Ratings
Financials
Revenue: $0
Budget: $11,000,000
Profit: - $-11,000,000
Movie Details
Tag Line: To solve a mystery he will enter a nightmare.
Status: Released
Average Rating: 6
Release Date: Nov 15, 1991
Rating: 1991-11-15
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: France , United States of America
Production Companies: Renn Productions , Baltimore Pictures , Pricel
Genres
Keywords
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Synopsis
Kafka, an insurance worker gets embroiled in an underground group after a co-worker is murdered. The underground group is responsible for bombings all over town, attempting to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization and must confront them.
Crew
Department | Role | Name |
---|---|---|
Production | Casting |
Susie Figgis
|
Producer |
Harry Benn
Stuart Cornfeld
|
|
Production Supervisor |
Jan Balzer
Přemysl Pražský
|
|
Production Coordinator |
Gail Samuelson
|
|
Executive Producer |
Mark Johnson
Barry Levinson
Paul Rassam
|
|
Unit Production Manager |
Tomáš Baloun
|
|
Unit Manager |
Miloslav Doležal
Petr Moravec
|
|
Production Manager |
Pavel Nový
|
|
Directing | Director |
Steven Soderbergh
|
Script Supervisor |
Jean Bourne
|
|
Assistant Director |
Jiří Ostrý
Guy Travers
|
|
Second Assistant Director |
Nick Laws
Alice Kulhánková Ronovská
|
|
Costume & Make-Up | Makeup Artist |
Zdeněk Klika
Alena Šedová
|
Costume Design |
Michael Jeffery
|
|
Key Hair Stylist |
Paula Gillespie
|
|
Hairstylist |
Zdeněk Klika
Stephen Rose
Alena Šedová
|
|
Key Makeup Artist |
Allen Weisinger
|
|
Wardrobe Master |
Iva Bártová
|
|
Assistant Costume Designer |
Lindsay Pugh
|
|
Writing | Screenplay |
Lem Dobbs
|
Sound | Original Music Composer |
Cliff Martinez
|
Apprentice Sound Editor |
Alexandra Root
|
|
Sound Editor |
Larry Blake
Mark A. Mangini
|
|
Sound Re-Recording Mixer |
Larry Blake
|
|
Sound Effects Editor |
Ron Bartlett
|
|
Sound Recordist |
Matthew C. Beville
Dave Moreno
|
|
Sound Assistant |
Tomáš Červenka
|
|
Boom Operator |
Phil Croal
|
|
ADR Supervisor |
Louis Elman
|
|
Assistant Sound Editor |
Aaron Glascock
|
|
Production Sound Mixer |
Paul Ledford
|
|
Sound Effects |
Steve Lee
|
|
Sound Designer |
Mark A. Mangini
|
|
Foley Artist |
Dan O'Connell
Alicia Stevenson
|
|
Foley Mixer |
Greg Orloff
|
|
Foley Recordist |
Randy Singer
Nerses Gezalyan
|
|
Dolby Consultant |
Steve F.B. Smith
|
|
ADR Mixer |
Alan Snelling
|
|
Art | Art Direction |
Leslie Tomkins
Jiří Matolín
|
Set Decoration |
Joanne Woollard
|
|
Production Design |
Gavin Bocquet
|
|
Painter |
Bill Bernie
George Dean
|
|
Props |
Gary Dawson
Rudolf Kinský
Milan Sebo
|
|
Construction Coordinator |
Len Furey
|
|
Assistant Set Decoration |
Ian Giladjian
|
|
Property Master |
Bohumil Kadlec
|
|
Assistant Art Director |
Michal Krška
Martin Malý
|
|
Draughtsman |
Philip Elton
|
|
Camera | Director of Photography |
Walt Lloyd
|
Still Photographer |
Alan Pappe
|
|
Clapper Loader |
John Attwell
|
|
Focus Puller |
Steve Burgess
|
|
Camera Operator |
Eddie Collins
|
|
Key Grip |
John Flemming
|
|
Best Boy Grip |
Paul Wells
|
|
Editing | Editor |
Steven Soderbergh
|
Assistant Editor |
Aaron Glascock
|
|
Color Timer |
Tom Salvatore
|
|
Visual Effects | Special Effects Supervisor |
Ian Wingrove
|
Lighting | Electrician |
David Jensen
Brian Martin
Stuart Reid
|
Gaffer |
Martin Evans
Lubos Simecek
|
|
Crew | Special Effects Technician |
Terry Glass
|
Stunt Coordinator |
Marc Boyle
|
|
Stunt Double |
Perry Davey
Pavel Cajzl
|
|
Generator Operator |
Jim Coward
|
|
Department | Role | Name |