Ratings
Financials
Revenue: $2,400,000
Budget: $8,000,000
Profit: - $-5,600,000
Movie Details
Tag Line: You can’t get anywhere on your own
Status: Released
Average Rating: 7
Release Date: Apr 6, 2018
Rating:
Run Time: 2h 01m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: The Bureau , Film4 Productions
Genres
Keywords
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Synopsis
Charley Thompson, a teenager living with his single father, gets a summer job working for horse trainer Del Montgomery. Bonding with an aging racehorse named Lean on Pete, Charley is horrified to learn he is bound for slaughter, and so he steals the horse, and the duo embark on an odyssey across the new American frontier.
Crew
Department | Role | Name |
---|---|---|
Sound | Foley Mixer |
Patrick Ghislain
|
Sound Re-Recording Mixer |
Per Boström
|
|
Sound Effects Editor |
Christer Melén
|
|
Foley Artist |
Julien Naudin
|
|
Supervising Sound Editor |
Joakim Sundström
|
|
Production Sound Mixer |
Christian Dolan
|
|
Dialogue Editor |
Matthew Skelding
|
|
ADR Mixer |
Chris Navarro
|
|
Music Supervisor |
Connie Farr
|
|
Boom Operator |
Creed Spencer
|
|
Original Music Composer |
James Edward Baker
|
|
Directing | Second Assistant Director |
Ime Etuk
|
Director |
Andrew Haigh
|
|
Script Supervisor |
Janet Beeson
|
|
First Assistant Director |
Antonio Graña
|
|
Second Second Assistant Director |
Kathleen Campbell
|
|
Camera | Still Photographer |
Scott Patrick Green
|
Director of Photography |
Magnus Nordenhof Jønck
|
|
Camera Operator |
Nils Benson
|
|
Steadicam Operator |
Noah Dille
|
|
Dolly Grip |
William Clouter
|
|
Second Assistant Camera |
Michael Crockett
|
|
First Assistant "A" Camera |
David Parson
|
|
Second Assistant "A" Camera |
Peter Parson
|
|
Key Grip |
Oliver Schaal
|
|
Costume & Make-Up | Key Makeup Artist |
Crystal Shade
Eva Lohse
|
Costume Design |
Julie Carnahan
|
|
Costume Supervisor |
Angelique Paull
|
|
Makeup Department Head |
Christina Kortum
|
|
Hair Department Head |
Autumn Sanders
|
|
Key Hair Stylist |
Dusti Leon
|
|
Production | Casting |
Carmen Cuba
|
Executive Producer |
Lizzie Francke
Sam Lavender
Darren M. Demetre
David Kosse
Vincent Gadelle
Daniel Battsek
Ben Roberts
|
|
Unit Production Manager |
Darren M. Demetre
|
|
Producer |
Tristan Goligher
|
|
Production Supervisor |
Dawnn Pavlonnis
|
|
Casting Associate |
Rachel Mossey
|
|
Production Coordinator |
Jennifer Bertram
|
|
Location Manager |
Don Baldwin
|
|
Associate Producer |
Aimee Lynn Barneburg
|
|
Extras Casting |
Jen Tam
|
|
Art | Production Design |
Ryan Warren Smith
|
Set Decoration |
Jenelle Giordano
|
|
Storyboard Artist |
Dan Schaefer
|
|
Graphic Designer |
Carly Sertic
|
|
Leadman |
Chandler Vinar
|
|
Property Master |
Drew Pinniger
|
|
Art Direction |
Jonny Fenix
|
|
Construction Coordinator |
Jarred Decker
|
|
Assistant Property Master |
Greg Brown
|
|
Art Department Coordinator |
Patricia Ibanez
|
|
Writing | Screenplay |
Andrew Haigh
|
Novel |
Willy Vlautin
|
|
Visual Effects | Visual Effects |
Sally Goldberg
Ben McIlveen
Miguel Algora
Nicholas Bennett
|
Senior Visual Effects Supervisor |
Jonathan Rawlinson
|
|
Crew | Scenic Artist |
Ellen Lepinski
|
Post Production Supervisor |
Gerardine O'Flynn
|
|
Dialect Coach |
Mary McDonald-Lewis
|
|
Stunt Coordinator |
Kent W. Luttrell
|
|
Carpenter |
Cody Boat
|
|
Set Medic |
Kenneth Lewis
|
|
Editing | Editor |
Jonathan Alberts
|
Digital Intermediate Producer |
Charlotte Llewelyn
|
|
Colorist |
John Claude
|
|
Assistant Editor |
Marina Morales Moya
|
|
First Assistant Editor |
Matt Hornick
|
|
Lighting | Best Boy Electric |
Jason Campbell
|
Gaffer |
Jake Lyon
|
|
Department | Role | Name |