Ratings
78%
6.9
7.1
91%
Financials
Revenue: $2,400,000
Budget: $8,000,000
Profit: - $-5,600,000
Movie Details
Tag Line: You can’t get anywhere on your own
Status: Released
Average Rating: 7
Release Date: Apr 6, 2018
Rating:
Run Time: 2h 01m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: The Bureau , Film4 Productions
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Foley Mixer |
Patrick Ghislain
|
| Sound Re-Recording Mixer |
Per Boström
|
|
| Sound Effects Editor |
Christer Melén
|
|
| Foley Artist |
Julien Naudin
|
|
| Supervising Sound Editor |
Joakim Sundström
|
|
| Production Sound Mixer |
Christian Dolan
|
|
| Dialogue Editor |
Matthew Skelding
|
|
| ADR Mixer |
Chris Navarro
|
|
| Music Supervisor |
Connie Farr
|
|
| Boom Operator |
Creed Spencer
|
|
| Original Music Composer |
James Edward Baker
|
|
| Directing | Second Assistant Director |
Ime Etuk
|
| Director |
Andrew Haigh
|
|
| Script Supervisor |
Janet Beeson
|
|
| First Assistant Director |
Antonio Graña
|
|
| Second Second Assistant Director |
Kathleen Campbell
|
|
| Camera | Still Photographer |
Scott Patrick Green
|
| Director of Photography |
Magnus Nordenhof Jønck
|
|
| Camera Operator |
Nils Benson
|
|
| Steadicam Operator |
Noah Dille
|
|
| Dolly Grip |
William Clouter
|
|
| Second Assistant Camera |
Michael Crockett
|
|
| First Assistant "A" Camera |
David Parson
|
|
| Second Assistant "A" Camera |
Peter Parson
|
|
| Key Grip |
Oliver Schaal
|
|
| Costume & Make-Up | Key Makeup Artist |
Crystal Shade
Eva Lohse
|
| Costume Design |
Julie Carnahan
|
|
| Costume Supervisor |
Angelique Paull
|
|
| Makeup Department Head |
Christina Kortum
|
|
| Hair Department Head |
Autumn Sanders
|
|
| Key Hair Stylist |
Dusti Leon
|
|
| Production | Casting |
Carmen Cuba
|
| Executive Producer |
Lizzie Francke
Sam Lavender
Darren M. Demetre
David Kosse
Vincent Gadelle
Daniel Battsek
Ben Roberts
|
|
| Unit Production Manager |
Darren M. Demetre
|
|
| Producer |
Tristan Goligher
|
|
| Production Supervisor |
Dawnn Pavlonnis
|
|
| Casting Associate |
Rachel Mossey
|
|
| Production Coordinator |
Jennifer Bertram
|
|
| Location Manager |
Don Baldwin
|
|
| Associate Producer |
Aimee Lynn Barneburg
|
|
| Extras Casting |
Jen Tam
|
|
| Art | Production Design |
Ryan Warren Smith
|
| Set Decoration |
Jenelle Giordano
|
|
| Storyboard Artist |
Dan Schaefer
|
|
| Graphic Designer |
Carly Sertic
|
|
| Leadman |
Chandler Vinar
|
|
| Property Master |
Drew Pinniger
|
|
| Art Direction |
Jonny Fenix
|
|
| Construction Coordinator |
Jarred Decker
|
|
| Assistant Property Master |
Greg Brown
|
|
| Art Department Coordinator |
Patricia Ibanez
|
|
| Writing | Screenplay |
Andrew Haigh
|
| Novel |
Willy Vlautin
|
|
| Visual Effects | Visual Effects |
Sally Goldberg
Ben McIlveen
Miguel Algora
Nicholas Bennett
|
| Senior Visual Effects Supervisor |
Jonathan Rawlinson
|
|
| Crew | Scenic Artist |
Ellen Lepinski
|
| Post Production Supervisor |
Gerardine O'Flynn
|
|
| Dialect Coach |
Mary McDonald-Lewis
|
|
| Stunt Coordinator |
Kent W. Luttrell
|
|
| Carpenter |
Cody Boat
|
|
| Set Medic |
Kenneth Lewis
|
|
| Editing | Editor |
Jonathan Alberts
|
| Digital Intermediate Producer |
Charlotte Llewelyn
|
|
| Colorist |
John Claude
|
|
| Assistant Editor |
Marina Morales Moya
|
|
| First Assistant Editor |
Matt Hornick
|
|
| Lighting | Best Boy Electric |
Jason Campbell
|
| Gaffer |
Jake Lyon
|
|
| Department | Role | Name |
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