert Iannaccone
|
|
| Costumer |
Matt Chase
|
|
| Seamstress |
Blanca Garcia
|
|
| Makeup Artist |
Steven E. Anderson
|
|
| Hairdresser |
Ma. Teresa Chavez
|
|
| On Set Dresser |
Glenn H. Roberts
|
|
| Visual Effects | Lead Animator |
Peter Daulton
|
| Visual Effects Supervisor |
Pablo Helman
|
|
| Visual Effects Producer |
Jennifer C. Bell
|
|
| Rotoscoping Artist |
Stephanie Taubert
|
|
| Visual Effects Coordinator |
Christopher Cram
|
|
| Digital Compositors |
Matt Brumit
|
|
| VFX Director of Photography |
Martin Rosenberg
|
|
| Visual Effects Assistant Editor |
Jerome Bakum
|
|
| Visual Effects Production Assistant |
Todd Martin
|
|
| Lighting | Chief Lighting Technician |
Chris Napolitano
|
| Assistant Chief Lighting Technician |
David Burnett
|
|
| Lighting Technician |
Ken W. Ballantine
|
|
| Key Rigging Grip |
Gary Kangrga
|
|
| Rigging Grip |
Jason Blaise Cunningham
|
|
| Electrician |
Danny Ault
|
|
| Rigging Gaffer |
Edward R. Nedin
|
|
| Department | Role | Name |
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