Lost Highway
(1997) I like to remember things my own way. Not necessarily the way that happened. | Released
Ratings
52%
7.5
7.6
60%
Financials
Revenue: $3,836,866
Budget: $15,000,000
Profit: - $-11,163,134
Movie Details
Tag Line: I like to remember things my own way. Not necessarily the way that happened.
Status: Released
Average Rating: 8
Release Date: Jan 15, 1997
Rating: 1997-02-18
Run Time: 2h 14m
Original Language: English
Website: Link
Production Countries: France , United States of America
Production Companies: CiBy 2000 , Asymmetrical Productions
Sources:
Genres
Keywords
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Where to watch Lost Highway
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Synopsis
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
David Lynch
|
| Script Supervisor |
Cori Glazer
|
|
| First Assistant Director |
Scott Cameron
|
|
| Second Assistant Director |
Simone Farber
|
|
| Second Second Assistant Director |
Adam Rosen
|
|
| Production | Unit Production Manager |
Deepak Nayar
|
| Production Supervisor |
Sabrina S. Sutherland
|
|
| Location Manager |
Julie Duvic
|
|
| Production Manager |
Karen R. Sachs
|
|
| Production Accountant |
Cynthia Wise
|
|
| Executive Consultant |
Ed Morris
|
|
| Casting |
Johanna Ray
Elaine J. Huzzar
|
|
| Producer |
Tom Sternberg
Mary Sweeney
Deepak Nayar
|
|
| Art | Set Decoration |
Leslie Morales
|
| Sculptor |
Greg Polutonovich
|
|
| Production Design |
Patricia Norris
|
|
| Property Buyer |
Eric DaRe
|
|
| Property Master |
Craig Sherman Hall
|
|
| Art Direction |
Russell J. Smith
|
|
| Costume & Make-Up | Makeup Artist |
Debbie Zoller
|
| Hairstylist |
Patricia Miller
|
|
| Special Effects Makeup Artist |
Michael Burnett
|
|
| Assistant Makeup Artist |
Hayley Cecile
|
|
| Costume Design |
Patricia Norris
|
|
| Set Costumer |
Marisa Aboitiz
|
|
| Camera | Camera Operator |
Paul Hughen
|
| Still Photographer |
Suzanne Tenner
|
|
| Grip |
Philip Sloan
Tim Collins
Todd Griffith
Paul Wilkowsky
William Roy Eckert
|
|
| Director of Photography |
Peter Deming
|
|
| First Assistant Camera |
Scott Andrew Ressler
|
|
| Lighting | Gaffer |
Michael LaViolette
|
| Best Boy Electric |
John Willis III
|
|
| Sound | Sound mixer |
Susumu Tokunow
|
| Boom Operator |
Kevin Kubota
|
|
| Sound Designer |
David Lynch
|
|
| Supervising Sound Editor |
Frank Gaeta
|
|
| Sound Re-Recording Mixer |
John Ross
Frank Gaeta
Derek Marcil
David Lynch
|
|
| Sound Effects Editor |
Javier Bennassar
David Melhase
Benjamin L. Cook
Cormac Funge
Elmo Weber
Bill Brown
Dean Hovey
Frederick Howard
|
|
| Music Editor |
Marc Vanocur
|
|
| ADR & Dubbing |
Derek Marcil
|
|
| Foley |
Mary Erstad
Ossama Khuluki
Catherine Harper
Christopher Moriana
Ellen Heuer
|
|
| Sound Engineer |
Jiří Zobač
|
|
| Dialogue Editor |
David Grant
Susan Shin
Paul Longstaffe
Louis Creveling
|
|
| Original Music Composer |
Angelo Badalamenti
|
|
| Foley Editor |
Marilyn Graf
David Mann
Laura Laird
Lucy Sustar
Joshua E. Schneider
|
|
| Supervising Dialogue Editor |
Thomas Jones
|
|
| Crew | Post Production Supervisor |
Desmond Cannon
|
| Post Production Assistant |
Cassandra King
|
|
| Special Effects |
David A. Poole
Michael Wilmot
Bart Barber
Philip Bartko
|
|
| Stunts |
Bruce Paul Barbour
Gene Hartline
Joey Box
Cole S. McKay
Jophery C. Brown
Robert Jauregui
Eliza Coleman
Gilbert B. Combs
Rick Seaman
|
|
| Stunt Coordinator |
Chris Howell
|
|
| Editing | Editor |
Mary Sweeney
|
| Assistant Editor |
Hilary Schroeder
|
|
| Writing | Writer |
David Lynch
Barry Gifford
|
| Department | Role | Name |